Godlike Productions - Discussion Forum
Users Online Now: 1,519 (Who's On?)Visitors Today: 485,100
Pageviews Today: 633,144Threads Today: 194Posts Today: 2,629
05:35 AM


Rate this Thread

Absolute BS Crap Reasonable Nice Amazing
 

The Human Instrument

 
Anonymous Coward
User ID: 26237455
United States
02/02/2013 03:09 PM
Report Abusive Post
Report Copyright Violation
The Human Instrument
When judged by its size, our vocal system fails to impress as a musical instrument.
How then can singers produce all those remarkable sounds?


By: Ingo R. Titze

[link to tranquanghaisworld.blogspot.com]

Although the human vocal system is small, it manages to create sounds as varied and beautiful as those produced by a variety of musical instruments.

All instruments have a sound source, a resonator that reinforces the basic sound and a radiator that transmits the sound to listeners.

A human’s sound source is the vibrating vocal folds of the larynx; the resonator is the sound-boosting airway above the larynx; and the radiator is the opening at the mouth.

The human voice can create such an impressive array of sounds because it relies on non­linear effects, in which small inputs yield surprisingly large outputs.


Here again recent studies indicate that nonlinear effects come to the rescue. This time it is a nonlinear interaction among the system’s elements. Rather than reinforcing each harmonic with a specific tube resonance (as occurs, for example, in organ pipes of different sizes, each of which resonates certain harmonics), our short vocal tract reinforces a cluster of harmonics simultaneously by using an energy-feedback process. The vocal tract can store acoustic energy in one part of the vibration cycle and feed it back to the source at another, more advantageous time. In effect, the vocal tract gives a “kick” to each cycle of oscillation of the vocal folds so as to increase the amplitude of vibratory motions. In analogy to pushing someone on a playground swing, this cyclic kick resembles a carefully timed push to boost the amplitude (travel distance) of the swing’s oscillations.


:singing:
Anonymous Coward (OP)
User ID: 26237455
United States
02/02/2013 03:29 PM
Report Abusive Post
Report Copyright Violation
Re: The Human Instrument
Vocal Fry

Anonymous Coward (OP)
User ID: 26237455
United States
02/03/2013 10:10 AM
Report Abusive Post
Report Copyright Violation
Re: The Human Instrument
The UCLA Phonetics Lab Archive

[link to archive.phonetics.ucla.edu]
Anonymous Coward (OP)
User ID: 26237455
United States
02/03/2013 10:11 AM
Report Abusive Post
Report Copyright Violation
Re: The Human Instrument
Sounds of the World's Languages

UCLA Phonetics Lab Data

[link to www.phonetics.ucla.edu]
Anonymous Coward
User ID: 25736464
United States
02/03/2013 10:24 AM
Report Abusive Post
Report Copyright Violation
Re: The Human Instrument
what is the skinflute.
Anonymous Coward (OP)
User ID: 26237455
United States
02/03/2013 10:35 AM
Report Abusive Post
Report Copyright Violation
Re: The Human Instrument
what is the skinflute.
 Quoting: Anonymous Coward 25736464


you play it well
Anonymous Coward
User ID: 31769448
United States
02/03/2013 10:39 AM
Report Abusive Post
Report Copyright Violation
Re: The Human Instrument
When judged by its size, our vocal system fails to impress as a musical instrument.
How then can singers produce all those remarkable sounds?


By: Ingo R. Titze

[link to tranquanghaisworld.blogspot.com]

Although the human vocal system is small, it manages to create sounds as varied and beautiful as those produced by a variety of musical instruments.

All instruments have a sound source, a resonator that reinforces the basic sound and a radiator that transmits the sound to listeners.

A human’s sound source is the vibrating vocal folds of the larynx; the resonator is the sound-boosting airway above the larynx; and the radiator is the opening at the mouth.

The human voice can create such an impressive array of sounds because it relies on non­linear effects, in which small inputs yield surprisingly large outputs.


Here again recent studies indicate that nonlinear effects come to the rescue. This time it is a nonlinear interaction among the system’s elements. Rather than reinforcing each harmonic with a specific tube resonance (as occurs, for example, in organ pipes of different sizes, each of which resonates certain harmonics), our short vocal tract reinforces a cluster of harmonics simultaneously by using an energy-feedback process. The vocal tract can store acoustic energy in one part of the vibration cycle and feed it back to the source at another, more advantageous time. In effect, the vocal tract gives a “kick” to each cycle of oscillation of the vocal folds so as to increase the amplitude of vibratory motions. In analogy to pushing someone on a playground swing, this cyclic kick resembles a carefully timed push to boost the amplitude (travel distance) of the swing’s oscillations.


:singing:
 Quoting: Lies & Alibis

Missed the whole point. That which is behind the human voice, the GOD WITHIN.
Anonymous Coward (OP)
User ID: 26237455
United States
02/03/2013 10:45 AM
Report Abusive Post
Report Copyright Violation
Re: The Human Instrument
Missed the whole point. That which is behind the human voice, the GOD WITHIN.
 Quoting: Anonymous Coward 31769448


Can we please leave god's voice out of this

Bhagwash
User ID: 33580073
United Kingdom
02/03/2013 10:57 AM
Report Abusive Post
Report Copyright Violation
Re: The Human Instrument
Missed the whole point. That which is behind the human voice, the GOD WITHIN.
 Quoting: Anonymous Coward 31769448


Can we please leave god's voice out of this


 Quoting: Lies & Alibis

not to mention..





GLP