Actor Corey Feldman Says Pedophilia No. 1 Problem for Child Stars

The charges against MJ were all lies. Never was a perv. Was a strange gay person, or transvestite if you want to call him that, but even the kid whose family sued him for millions said but a pedo? No. It was all bullshit, like everything else that comes out of hollywood. It was about getting money. MJ pissed off powerful people and that's why he was taken down and eventually murdered.

[link to theindustryexposed.com]

Hollywood is not full of Muslims, so think about it.

Wow, great interview. Corey Feldman is so articulate. The truth just radiates from him. I truly hope these secrets keep being exposed and the perpetrators arrested. Corey is walking in dangerous grounds, though - wonder who COULD unmask some of these monsters? He says he can't and I understand, he has a wife and young son to consider.

Brave man. Everyone should watch the clip and pass it on.

I agree.

For sure. I've always found him to be articulate and intelligent and just so real. I watched a few episodes of his show with Haim a few years back and it was the only reality tv I have ever seen. I just like his vibe. He seems like an upfront person, humble and honest.

Watching this interview made me cringe a bit. You know the guy is telling the truth and it's scary.

All I want to say is they don't really care about us.

I think Amy Winehouse might have been abused as a child. How else do you explain her self-destructive behavior?

Probably. I've known a few hard core drunks and drug addicts, was even married to one for like five minutes when I was very young, and the ones who were the worst had sexual abuse in their backgrounds. Not to say that all addicts have abuse, or that all abused become wastoids. Not at all. But it does happen. She was numbing something, that's probably true.

don't forget to check out the Jessica Simpson Calabasas thread from a few years back..

Thread: Jessica Simpsons MTV house in Calabasas had hidden cameras everhwere

Yeah, like the other Corey, his best friend. Makes you wonder if the child abuse is what messes them up. So many child actors grow up having problems with drugs and alchohol. Look at Lindsey Lohan right now.

Sad really.

I really hope he decides to take these guys down.

This name popped into my head as well. I've heard rumors about his sexual "tastes" for years... Wouldn't surprise me.

Hollywood is controlled by talmudic fake Jews, who worship in the sinagog of satan.

The talmud states that it is moral and legal to have sex with a Jewish girl once she is 3years and one day old. Gentiles are just animals according to the satanic tal MUD and can be sexually abused at any age.

These people follow the tal MUD and do not believe that they have done any thing wrong.

Jesus on the other hand sees things differently. Jesus states that anything you do a child, you do to me.

I don't think Jesus would appreciate being sexually abused by satanic tal MUD munching sons of the devil.

They have booked themselves into Hades, which Jesus holds the keys to.

It's probably a very big name, so he's afraid of getting sued or blacklisted.

You can see just enough anger in his eyes when he talks about it to know it's true and not something he's making up for attention.

The Coreys are/were Jews. Also, you need to look at the percentage of Hollywood that is Catholic, its favorite "Christian" religion.

Do The Jews Own Hollywood
And The Media?
By Texe Marrs
5-9-9


Do the Zionist Jews own Hollywood and the media? Are they using the media to mold and shape American opinion by constantly injecting Zionist propaganda and bias into news programs, movies, television shows, even children's cartoons and entertainment?

The answer is so blatantly "Yes!" that you wouldn't think these questions are even worth pursuing. But recently, the untoward comments of a patriot talk show host made me stop and rethink it. Are there people out there-even in the Patriot Movement-who really are that much in the dark, who deny Jewish influence in the media?

Recently, when a caller to a talk show on the Genesis Radio Network suggested that the Jews control the media, the host went wild. He raged on and on, playing the race card. He branded the surprised caller and others like him who are weary of Zionist influence "Nazis" and "anti-Semites." Angrily, he denied Jewish involvement in any conspiracies and ridiculed those who had the audacity to suggest that Jews run Hollywood or the media. Then, in a real fit of spewed venom, the talk show host demanded that the caller and all others who believe like him should go out and hang themselves to promote population reduction.

As if that wasn't hateful enough, the pro-Zionist host then stated that all the "Nazis and Anti-Semites" who opposed Zionism and the Jews should plug in an electric toaster, hold it to their naked bodies, jump into a bathtub filled with water, and have a party." In other words, kill themselves.

Quite a rampage by the supposedly "patriot" talk show host. And all because the poor caller had dared to propose undue Jewish influence over the media.

Hearing the actual taped broadcast of this unbelievable tirade by a pro-Zionist advocate confirmed my resolve to inform good folks once again of the truly dictatorial grip that Zionist Jews have on the media. The best way to do this is not to rage and spew venom, but simply to present the facts, to document the truth of Jewish control of the media.

What Do Knowledgeable Jews Say?

How about going to top Jews in the media themselves and see what they say? Take Joel Stein, for example, columnist for the Los Angeles Times newspaper and regular contributor to Time magazine. In his column in the LA Times (Dec. 19, 2008), Stein says that Americans who think the Jews do not control Hollywood and the media are just plain "dumb."

"Jews totally run Hollywood." Stein proudly admits. He then goes on to provide a long, long list of Hollywood/media chieftains-all Jews!-to prove his point. On his list: Fox News President Peter Chernin; Paramount Pictures Chairman Brad Grey; Walt Disney CEO Robert Igor; Sony Pictures Chairman Michael Lynton; Warner Brothers Chairman Barry Meyer; CBS CEO Leslie Moonves; MGM Chairman Harry Sloan; and NBC/Universal Studios CEO Jeff Zucker.

That's just the top brass at the studios. Then there are the actors and entertainers - predominantly Jews, from Barbra Streisand and Gwyneth Paltrow, from Adam Sandler to Ben Stiller...Jew, Jew and Jew again. As Stein wryly remarks, even the head of the Actors' Union, the Screen Actors Guild, Alan Rosenberg, is a Jew.

"The Jews are so dominant," writes Stein, "I had to scour the trades to come up with six Gentiles in high positions at entertainment companies." "But lo and behold," Stein says, "even one of that six, AMC President Charles Collier, turned out to be a Jew!"

"As a proud Jew," says Joel Stein, "I want America to know of our accomplishment. Yes, we control Hollywood."

ADL's Foxman Admits Jewish Control

Stein says he then called Abe Foxman, Chairman of the Jewish ADL, to ask him, why don't more Jews just come out and boast at this great accomplishment? Foxman responded by admitting that yes, it's true that most of the top execs "happen to be Jewish." In fact, Foxman told Stein, "all eight major film studios are run by men who happen to be Jewish."

Ben Stein (no relation to Joel), the well-known Jewish actor, economic commentator and writer, when asked "Do Jews run Hollywood?" stared blankly at the questioner, then retorted, "You bet they do-and what of it?" Shahar Ilan, writing in haaretz.com, the internet division of Israel's top daily newspaper, commented, "The Jews do control the American media. This is very clear, and claiming otherwise is an insult to common knowledge."

Neal Gabler, also a Jew and a noted media researcher, wrote an entire book outlining Jewish control of Hollywood. It was entitled, An Empire of Their Own: How the Jews Invented Hollywood. But to really see how the Jews, in their own publications and press, view the reality of Jewish control of the media, all one has to do is take a look at a recent issue of the Jewish Daily Forward, which featured an article entitled, "Billionaire Boychiks Battle for Media Empire."

Billionaire Jews Battle for Media

This fascinating, look-see article discussed how the Jews had for decades owned the media and now were competing; that is, vying, to buy one of America's most powerful media companies, Tribune Company, which owns 23 television stations, a baseball team, and many major newspapers, including the Chicago Tribune and the Los Angeles Times.

"However, it turns out," gloated the Jewish mag, "we'll have a Jew in charge of the (LA) Times, which was once one of old Los Angeles' most famous WASP (White Anglo Saxon Protestant) institutions. What a great day for old LA Jews"

The publication noted that among the Jewish billionaires ("boychiks") vying for the Tribune media empire is "Liberal, Jewish, media mogul David Geffen."

And who, pray tell, is the current owner of the Tribune Company? Why, that would be Jewish billionaire Sam Zell. Zell is a major donor to Israeli, Zionist and Jewish causes. His own rabbi proudly reports that Zell is "a committed Zionist, a generous supporter of Israel, and a member in good standing of the synagogue."

Asked who his own favorite newspaper columnists were, Zell quickly answered, "Charles Krauthammer, Thomas Friedman, and David Brooks." Surprise! The trio are all ardent Zionist whack-jobs who clamor over each other demanding the U.S. attack Iran, provide billions more in foreign aid to favored nation Israel, and so forth.

Local Newspapers Owned by Foreign Agents

So powerful is the Jewish control over the media that Nathanael Kapner, a rare Jew who converted to Christianity and now is adept at reporting these things, asserts that no longer can we trust our local daily newspaper. "Zionist Jews have taken over the 'local newspaper' in America," Kapner writes. Indeed he explains that there basically is no local newspaper anymore, because, "Most local newspapers are owned by companies controlled by Zionists whose offices are hundreds of miles away."

Kapner provides manifold evidence of Zionists' dominating control of the media at all levels. The Newhouse Empire of the Jewish brothers Samuel, Donald, and Theodore Newhouse, Kapner says, "illustrates the insatiable appetite for opinion control:"

"Today, the Newhouse Empire owns 40 local newspapers across the U.S.A. These include the Newark Star Ledger, the Cleveland Plain Dealer, the Portland Oregonian, and the St. Louis Globe-Democrat."

Then, there are the vast array of magazines run by the Jewish Newhouse family-including the New Yorker, Vogue, Golf Digest, Glamour, Gentleman's Quarterly (GQ), and the massively circulated newspaper insert, Parade magazine.

Jewish Media Spew Out Pro-Zionist Propaganda

The fact that Zionists control virtually every media outlet in America is no doubt why the American citizenry hears only one version of events in the Middle East-the pro-Jew, pro-Israeli side. This led Dr. Kevin MacDonald, professor at California State University, to write:

"In the contemporary world, organized American Jewish lobbying groups and deeply committed Jews in the media are behind the pro-Israel U.S. foreign policy that is leading to war against virtually the entire Arab world."

This Zionist bias and propaganda spin by the Jewish-owned American media is not new. As far back as 1978, the noted Jewish political writer Alfred Lillienthal, in his revealing book, The Zionist Connection, stated:

"The most effective component of Jewish connection is probably that of media control. It is well known that American opinion molders have long been largely influenced by a handful of powerful newspapers, including the New York Times, the Washington Post, and the St. Louis-Post Dispatch (All Jewish Families)."

To further illustrate the breadth of Jewish media control, we note that Jewish magnate Arthur Sulzberger's media empire today includes not only the New York Times (which, in Stalin's day, systematically covered up the genocidal crimes of Jewish commissars in Communist U.S.S.R), but also the Boston Globe, the Lexington Dispatch (NC), the Gainesville Sun (FL), the Ocala Star Banner (FL), the Tuscaloosa News (AL), the Spartansburg Herald Journal (SC), and the Santa Barbara News Press (CA). Each of the newspapers Lillienthal mentioned back in 1978, in turn, owned and still owns dozens of others. So tainted is the news because of this that almost every newspaper in America endorsed President George Bush's radically pro-Israel policies in the Middle East, including Israel's savage butchery of Lebanon and Palestine.

There can be no doubt. It is easy for us to document the massive dominance over the media by evil Jewish shills who are continually hostile to pure American interests while, everyday, unabashedly spewing out reams of misleading Zionist propaganda. Time magazine, Newsweek, NBC, ABC, CBS, CNN, FOX-and many, many more are all owned or run by Jews and operated solely to further the aims of the traitorous, anti-American, ever-growing Zionist World Empire.

All America is in the Grip of the Hidden, Red Iron Fist of Zionism

Of course, the media, even as important as it is to our culture, is only a bit piece of the whole that is now, regrettably, under the big thumbs of the Jewish Zionist elite. Our educational establishment, Wall Street, the banks, the Federal Reserve, our Congress, the White House (just consider Rahm Emanuel, the Zionist Israeli freak who is Obama's White House Chief of Staff), and our judiciary-each and every one is infiltrated by Zionist radicals who put Israel and their own "Chosen People" first, to the detriment of everything sacred to honest, God-fearing, hard-working Americans.

So, the next time you hear some ignorant rube on talk radio or elsewhere shoving the race card in your face and ranting and raving about "Nazis" and "anti-Semites" who "claim" the Jews control the media, why don't you just reach out and turn that radio dial to another place. And please, don't forget to also let the radio network and station manager know of your displeasure.

The fact is that the dishonest Zionist shills out there promoting Zionist lies, drivel, and nonsense truly deserve our contempt.

The Truth is Precious

As for Texe Marrs and Power of Prophecy, we have long pledged ourselves to telling you the truth, the whole truth, and nothing but the truth. And part of that truth, simply put, is this: That yes, absolutely, Zionist Jews do own and control Hollywood and the media. So beware of their lies and deceit. The truth is precious. Let us work together to protect and nurture it.

(Texe Marrs, Author and Researcher may be contacted at www.powerofprophecy.com)

I thought priests had the monopoly on that.

No, you need a Christian. I say Ron Howard.

If MJ wasn't a pedophile then why did he CONTINUE sleeping with strange boy after strange boy IN HIS BED for years after the first molestation allegation??

From Crispin Glover's "What is it?" essay:

[link to thecrispincorner.com]


"Do you believe Steven Spielberg is an ideal guide and fluence for our cultre? Do Steven Spielberg’s films question our culture? What do Steven Spielberg’s fils question? Does Steven Spielberg focus much of his fantasy life on young people? Did he portray children wallowing in sewers filled with fecal matter in Schindler’s List? Did he use children to fingerpaint an adult in Hook? Does he collect the illustrations of Norman Rockwell, such as the one showing a young boy in his underwear examined by a doctor? Are the inclinations of Steven Spielberg above suspicion by the media-fed culture? Was Steven Spielberg very friendly with Michael Jackson? Wasn’t Michael Jackson supposed to play Peter Pan in Steven Spielberg’s version of the story? Now that Michael Jackson is no onger held in favor by the mass media, does Spielberg associate with him? Do Michael Jackson and Steven Spielberg share similar opinions about the sexuality of young boys?"

Good sleuthing. He WAS telling it from his body language and emphasis. He also said he was SURROUNDED by them...like could't get away. Look for repeat names in the above.

Well if he can't call the FBI then he needs to contact our hero. The only one who can take out the mogels.

Do you really think the police will protect him?

Naive, much?

Why do you assume he's a Christian?

IT'S NOT MJ! He's already given interviews, he and Haim both when he was alive saying MJ never did anything to either of them.

MJ was not a child molester! Ever!

THE LATEST WORD


Taken, Indeed

      Steamshovel debris: The following essay by Adam Parfrey originally appeared in Jim Goad's renown Answer Me magazine and is anthologized in the 1996 Answer Me book anthology. It appeared shortly after the release of Steven Spielberg's movie, "Jurassic Park," and primarily deals with possible themes of pedophilia in his movie, "Hook."

      Steamshovel presents it here as backgrounder to the recent Sci-Fi channel TV mini-series, "Taken," produced in part by Spielberg.

      Ostensibly about alien abductions, the recent series actually focused more on the relationship of the abduction phenom to various children--the series tracks stories over generations, providing all of it protagonists the opportunity to be quite young--and sadistic adults involved with UFO cover up. (Thanks to Greg Bishop for finding a copy of the essay to reproduce here.)


Pederastic Park?
by Adam Parfrey

      A vicious sort of urban legend began to flourish about the time of Richard Gere's alleged alliance with rectal rodents. Its subject was Steven Spielberg, and the gossip had to do with the director's overweening fascination with child actors. Mindful that hearsay is sometimes false, we are withholding the delicious details. But the fact that this rumor exists at all confirms an underlying unease over the presumably innocent entertainments created by Hollywood's oldest Wunderkind.

      Spielberg's latest theme park-style extravaganza, "Jurassic Park," isn't as explicitly swishy as his failed "Hook," but it reveals components of the auteur's personality that have parents wondering about the movie's appropriateness for children.

      "King King," "The Lost World," and "Godzilla," three monster epics cannibalized by "Jurassic Park," achieved their thrills without resorting to on-screen menacing of tots. Indeed, only on milk cartons can we find children so physically raped as the celluloid juveniles of "Jurassic Park." The film's sadistic tone is established early on, when a fat child challenges the paleontological theories of protagonist Sam Neill. Neill turns on the boy, and in low, menacing tones, he demonstrates to the child how a prehistoric nasty would mangle and devour him. Adding a distinctly Peter Kurtenish frisson, Neill slashes near the child's belly and crotch with a large, sharp claw.
      Perhaps among all our "childlike" wonderment with the subject of dinosaurs, we forget that child abusers commonly invoke the threat of large beasts to frighten and silence their victims. Is the director conjuring the trappings of childhood obsessions only to wield them for a darker purpose?

      Although overtly sadistic, "Jurassic Park" was reined in by its obeisance to special effects; it revealed few of the excesses of "Hook," in which Spielberg's psychodramatic inclinations were allowed to roam free.

      "Hook" is the culmination of over a decade of false starts in bringing J. M. Barrie's Peter Pan to the screen. At first, Spielberg was reportedly considering a live-action redo of the Disney animated feature, starring Michael Jackson as the perpetual pre-pube. But the auteur of suburban childhoos wasn't satisfied with a simple remake.

      The high-concept Hollywood sound bite, "What if Peter Pan grew up?" not only indulged Spielberg's predilections, it provided the film's investors with a tinkingly trendy phrase redolent with the "recovery" metaphysics that have become the ethos for Hollywood's haut monde, the same haut monde who have lately forsworn the continual cocaine-and-Quaalude concatenations so relentlessly documented by former Spielberg producer Julia Phillips in her autobitchography, You'll Never Eat Lunch In This Town Again.

      The recovery movement is led in part by ex-drunk John Bradshaw, who smilingly encourages his readers to throw off the ruinous shackles of adulthood in order to "liberate the inner child." It comes as little surprise that Steven Spielberg takes part in Bradshaw's therapies, which include workshops where "lullaby music is played and participants cradle and stroke one another."

      Asking Steven Spielberg to liberate his inner child would be akin to asking a serial murderer to actualize his anger. By his own admission, Stevie has experienced little in the way of adulthood outside of his overprotective upbringing and the adulatory, toadying fantasy land of Hollywood. Bradshaw's "inner child" therapy is a mere baby-step away from the Diaper Pail Fraternity, a Sausalito-based group for grown men who revert to incontinent fantasy, where surrogate mommies exclaim and coo as they wipe the kinky kid-fetishists' dirty behinds.

      Spielberg's is redolent not only of the inner-child component of recovery, but also its darker aspect: child molestation. Bradshaw seeks to place blame for psychological malaise on a dimly remembered past in which some form of traumatic abuse took place. The less the so-called abuse is remembered, the more convinced are Bradshawian therapists that it actually occurred. At the time that "Hook" went into production, all the radio and television talk shows fixated upon child abuse in a catharsis of mass scapegoating. Suddenly, millions of Americans were convinced that they had been molested by their nuclear family or ritually abused by Satanists.

      On the crest of the child-abuse wave, Spielberg's Peter Pan project was transformed into Hook, whose ad campaign abandoned the traditional flying fairies in lieu of a stark visual of the prosthetic steel claw gleaming against a black background. The gruesome hieroglyphic was a perfect mnemonic device (see Hook, think Hook) ”but more importantly, it transferred any possible pedophilic overtones from Spielberg himself (the auteur hero) to the classically pederastic fantasy figure of Captain Hook, the fiend who spirits children away to a Neverland where Cabbage Patch foundlings enliven the sodomitical lives of Village People pirates.

      Here, Spielberg could be evading responsibility for his alleged tendencies by projecting them onto his villain, a strategy employed by Hitchcock and other directors renowned for their sadistic inclinations.

      Peter Pan had, of course, become such a dusty chestnut that almost no one would object to its pedophilic content.

      Who would remember that its author, Sir James Barrie, was a full-blown boy fancier who never consummated his marriage to actress Mary Ansell and carried on a passionate "friendship" with the sons of Sylvia and Arthur Llewelyn Davies?

      Even today, no one can comfortably explain why Barrie insisted on naming his eternal child "Pan," after the goatish satyr of mythology.

      In a tradition begun by Sir Barrie, most stage productions of Peter Pan cast a boyish woman in the lead role, a transvestite tradition Spielberg may well have paid homage to by casting Glenn Close as the bearded pirate named "Gutless."

      Pederastic organizations such as NAMBLA insist that children are wise, sexual creatures who should be given the opportunity to be fondled, sucked, and anally penetrated by middle-aged men.

      The NAMBLA Bulletin has a special column called "Boys in the Media," tracking the doings of such Hollywood chickens as Macaulay Culkin, known affectionately in the Bulletin as "Mac." The self-described "Ganymedian" L. Martin, who write the "Boys in the Media" column, spoke by phone about Stephen Spielberg and Hook.

      "Spielberg is known for his interest in young boys, certainly," said Martin. "A lot of the members have been talking about Hook, telling me how much they enjoyed it."

      NAMBLA spokesman Renato Corazza refused to confirm or deny Spielberg's possible membership in the Man/Boy Love Association: "We don't divule our membership rolls."

      And is it merely accidental that another pederastic magazine goes by the acronym P.A.N. (Paedo Alert News)?

      Spielberg's costume designer Anthony Powell endows Hook's "Lost Boys" with a cute Benetton-meets-Oliver Twist look tailor-made for the chicken-hawk sensibility. Dance of the Warriors, a futuristic fantasy about a warrior cult of young boys who fight right-wing Christians for the privilege of having sex with aging boy-lovers, sports on its cover a salt-and-pepper boy couple who almost precisely mirror two of Spielberg's Lost Boys. The book appeared in the pedophilia sections of gay bookstores just at the time that Hook was going into pre-production.

      Just who are Spielberg's Lost Boys? Walter Keane-style big-eyed orphans? Lord of the Flies in Suburbialand?

      Hook's smarmy press kit tries to make each personality distinct. There's Rufio ("the proud leader of the Lost Boys, whose determined jousting with Peter for the honor of guiding the troupe of ruffians leads to a new understanding between the two rivals in Neverland"); Ace ("the Lost Boy with all the angles figured out for his peers"); Thudbutt ("whose imposing size belies his gentle disposition among the Lost Boys--but don't get him angry!"); No Nap ("a street urchin complete with suspenders, knockers, a newsboys cap...and a heart of roughened gold"); Latchboy ("the curly-top redhead who always finds himself in the thick of any mischief contrived by the band of tarnished angels"); Pockets ("one of the smallest Losy Boys, who has a particular soft spot for helping Peter get his wings in Neverland"); and Too Small ("the tiniest Lost Boy in stature but one of the feistiest in nature, who wears his pajamas through thick and thin").

      Hook's emotional highlight, strangely absent from the shooting script's first revised draft, is the touchy-feely communion of the adult Peter Pan and the Lost Boys. We're treated to prolonged takes of the tykes touching and caressing Robin Williams's face and body.

      When the Lost Boys smear war paint on Wiliams's naked torso, the idyll is reminiscent of a certain gay body-painting video advertised in The Advocate "that focuses on creative eroticism, that expands and extends the beauty of foreplay."

      There's not room enough to detail the pedophilic implications of other Spielberg productions: the man/boy relationship in "Empire of the Sun," which begins with John Malkovich's comment about young Christian Bale's "sweet mouth" and reaches its emotional climax when Malkovich directs the chicken to move his cot next to his; the child-alien/human ectodermal interactions in Close Encounters; and the sanitized incest theme of Back To The Future.

      However, it was E.T., Spielberg's most exalted triumph, which seems to clothe boy-love fantasy in New Age vestments.

      Spielberg uses every trick in the director's chapbook to induce us to love a wrinkled, potbellied cosmic interloper that hides in boys' closets and communicates with a glowing, phallic finger.

      It was young Henry Thomas's taunt to his twelve-year-old celluloid brother--"penis breath"--that had Spielberg conjure, if only for a disturbing instant, the image of a bald-faced lad with a cock in his mouth.

      Although the "negligent" participants got off with nary a knuckle-rap, we must not forget that Spielberg also produced the actual snuff film "Twilight Zone," in which Vic Morrow and two young children were beheaded during filming.

      Perhaps the most perverse aspect of Steven Spielberg's work is its obsessive posture of sentimental innocence.

      Psychologists trained in the vocabulary of sex criminals often note the cloak of goo-goos and sugar frosting as the subconscious moral gymnastics of repression and guilt transference.

      But now that "Jurassic Park" has more openly revealed the overtly sadistic aspect of Steven Spielberg's curious desires, there is only one more place to go for this self-styled avatar of contemporary myth. His movie, "Schindler's List," was filmed in Auschwitz.

[link to www.steamshovelpress.com]

Everyone's a Christian in Mayberry.

I heard him say: "Hollywood mogul", not media mogul?

Alfalfa.