Let's don't forget Arthur Clark either...

Kubrick was a master of semiotics and steganography.

The orgy scene in "Eyes Wide Shut" (a film severely edited in spite of the fact director Kubrick had a contract with Warner Brothers saying no one could touch his film) was filmed at the mansion of Nathan Rothschild in London. Eyes Wide Shut was Kubrick’s last film. One of the characters in that film was played by director/actor Sidney Polack whose name in Yiddish is bricklayer or mason (head of the masons) the dialogue is don’t mess with them. His film Path of Glory was about what World War I did with Europe; Dr. Strangelove and Full Metal Jacket is about military industrial complex; 2001 Space Odyssey is about Alchemical View while Clockwork Orange is about Mind Control (astronauts Edward Mitchell from Apollo 14 or Buzz Aldrin from Apollo 11 in their own words suggest they were under its influence so they didn’t remember what was really happened on the moon and hypnotherapy applied to them never worked). As soon the astronauts wanted to remember they threw up like in the film…being clockwork orange in their minds.
The wealthy art dealer Szandor who’s been named after the founder of Church of Satan; Christmas trees & colorful lights, triangles and single eye?; 8 pointed Wiccan star of chaos; a dialogue about going where the rainbow ends and then the place called “rainbow fashions” lit with neon lights, a heavily guarded place (passcodes) of sin and odd costumes shop. Red color means danger and blue safety.

The music played at the masked ball is Orthodox mass played backwards and sung in Romanian. Owl masks at the Bohemian Grove are used to worship a giant owl Moloch to which children are sacrificed in a fire ritual during the orgy sequence. The setting is in a deco combining Muslim, European and South Indian influences. The words “is this hell?…lovers” is heard sung in Tamil.

The poster of Clockwork Orange is an eye taken from a pyramid! Kubrick died 4 days after the final cut of this film presented to Warner Brothers which was never released. Kubrick’s wife was completely surprised of his “heart attack”.

Kubrick died on March 7th, 1999. Kubrick died precisely 666 days prior to the first day of the year in which his most famous film occurs — 2001: A Space Odyssey.

1) The "monoliths" in the movie appear for 666 seconds. The time between the first appearance and final disappearance of each of the four "monoliths'," the four times added together is 666 seconds.
2)

2) The number of camera shots starting from "The Dawn of Man" (the first shot after the opening credits) to "The End" (the last shot of the closing credits) is 666.

3) The running time of the movie is 666 in two different ways. The running time of the film in seconds, from the beginning of the "Overture" to the end of the "Exit Music" (total exhibition time), is equal to the number of moon orbits contained in 666 years (8903). The running time of the film in seconds, from the beginning of the MGM lion logo to the fade-out of the story, is equal to the number of moon phases contained in 666 years (8237). Everything before and after the movie proper, that is, the "Overture," end credits, and "Exit Music" times, adds up to 666 seconds.

Its sequel '2010: The Year We Make Contact' (or 'Odyssey Two') in which Jupiter, with the help of the monolith, becomes a sun - called Lucifer. In fact this sun is a brown dwarf star.

And in REAL LIFE the Galileo probe was actually carrying 49 ¼ pounds plutonium, causing some buzz about a possible nuclear reaction turning Jupiter into the second sun of the solar system! Unlike nuclear fission bombs, the power of an H-bomb or thermonuclear weapon has no practical limit, -- it can be made as powerful as you want, by adding more deuterium/tritium to the second stage. What is interesting is this deuterium (D) heavy isotope of hydrogen on Jupiter. D has disappeared from the Sun as a result of nuclear reactions in the solar interior. Because no such reactions occur on Jupiter, the ratio of deuterium to hydrogen there should be identical to the ratio of those isotopes in the cloud of interstellar gas and dust that collapsed to form the solar system 4.6 billion years ago. Since deuterium was made primarily in the "big bang" that has been postulated to have begun the expansion of the universe, an accurate measurement of deuterium/hydrogen on Jupiter would allow the calibration of expansion models.

An engineer named Jacco van der Worp claimed that, plunging into Jupiter’s deep and increasingly dense atmosphere, the on-board Galileo electrical power supply – a set of 144 plutonium-238 fuel pellets, arrayed in two large canister devices called “RTGs” (Radioisotope Thermoelectric Generators – see image and schematic, below) – would ultimately “implode”; that the plutonium Galileo carried would ultimately collapse in upon itself under the enormous pressures of Jupiter’s overwhelming atmosphere—.So maybe there was a Hiroshima & Nagasaki Jovian holocaust after all, September (that month), 2003.

This was a Satanic plan Arthur Clark knew because of a letter from someone who knew better – NASA’s Dr. Walter Jastrow- which leads to the novel 3001 Space Odyssey. Wanna briefly know about it and its relationship with Shoemaker-Levy comet and the assassination (?) of the one who discover the comet, Eugene Shoemaker.

It was very interesting the idea of the monolith multiplying itself like a virus and eating the planet (in fact adding mass to the planet), altering the chemistry and fading the color to create something like an EYE that eventually leads to the implosion of the planet converting it into the second smaller and more dense sun in our Milky Way.

John von Neumann, relying on A. Turing's works, interested himself on the theory of self-reproductive automata and worked on the conception of a self-reproductive machine, the "kinematon". Such a machine was supposed to be able to reproduce any machine described in its programs, including a copy of itself. The most famous of his machines is the monolith of the series "2001 Space Odyssey". To change Jupiter into a star, a first monolith self-reproduces, as well as its descendants, the population so increases exponentially to quickly reach the size necessary to realize such a gigantic task.
[link to www.enterprisemission.com]

Yet, we know Kubrick knew the special FXs wouldn't work using the real planet SATURN/SATURDAY/SATAN so he used Jupiter as a candidate.

Kubrick’s film is supposed having being helped NASA agenda link with German Saturnian archon elite. Archon code is BEAR, an animal worshipped for centuries. Saturn was the name of the rocket used by NASA program. NASA is obsessed with Saturn. The struggle between the Jovians, followers of Jupiter/Zeus IOVE/JEHOVAH and Saturn/Sethian worshippers. Saturn is Chronos and Time, the real Lord of the RINGS. Saturn maybe a dimensional stargate which NASA knows. Rising of the Black moon of Saturn, the dwelling of the Antichrist. Iapetus spheroid moon which is in Clark’s book 2001 Space Odyssey where we find the monolith and not in Jupiter. The special FXs couldn’t make Saturn’s rings so they did Jupiter. The persplex glass which was used to build a tetrahedron didn’t look well on the screen so Kubrick did 14 rectangular monoliths made of wood and painted black. The stargate rather than a pyramid became a literal DOORWAY to other dimensions. Iapetus is the seventeenth of Saturn's thirty three currently known moons, and the third largest. It was named after a Titan -- the son of Uranus and the father of Prometheus and Atlas (the latter said to be the “fathers of Mankind”). Thus, in Greek myth, Iapetus was also an ancestor … a progenitor… of “Homo Sapiens Sapiens” Iapetus’ most singular characteristic is the fact that, in Cassini’s small, 17th century refracting telescope (it only had an objective lens two inches in diameter!), the faint Saturnian moon (about 100 times dimmer than the faintest object visible to the unaided naked eye) seemed to literally disappear about every 40 days … for half its 79-day orbit! As Cassini watched, Iapetus would be visible during its so-called “western elongation” (when it was west of Saturn in the sky), but would then progressively get dimmer as it curved around and passed behind the planet, until it completely vanished as it approached “eastern elongation.” Then, a few days later, it would “magically” reappear … as an extremely faint “star” … growing steadily in brightness, until it reached its farthest distance west of Saturn once again and its greatest brightness!

This puzzling behavior would then mysteriously repeat -- like the newly invented mechanical clockwork -- every 79 days; a mysterious “winking” moon … orbiting Saturn … for as long as Cassini observed.
As Cassini watched, Iapetus would be visible during its so-called “western elongation” (when it was west of Saturn in the sky), but would then progressively get dimmer as it curved around and passed behind the planet, until it completely vanished as it approached “eastern elongation.” Then, a few days later, it would “magically” reappear … as an extremely faint “star” … growing steadily in brightness, until it reached its farthest distance west of Saturn once again and its greatest brightness!

This puzzling behavior would then mysteriously repeat -- like the newly invented mechanical clockwork -- every 79 days; a mysterious “winking” moon … orbiting Saturn … for as long as Cassini observed. Remarkably, the entire “front half” of Iapetus was fully ten times darker than the “back half” – the former reflecting only about as much light as a piece of charcoal … or (as Arthur put it in “2001”) burnt toast!

The geometry of this inexplicable dichotomy also proved unique (below): for obvious reasons, Iapetus forever earned the title that evening, after Voyager’s historic first fully resolved images were sent home, of—

“The Yin/Yang Moon” ….Voyager acquired many images as it approached Iapetus for the first time. On some of them (below - left), a large (~ 150 mile diameter), dark, ring-shaped feature appeared on the side of the moon facing Saturn. In the center of the ring -- almost exactly as Arthur had described it before anyone could have seen it -- was an “elliptical white region … with a black center!”

What’s that “thing” ... sticking up twelve miles above the left-hand limb? According to NASA’s official description of this image, it reveals in 3-D-- … a long narrow ridge that lies almost exactly on the equator of Iapetus ….… no other moon in the solar system has such a striking geological feature ….12-mile-high, 12 miles wide (~60,000 foot!) “Great Wall” -- which precisely bisects the leading hemisphere, and apparently crosses the entire width of this strangely darkened “Cassini Regio”. It is a well-known cliché that “Nature doesn’t usually create straight lines.” If that is true, then it certainly doesn’t create three of them (close-up-below) – all running parallel, not only to each other, but to the literal equator of the planet. Compared with high skyscraper in Dubai, scaled according to the surface gravity of Iapetus – which is only 1/40th the strength of the surface gravity of Earth! – a similar skyscraper on the 900-mile-wide moon of Saturn could reach up 15 miles. on the 900-mile-wide moon of Saturn could reach up 15 miles. repeating, three-dimensional rectilinear surface patterns -- imaged in color and located several hundred miles north of the Wall … near the boundary between the “brown stuff” and the “white stuff” on the leading hemisphere of Iapetus (sunlight from bottom left).

The rectilinearities run precisely north/south, east/west ….

Clearly these are NOT random, “square craters” -- but remarkable, highly ordered evidence of sophisticated, aligned, repeating architectural relief! Iapetus is not one of the normal “moons” of Saturn -- but is actually a 900-mile-wide, manufactured, ancient world-sized spaceship ... created under 1/40th terrestrial gravity according to a fractally apparent, “tetrahedral” pattern! The unique and obviously layered nature of Iapetus -- a “shell … within a shell … within a shell” is truly revealed here (below): the “cookie cutter” geometry of this eastern “impact basin” (seen here from a different angle to the previous image) is totally unlike that of any other impact features known ... on any other planet, or satellite across the solar system! Despite having a larger gravity field and much more mass … and being over 2 million miles from Saturn (so “tides” are totally eliminated) …its overall shape isn’t close to being spherical! Needless to say -- natural planets or satellites do NOT come with sharply-defined “straight edges!”