[link to www.youtube.com]

[link to www.youtube.com]

Yes, Michael was magickally talented. 777 connected

The cult of Cybele
[link to www.carnaval.com]

they had their hair dressed and waved like women. Sometimes they were heavily made up, their faces resembling white washed walls.

they screamed and whirled and leaped about like dervishes, and slashed themselves with knives and swords.


why is there a 777 on Jackson's sleeve on his HIStory: Past, Present and Future, Book I album ?

[link to www.mediablackberry.com]

Aleister Crowley in the book “777 and other Qabalistic writings of Aleister Crowley” talked about having a room of mirrors and wrote that if one looked into a mirror, there were ways to channel spirits of those gone before him/her.
Michael Jackson had his own special room with all the walls full of mirrors. He claimed that he was in communication with the flamboyant gay pianist Lee Liberace who died in 1987. In his own words, Jackson said, “I have my own secret room; with a moving wall and mirrors...that’s where I talk to Lee. His is the voice I hear in there. I feel his presence so very close to me.” He added that Liberace was like his guardian angel, and had given him permission to record his theme song, I’ll be seeing you.


[link to www.paranormalnewscentral.com]


“It happens subliminally. It’s the music that compels me to do it. You don’t think about it, it just happens. I’m slave to the rhythm’ (1993 Oprah Winfrey interview [explaining the reason for the overt sexuality during his concerts], The Evening Star, Feb. 11, 1993, p. A10).

“I wake up from dreams and go ‘Wow, put this down on paper,’ the whole thing is strange. You hear the words, everything is right there in front of your face. I feel that somewhere, someplace it’s been done and I’m just a courier bringing it into the world” (Rolling Stone, Feb. 17, 1983).

“When I hit the stage it’s all of a sudden a ‘magic’ from somewhere that comes and the spirit just hits you, and you just lose control of yourself” (Teen Beat: A Tribute to Michael Jackson, Summer 1984, p. 27).