So you don't believe in in stasis... here is graphic proof called 'time spicing'

If I was a GLP member I could show you a graphic composition.

Photography technique, I call this end result a multidimensional energy, and why I lost a post here two days ago multitasking, it was meant to happen. A Time slice web search revealed:

In computing, preemption (sometimes pre-emption) is the act of temporarily interrupting a task being carried out by a computer system, without requiring its cooperation, and with the intention of resuming the task at a later time. Such a change is known as a context switch. It is normally carried out by a privileged task or part of the system known as a preemptive scheduler, which has the power to preempt, or interrupt, and later resume, other tasks in the system.
[link to en.wikipedia.org]
[link to en.wikipedia.org]

Time slice is achieved through using a set of stills or video cameras placed around a subject. The cameras are trigged either simultaneously or sequentially. The singular frames are taken from each camera and are then displayed consecutively through means of animation, thus creating an orbiting view point around the subject. Due to the nature of the time slice, the camera often becomes the subject or character and the space becomes an object of constant flux. This technique has proven to be extremely popular within the gaming genre and virtual film and has been utilised in numerous different manners in films, advertisements and other media genres. An array of different viewpoints and paths can be created via virtual cinematography, but stills or motion cameras usually have to conform to an assigned path. Post production techniques, some of which can be seen in many time slice scenarios in Matrix.

Slow Motion
Now I know why the lights are 'flickering', just like a old silent movie and slow motion! Time can speed up and slow down! [link to en.wikipedia.org]

The art of motion pictures grew into full maturity in the "silent era"(1894-1929) before silent films were replaced by "talking pictures" in the late 1920s. Many film scholars and buffs argue that the aesthetic quality of cinema decreased for several years until directors, actors, and production staff adapted to the new "talkies".

Are you still listening?

[link to en.wikipedia.org]

Evolution
The big Bang Theory showing time speeding up
[link to www.youtube.com]

Two of my divine protocols: Right Here, Right Now! Listen to the words, its important!
[link to www.youtube.com]
[link to www.youtube.com]

Reincarnation
Image: [link to www.salagram.net]
Image: [link to images.ubercomments.com]
[link to en.wikipedia.org]

So you don't believe in in stasis... here is graphic proof called 'time spicing'

Image One:
[link to moblog.net]

Image Two:
[link to wadejohnston1962.files.wordpress.com]
Note the positioning of 'still cameras' that capture multiply stationary images and used in the movie The Matrix.

Image Three:
[link to timeslice.za.com]

Image Four:
[link to www.luisprada.com]
Note the positioning of ships in a formation just like the still cameras in previous pictures!

Last image was found here [link to www.luisprada.com]

You better believe it, time is going to slow down to a halt!
This was more proof as a clue to a 3D or Matrix Collapse. This video shows you time-splicing
[link to www.youtube.com]

In The Matrix, the camera path was pre-designed using computer-generated visualizations as a guide. Cameras were arranged, behind a green or blue screen, on a track and aligned through a laser targeting system, forming a complex curve through space. The cameras were then triggered at extremely close intervals, so the action continued to unfold, in extreme slow-motion, while the viewpoint moved. Additionally, the individual frames were scanned for computer processing. Using sophisticated interpolation software, extra frames could be inserted to slow down the action further and improve the fluidity of the movement (especially the frame rate of the images); frames could also be dropped to speed up the action. This approach provides greater flexibility than a purely photographic one. The same effect can also be produced using pure CGI, motion capture and universal capture. It is thought that the opening sequence from the late 1960s Speed Racer cartoons partially inspired the Wachowski Brothers to incorporate the bullet time effect into The Matrix. Images here: [link to sabia.tic.udc.es]