Thread: Plato's "Allegory of the Cave"- the modern day shadows on the cave wall are the images on your t.v. screen!

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Plato's "Allegory of the Cave" is a remarkable work of critical thinking. Absolutely amazing and astonishing to consider this work was created 2,400 years ago!

Here is a brief synopsis, via wikipaedia:


Inside the cave

In Plato's fictional dialogue, Socrates begins by describing a scenario in which what people take to be real would in fact be an illusion. He asks Glaucon to imagine a cave inhabited by prisoners who have been chained and held immobile since childhood: not only are their legs (but not arms) held in place, but their necks are also fixed, so they are compelled to gaze at a wall in front of them. Behind the prisoners is an enormous fire, and between the fire and the prisoners is a raised walkway, along which people walk carrying things on their heads "including figures of men and animals made of wood, stone and other materials". The prisoners cannot see the raised walkway or the people walking, but they watch the shadows cast by the men, not knowing they are shadows. There are also echoes off the wall from the noise produced from the walkway.
Socrates suggests the prisoners would take the shadows to be real things and the echoes to be real sounds created by the shadows, not just reflections of reality, since they are all they had ever seen or heard. They would praise as clever, whoever could best guess which shadow would come next, as someone who understood the nature of the world, and the whole of their society would depend on the shadows on the wall.



Release from the cave

"Suppose further," Socrates says, "that the man was compelled to look at the fire: wouldn't he be struck blind and try to turn his gaze back toward the shadows, as toward what he can see clearly and hold to be real? What if someone forcibly dragged such a man upward, out of the cave: wouldn't the man be angry at the one doing this to him? And if dragged all the way out into the sunlight, wouldn't he be distressed and unable to see "even one of the things now said to be true" because he was blinded by the light?
After some time on the surface, however, the freed prisoner would acclimate. He would see more and more things around him, until he could look upon the Sun. He would understand that the Sun is the "source of the seasons and the years, and is the steward of all things in the visible place, and is in a certain way the cause of all those things he and his companions had been seeing" (516b–c).



Return to the cave
Socrates next asks Glaucon to consider the condition of this man. "Wouldn't he remember his first home, what passed for wisdom there, and his fellow prisoners, and consider himself happy and them pitiable? And wouldn't he disdain whatever honors, praises, and prizes were awarded there to the ones who guessed best which shadows followed which? Moreover, were he to return there, wouldn't he be rather bad at their game, no longer being accustomed to the darkness? Wouldn't it be said of him that he went up and came back with his eyes corrupted, and that it's not even worth trying to go up? And if they were somehow able to get their hands on and kill the man who attempts to release and lead them up, wouldn't they kill him?" (517a) The prisoners, ignorant of the world behind them, would see the freed man with his corrupted eyes and be afraid of anything but what they already know. Philosophers analyzing the allegory argue that the prisoners would ironically find the freed man stupid due to the current state of his eyes and temporarily not being able to see the shadows which are the world to the prisoners.

source: [link to en.wikipedia.org]



Modern day Americans have been tricked into watching the moving images on the television and computer screen, and taking that as "real." Reality t.v., social media, especially facebook and twitter have replaced meaningful social interaction, and people give value and meaning to shadows (images- shows, movies, social media websites) cast upon the cave wall (television and computer screens) instead of the actual living beings casting the shadows (fellow brothers and sisters, all children of the same Creator.)