Kubrick actually did a tetahedron made of a certian glass but it didn't look good. So he changed into a DOORWAY, 14 monoliths made of wood and sprayed black (people had to handle them with gloves not to put any fingerprints!).

This Iapetus shape has the same geometric shape that H.G. Wells – that famed Victorian science fiction writer, who also left us immortal classics like “The Time Machine,” and “The War of the Worlds” -- had proposed for his own dodecahedron spaceship … in “First Men In the Moon” (1901)! If a tetrahedron is placed inside a dodecahedron, its vertices can also be precisely placed on select vertices of the dodecahedron itself. This, in turn, generates a “lowest order solution” to the puzzle of why the two “impact basins” marking the Iapetus ellipse would be located on the surface according to a tetrahedral geometry. Or an eroded truncated icosahedron.

The answer: they aren’t “natural impact basins” after all -- but more ancient, geometric evidence that Iapetus was once a Platonically-designed … world-sized … spaceship “moon” …. Soccer ball moon like the universe.


(Which brings up the nagging question: what did Wells know … and how did he get wind of it ..!?)


[link to www.enterprisemission.com]

It’s said Saturn was closer to earth in the past and its rings were visible. It’s higher dimensional timing device sort to speak to trap us in time. Saturn is sucking the energy of the planets. Saturn cannibalizes his own children.

Stanley is obsessed with time. His third film, "The Killing " is intercut between many different times. This is 1956, way before "Momento" or any of these modern films.
When he moves forward to "Dr. Strangelove," again he is inter-cutting, not between different times, but in the same time. Time is different, even though it's at the same time.
When you're on the bomber, time is moving fast, but when you're at the President's conference in the War Room, time is moving very slow. When you're trying to get the code from General Jack Ripper, time is moving slower than erosion. Jack isn't going to tell you the recall code.
"2001" is doing the old thing with time too. We cut in 1/24th of a second between his thrown bone and a spaceship years later. Also we don't really know what time it is on Earth when the Star Child returns at the end of the film. Kubrick's bigger story is that this world is ruled by a group of people who are very advanced. Apparently, they have a secret space program, which they're hiding from us. They do not really time-travel, but they have a curious relationship to linear time. They appear to be able to move in and out of it.

The entering inside a planet could be the north pole. We see mathematical geometry, hexagons at the poles of the planets.

Gnostics preached that there was an invasion that occurred about 3,600 BC and, about 1,600 years before the Nag Hammadi texts were buried, they wrote that this invasion was like a virus and, in fact, they were hard pressed to describe it. The beings that were invading were called Archons. These Archons had the ability to duplicate reality, to fool us. They were jealous of us because we have an essence of some kind, a soul, that they don’t possess, and the Nag Hammadi texts describe the Archons. One looks like a reptile and the other looks like an unformed baby or a foetus. It is partially living and partially non-living and has grey skin and dark, unmoving eyes. The Archons are duplicating reality so that when we buy into it, when we come to believe that the duplicated, false state reality is the real reality - then they become the victors. They can get into people and can manipulate people to do things very suddenly that are very odd. But also they are actually responsible for the deterioration of culture, so unlike the culture of the ancient Greeks or Chinese but a cheap façade of a culture. As the Archonic presence has spread across the earth and has escalated in the 20th century, you can see that they are responsible for sprawl and the mass ugliness that is everywhere.