HERE IS A QUESTION THAT IS TROUBLING ME:
If (a) the information about Leonardo Davinci
having roots in the Middle East is true.....
and (b) it is verified that Davinci "embedded"
strange symbolism within the context of the
beautiful Vatican paintings he was commissioned
(c) What would this mean for the Catholic Church
and our veneration of his "inspiring" paintings?
(d) Would there be a public outcry to remove the
sacred fresco of THE LAST SUPPER from the wall of
the famous convent?
(e) Would the Paris Art Museum (The Louvre)
be compelled to removed THE MONA LISA painting
and THE MODANNA OF THE ROCKS painting from
How would you feel if you spent $100's of
dollars to travel to Italy to view the lovely
frescos in the Cistine Chapel....only to find
out that the "Christian artist" (Michaelangelo)
not only did NOT HOLD THE SAME RELIGIOUS MIND-
SET as the people for which he painted the
frescos....but that he was such a "REBELL"
THAT HE PAINTED SECRET SYMBOLS OF A RELIGION
YOU DID NOT CARE FOR WITHIN THE SUBJECT MATTER
OF THE PAINTING?
It kindof makes me sick when I look at the
painting of the Mona Lisa to understand, now,
that this hidden information is coming forward
that it contains symbols to the GODDESS KHEPRI
HIDDEN IN THE BACKGROUND OF THE PAINTING!
How do I know that my subconscious mind is not
secretly REACTING TO THESE HIDDEN SYMBOLS?
Does anyone else feel this way--or is it just me?
what does DAN BROWN: Author of "The Davinci Code"
think is within Davinci's paintings?
Ls?feature=player_detailpage" frameborder="0" allowfullscreen></iframe>