HOLY FUCK!!! WTF IS THAT?? HUGE satanic altar being prepared to London Olympics opening ceremony.

I feel I'm gonna puke every time I stare at those pics!

I don't see anything "satanic".

Yep,

Those demon butt boys sure know how to put on a show. Everything is proceeding according to schedule ...

I'm glad I'm NOT going to be anywhere near that place!!!

That shit is pure evil!! You can tell just by those photos. I wouldn't want to be in London during the Olympics, for NOTHING!!

Weird. Very Weird.

I mean the duct tape patterned floor is weird - so is the black path and the obelisk / smoke stack

But what or WHO exactly is the giant black-hooded blow up doll supposed to be?

WTB MOAR globalist architechtural head games..

like we're supposed to think were slaves or something...

I bet they hammer the 'ol "We're all one world!

bullshit like the 9/11 "lives change forever" spheel.

bla bla bla

"Hear now this, O foolish people, and without understanding; which have eyes, and see not; which have ears, and hear not."

Jeremiah 5:21

The "Serpent" prolly is supposed to be the River Thames.

The crossed tape represents a street-map of London.

The 'serpent' is the River Thames running through it.

DARK SATANIC MILLS

I really don't wanna know WHO that is. I already know WHAT it is and it's making me really dizzy.

the "dark Satanic Mills" of the Industrial Revolution.


"And did those feet in ancient time" is a short poem by William Blake from the preface to his epic Milton a Poem, one of a collection of writings known as the Prophetic Books. The date on the title page of 1804 for Milton is probably when the plates were begun, but the poem was printed c. 1808.[1] Today it is best known as the anthem "Jerusalem", with music written by Sir Hubert Parry in 1916.

The poem was inspired by the apocryphal story that a young Jesus, accompanied by his uncle Joseph of Arimathea, a tin merchant, travelled to the area that is now England and visited Glastonbury during Jesus' lost years.[2] The legend is linked to an idea in the Book of Revelation (3:12 and 21:2) describing a Second Coming, wherein Jesus establishes a new Jerusalem. The Christian Church in general, and the English Church in particular, used Jerusalem as a metaphor for Heaven, a place of universal love and peace.[3]

In the most common interpretation of the poem, Blake implies that a visit of Jesus would briefly create heaven in England, in contrast to the "dark Satanic Mills" of the Industrial Revolution. Analysts note that Blake asks four questions rather than asserting the historical truth of Christ's visit; According to this view, the poem says that there may, or may not, have been a divine visit, when there was briefly heaven in England.[4][5]


[link to en.wikipedia.org]

London didn't have all those streets during the industrial revolution. Those patterns are some sort of evil spell.

No shit, me either.

"Dark Satanic Mills"
Albion Flour Mills.

The term "dark Satanic Mills", which entered the English language from this poem, is often interpreted as referring to the early Industrial Revolution and its destruction of nature and human relationships.[8] This view has been linked to the fate of the Albion Flour Mills, which was the first major factory in London, designed by John Rennie and Samuel Wyatt and built on land purchased by Wyatt in Southwark. This was a rotary steam-powered flour mill by Matthew Boulton and James Watt, with grinding gears by Rennie,[9] producing 6,000 bushels of flour a week. The factory could have driven independent traditional millers out of business, but it was destroyed in 1791 by fire, perhaps deliberately. London's independent millers celebrated with placards reading, "Success to the mills of ALBION but no Albion Mills."[10] Opponents referred to the factory as satanic, and accused its owners of adulterating flour and using cheap imports at the expense of British producers. An illustration of the fire published at the time shows a devil squatting on the building.[11] The mills were a short distance from Blake's home.

Blake's phrase resonates with a wider theme in his works, what he envisioned as a physically and spiritually repressive ideology based on a quantifiable reality. Blake saw the cotton mills and collieries of the period as a mechanism for the enslavement of millions, but the concepts underpinning the works had a wider application:[12][13]

"And all the Arts of Life they changed into the Arts of Death in Albion./...[14] "
—Jerusalem Chapter 3. William Blake

In the first image, the obelisk has the "Seal of Saturn" towards the base of the structure.


Seal of Saturn:

Jesus -- it's not an exact replication, it's just a representation.

THE COWLED HOODED CLAOAKED DEMON WILL PROBABLY BE PASSED OFF AS A REPSRESENTATION OF PEOPLE COVERED IN SUTT BY ALL THE DIRT FROM THE MILLS SMOKE

Abstract thinking / Art 101 much?
Gaaawd!

HOW "CRAFTY" OF THEM

It's a statue covered in tarpaulin. What about that makes you dizzy?

:colorbump:...

WOW indeed!

LOOK
[link to imagenic.net]

THE WHILE GLOVED HAND OF THE MASONS!!!!!

IT IS A MASONIC WITCHCRAFT CEREMONY THEY PLAN!

It looks like the grim reaper, plus the stadium is ugly as hell.

Last Edited by Venus Alcyone on 06/26/2012 12:50 AM

Are they replacing the original scenario of the opening ceremony with all the occultist symbolism of Glastonbury Tor, by this dark scenario, or they are gonna put it all together???



There has been a lot of nasty shit in this planet lately, but London Olympics is winning big time! And it didn't even start yet...

didn't madonnas ceremony at the super bowl have the black cloaked peeps too?

THWE WHITE GLOVE

THE MASONS WEAR THE WHITE GLOVE
THE MASTER OF CEREMONIES DOES
WHEN THEY DO THEIR WITCHRACFT BASED CEREMONY
WITH THE SWORD

Because it's currently covered in BLACK TARPAULIN.

I'm guessing Harry Potter is under there.

I GUESS THE FACE WILL BE GOLD
THE BODY BLACK
THE WHITE GLOVED HAND HOLDING THE SWORD
WILL REMAIN