Well, thats cleared that up then! lol Quoting: Anonymous Coward 1484984
Siriusly though Sk, I never intended for my little tit-bit to make trouble, the
intent was to encourage and offer a supporting argument. How-ever it seems to have teased out some very interesting points of view and I must say two of my
personal favourite's, exposure of Vatican duplicity and the search for the seat of
My interests over the years have led me to several unrelated ecclesiastic
works which make hidden revelations of an esoteric nature and because said works were commissioned by the Vatican one would assume they directed
the inclusion of said esoterica, how-ever it could be well argued that the artist included certain clues to Hermetic secrets in an act of defiance of their masters and in the interests of "the underground stream"
My point being, is it not possible the Vatican knew nothing of these iconic
connections to Orion?
They may NOT have known the ancient Egyptian-connection
to the symbolism for the human body all over the Egyptian temples/topography, as Wilten has shown in his videos....
but it is an INTERESTING COINCIDENCE that these paintings and frescos which have shown up between 1400 and 1700
coincide with the discovery during that time of the
Egyptian artifacts by the French. I don't really don't think that the Vatican was kept guessing about the artist's rebellion by putting Orion in their pictures--if that was actually what happened!
In fact, I think that the PILLAR IN THE CENTER OF THE LAST SUPPER PAINTING was done AFTER Davinci painted it to hide the symbols he wished to express behind Jesus. It is totally unlikely that he'd go to the trouble to place a "Trinity Pattern" in the center--behind the Lord--then place a big pillar through the center! lol! Doesn't