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# Proposal for why Masons and Cults use 3,6,9,11, and 10/13 and value the number 6 so much.

Nyhee7

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01/14/2010 02:19 PM
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Proposal for why Masons and Cults use 3,6,9,11, and 10/13 and value the number 6 so much.
3 times 1 is 3
3 times 2 is 3+3 or 6
3 times 3 is 3+3+3 = 9 or upside down 6
3 times 4 is 3+3+3+3 = 12 or 1+2 which is 3
3 times 5 is 3+3+3+3+3 = 15 or 1+5 which is 6
3 times 6 is 3+3+3+3+3+3 = 18 or 1+8 which is 9 or upside down 6, also 6+6+6 = 18 also there are 6 3's
3 times 7 is 21 which is 2+1 which is 3
3 times 8 is 24 which is 2+4 which is 6
3 times 9 is 27 which is 2+7 which is 9 which is an upside down 6, there are also 3 9's in this number or three upside down 6's
3 times 10 is 30 which is 3+0 which is 3
3 times 11 is 33 which is 3+3 which is 6

Now get this,

3 times 4 is 12 is 36 or 3+6 which is 9 which is an upside down 6 but the powers and cults do not use this number often, why not? Because 12 is a number that God uses. Thus they pause after 3 times 11. They also do not use 3 times 7 very often, why not? 21 written backwards is 12.

3 times 13 is 39 which is 3+9 which is 12 so why do satanists use the number 13? They don't. Masons do, but they didn't used to. Remember, Masons were once a normal organization until the Illuminati took them over, in full.

Also, the Illuminati use the numbers 10/13 because that was the day of their downfall, under the group known as the Knights Templar.

...."Their tragic end

In the trial of the Templars two phases must be distinguished: the royal commission and the papal commission.
First phase: the royal commission

Philip the Fair made a preliminary inquiry, and, on the strength of so-called revelations of a few unworthy and degraded members, secret orders were sent throughout France to arrest all the Templars on the same day (13 October, 1307), and to submit them to a most rigorous examination. The king did this, it was made to appear, at the request of the ecclesiastical inquisitors, but in reality without their co-operation."

So the 13th of October or the tenth month, 10 13 is kind of a rallying call for the Illuminati. Kind of like, "Remember the Alamo," was for us during battles between Texas and Mexico.

As in any group or religion or system of beliefs, it appears that there could be factions also within the Masons and the Illuminati, and maybe, one can hope, factions that oppose each other.

The real question is, why the number 6?

Well, this has to do with the Saturnalia Cult, which is a 6 based cult spread throughout time and has infiltrated every major religion, not the founders, but the later followers. A great video of this infiltration was posted in an earlier thread, but I will re-post it here, because I want to go past this to something even more wild, more grand.

Saturnalia Cult Videos:

This video is only part 8 of the series of short videos, but this one describes and shows the planet Saturn and its strange polar regions, one of which has a hexagon shape on it with a five pointed star inlaid. What is it and why has there been a secret organization since the days of Noah that has been keeping a secret in their heart about Saturn?

I offer you this: Saturn is where the spirit-like being called Lucifer is being held. I believe that NASA, run by devil worship groups and Nazi's have been seeking to unlock that prison door, guided, by millennia by esoteric knowledge that has been passed on from generation to generation in code and in writings. I believe that God allowed all of this to come about, and that in Revelation, where it says that Satan must be loosed for a little season, is referring to us, mankind, opening the door to that prison cell, a place on Saturn, that only requires a certain kind of frequency to open it. The question is, what is that frequency and do we have a chance of stopping them from using it?

Research Jack Parsons and the beginning of the space age, also, to understand just how evil he really was, watch this video:

I wish I had more proof as to my belief that Saturn is a prison planet, but I don't. I don't even think that information is available. I just have a hunch. To me, all the patterns of our past point to an ancient technological advanced human race who interacted with spirit-like beings, one called Lucifer, well, morning star, and who helped us rebel against God, was locked away, technologically, on Saturn behind some kind of barrier, or force field, and that ancient race of humans suffered a great calamity, who, having survived in small numbers, or through Noah alone, developed a curious fascination with the past and decided to use ancient knowledge to free satan and his minions from that prison planet, but first, Noah's grand children would have to rebuild civilization, perhaps the tower of babel was indeed a rocket ship that would have sent out the code to unlock the barrier, or bomb to explode it and weaken it enough for them to get out. Perhaps NASA's moon bombing was an attempt to try out their delivery system. We know that it was a dud. Perhaps, though, they are behind the bright spots on Venus and Jupiter, where they say asteroids hit them last year, what if it was test hits?

I imagine, they will wait until they know for sure that they can open or destroy that seal before they attempt it. For, if they believe in Satan, they surely believe in God, and they may think they have only one shot at this before the wrath of God comes barreling down upon them.

Oh, by the way, Saturn is the sixth planet from the sun.

Edit:

After reviewing the following links provide by the very informed readers below, I have come to the conclusion that throughout our history, all religions of the world, and many philosophical beliefs, have been infiltrated to better direct them to help the cause of the Saturnalia, which is this: To ignite Jupiter and break the seal found on Saturn to release the demons held there, or so they believe.

Not only am I dismayed by this, but I am saddened. For the demons have used our human failings against us to cause us to not only destroy ourselves and planet, but to release themselves from their prison, if it exists there. Does it matter? For millennia the human race has been working to accomplish this behind our backs, killing people who got in the way, and breaking the hearts of billions by their cruel practices and drive to get a rocket into space just to blow up and ignite Jupiter.

We truly are insane, as a species, and maybe, maybe we deserve to be wiped off the face of the planet.

What failings did the demons use in this trick? The need to be special.

Please consider that as you walk away from this post and out the door and see children playing outside. What do they want most of all, besides love?

Do I believe Saturn holds a host of demons in a prison of some kind? A few weeks ago, I would have said it was crazy. But now, and I tell you honestly, I think there is a 50/50 chance that it could be true. But only if what we call demons are a kind of advanced spirit-alien form of being. I'm still not completely sold on the idea that they are in a planet in our solar system, but I am sold on the idea that the cultists believe so. Thus, whether we like it or not, seeing they control all major churches and governments, we shall see them, very soon, attempt to fulfill their bloody, murdering, shameful, childish, and deadly mandate, from beings, for demons themselves are real, alien or not, who are just as childish and wrathful towards God.

Let us watch this play out with a kind of pity in our eyes, for if not for the grace of God, we would have been fooled too.

Last Edited by Nyhee7 on 01/26/2010 06:58 PM
Nyhee7 (OP)

User ID: 863185
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01/14/2010 02:33 PM
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Re: Proposal for why Masons and Cults use 3,6,9,11, and 10/13 and value the number 6 so much.
P.S.

Could the three pyramids at Giza that mimic Orion's belt be pointing to the fact that Orion is an archer? And that we should shoot or send an arrow (rocket ship) into space?

The star Sirius figures heavily into the pyramid design, Sirius being named after Osiris, The God brought back to life. So the pyramids could be a message, send arrow into space to bring our God back. What I have not researched is if the pyramids have any links to the planet Saturn.

I know a lot, but not everything. I would be grateful for any information in this area.
Anonymous Coward (OP)
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01/15/2010 01:47 AM
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Re: Proposal for why Masons and Cults use 3,6,9,11, and 10/13 and value the number 6 so much.
The more I think about this, the more I think it is true or very possibly true.
Anonymous Coward
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01/15/2010 01:49 AM
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Re: Proposal for why Masons and Cults use 3,6,9,11, and 10/13 and value the number 6 so much.
maybe their number system is base 3 or something would that make sense?
Allen R. (OP)
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01/15/2010 03:31 AM
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Re: Proposal for why Masons and Cults use 3,6,9,11, and 10/13 and value the number 6 so much.
maybe their number system is base 3 or something would that make sense?
Quoting: Anonymous Coward 838773

base 3 good point. in our computer language, we have a base six system, but below that is a base 2 system, off and on, for circuits. I've always wondered why we don't have a third choice, one that is neutral. You could do a lot with three states of being in a computer, quite a lot.

In fact, that makes a lot of sense when you think about it. Quantum computers could allow for other states. Imagine how fast they would run if the very basic machine language had an extra option. A mega computer!

Maybe the code to open the seals of the prison gate on saturn uses a base 3 computer program? Well, if the gate is real, that is. Something is up, though. I can feel it. I think we are on to something.
inca=chinitial
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01/17/2010 08:02 AM
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Re: Proposal for why Masons and Cults use 3,6,9,11, and 10/13 and value the number 6 so much.
Tartarous was the dark dungeon for the Titans said both Peter & Judas based upon Henoc scrolls.... among them Chronus... tic tac tic tac..... 2010 Space Odyssey really was a Freemason code written by Clark but it was not supposed to happen in Jupiter but in SATURN (Lucifer).
When Jupiter and Saturn were spaced by 120 degrees [an astrological trine -- interpreted as an excellent aspect] -- and solar activity was at a maximum! -- radio signals averaged of far higher quality for the year than when Jupiter and Saturn were at 180 degrees [an astrological opposition -- interpreted as challenging], and there had been a considerable decline in solar activity! In other words, the average quality of radio signals followed the cycle between Jupiter and Saturn, rather than the sunspot cycle!!
(Since the tetrahedron couldn’t be used in the monolith, Kubrick used 7 octahedrons changing colors and forms passing space-time bending at speed of light. That is an initiation that overloads Dave with psychedelic experience and hitting like a black hole until the scene jumps into the next step of evolution)
The name of the astronaut in the film was BOWMAN. Bowman is also a name for the constellation Sagittarius. Which is a man with a bow. This on it's own may appear to be uninteresting but one of the great alchemical secrets concerns the position of the center of the galaxy. This point in the sky is found right next to the constellation of Sagittarius. In fact, the Bow-Man of Sagittarius is shooting his arrow right into the heart of the Milky Way galaxy. Bowman represents Sagittarius' arrow as it passes through the center of the galaxy. This is also echoed later in the 'Beyond the Infinite' sequence where Bowman witnesses an exploding galaxy.

The Tree of life has three main pillars. In order to pass from one realm, or aspect, of the Kabbala one must use one of these three central pillars, or processes. If one adds up the numbers 2001 ( 2 + 0 + 0 + 1 ) the sum is three. There are 3 words in the title after the 2001. There is an eclipse of three celestial bodies at the beginning of the film. There are three eclipses in the film. There are 3 conscious entities aboard the Discovery spacecraft and there are 3 unconscious entities, the men who are in hibernation. Bowman goes through 3 stages of transformation in his life at the end of the film. The 'World Riddle' theme also plays 3 times. The first is the earthly realm, represented by Malkuth, which is the sephireh located at the very bottom of the Tree of Life. This is the realm of the kingdom, or of mankind. The second realm up is that of the moon, or the sephireh Yesod. The third realm is that of the sun, or the sephireh named Tiperoth, and the final realm of the Tree of Life is that of the ultimate being or consciousness, represented by the sephireh named Kether.

Like all great alchemical works the film '2001' is broken up into four chapters. The first, the apeman sequence, is the only episode to take place on Earth. This would represent the realm of the Earth, or Malkuth, according to the Kabbala. The second chapter takes place off of the Earth, with Heywood Floyd going to the moon. It finally climaxes on the very surface of the moon. This chapter represents Yesod in the Tree of Life, or the realm of the Moon. The third chapter, which concerns the mission to Jupiter. is a little more tricky. In order to understand the Kabbalic significance of this sequence it is important to understand, that in the original script, by Arthur C. Clarke and Kubrick, the space craft Discovery was heading towards the planet Saturn, and not Jupiter. As stated earlier, Kubrick was forced to switch to Jupiter because the rings of Saturn proved too difficult. The Special Effects department couldn't make them realistic enough. In the original script the planet was Saturn. This is very important because in the Kabbala, one can switch places between the Sun, or Tiperoth, and Saturn. In other words Saturn can be used as a symbolic representation of the Sun. Is it a coincidence that this third chapter, which was originally intended to be about a voyage to Saturn, is also about the third realm of the Kabbala - Tiperoth? When one considers this switch is allowed in the rules of the Kabbala this sequence comes to represent the third realm of the Tree of Life.

In the final realm of the Kabbala the seeker can swim in the ocean of the mind of God - which is represented by the sephireh named Kether. This state of awareness is similar to the Sammadi-state from the yogic tradition. This state can be attained only by very few people. In the case of this film, the final realm of the Tree of Life can be only attained by one man. And this can be done only with the help of the monolith, or the stone. Bowman - the furthest out and the loneliest person in the universe - is that man. Interestingly, in the Tree of Life, there is an abyss that lies between Tiperoth and Kether. This abyss must be crossed by the initiate before they can successfully complete their journey. This abyss is called Daath in the Kaballa. Bowman crosses this abyss during the famous light show sequence. The colors and shapes on the screen are shown in such a way as to create a 'falling' sensation in the viewer. Kubrick is taking the viewer through the abyss of Daath and into the world of Kether where all illusions fail.

In 'Mystery of the Cathedrals' Fulcanelli points out quite clearly, once one understands the key, that this fourth realm of the Tree of Life is physically represented by the very center of our galaxy, the Milky Way. The four spheres are thus, the Earth, Moon, Sun and Galaxy. In the abyss sequence of the film, Kubrick very consciously shows a galaxy. It is expanding and growing like an organism. Kubrick has brought the viewer of the film through the four realms of the Tree of Life, all brilliantly evoked in the right pattern with enough intricate knowledge of the Kabbala to give one a long pause for consideration. It certainly seems that someone (Kubrick the Jew) was aware of the Kabbala in the making of this film.

He appears into an incongruous 1700s French-style Louis XVI Baroque hotel suite. This is like a 4 Dimensional cage for the Ets to observe the human being, like a lab. The Ets are using a room made with elements of his own memory to be familiar with. Voices are laughing at Dave. We witness Dave’s Last Supper.

(Kubrick wanted to show Ets in the film and tried several things: a thin and distorted Giacometty sort of sculpture, an alien that was like a light and vaporous giant insect or light Christmas Tree or jellyfish and light humanoids and even something like a disappearing entity pretty much like Peter Gabriel’s video when someone glowing seems to walk in complete darkness before a similar glowing canvas in the song “Sledgehammer” )

Many things were thought to be added like telephone guide and Bibles with absolutely no words on them, etc. The viewer watches the room and immediately at subconscious level perceives something undetected at first glance, something alien. Like a prison there are neither doors nor windows. There’s a strange luminosity. Light is coming up from the floor!

(The floor was made up of 3-foot squares pf Perspex each one with 5K lamp underneath, it was hot like an oven)

The room itself is also a metaphor of human body as a container. The wine glass breaks but wine remains. Bread and wine are sacramental elements in this scene. The body is cast aside, the spirit remains. Kubrick, as Jewish, is teaching us the Jewish tradition of breaking the glass at a wedding ceremony, a symbol of great change occurring, something wonderful about to happen. It’s no clear if Bowman sees himself many times or other Bowmans failed attempts to make a “new” Bowman. Again, the jumping scenes mean leaps of evolution that could happen abruptly in a second flat or millions of years. Space-time means nothing apparently. Each time Dave is getting older and older, almost 120 years old as we see from the wrinkles made up of latex.

The embryo nearly-born foetus of the Starchild moves his eyes…

(actually, they moved mechanically)

….in position of Freemason silence before he passes the Moon, getting back to earth. It’s Bowman’s re-encarnation. When he sees the monolith as an old man lying on bed, he finally makes a gesture of comprehension, he’s aware his consciousness created his own jail.

Monolith is like a hyperspace book made of stone, like the 10 Commandments and Torah-Bible Code that can transform into scrolls, books, CD or even seen by computer with the help of optic fibers and electricity. Kubrick himself used the same math proportions of the monolith in the frame of the film on wide-screen Cinerama format projected in 1968. Is his initiation and the ones who saw it on the big screen at the movie theatres at that time. Lucky me!

Let’s remember Babylon king Nebuchadenezzar’s “statue” to be worshipped as State Idol was a bit like this monolith. In essence the military force was hiding the evidence of this device to the world to misuse it for evil purposes. When in the film it’s mentioned the “cover up” everybody agrees nodding.

The episode of this “statue” in Daniel 3:1 in Hebrew letters has also the mathematical value of 4662 which is 7 times the number of the beast-kings-states of the world, 666. Daniel 3:1 provides the height of the statue and diameter but is lacking one dimension. It’s too tall for that diameter so it’s believed it was a 2 Dimensional golden image carved on stone.

1) The "monoliths" in the movie appear for 666 seconds. The time between the first appearance and final disappearance of each of the four "monoliths'," the four times added together is 666 seconds.

2) The number of camera shots starting from "The Dawn of Man" (the first shot after the opening credits) to "The End" (the last shot of the closing credits) is 666.

3) The running time of the movie is 666 in two different ways. The running time of the film in seconds, from the beginning of the "Overture" to the end of the "Exit Music" (total exhibition time), is equal to the number of moon orbits contained in 666 years (8903). The running time of the film in seconds, from the beginning of the MGM lion logo to the fade-out of the story, is equal to the number of moon phases contained in 666 years (8237). Everything before and after the movie proper, that is, the "Overture," end credits, and "Exit Music" times, adds up to 666 seconds.

4) For an "added bonus," the director Stanley Kubrick was reported to have died 666 days before the year 2001, on March 7, 1999.

The music chosen for the film is esoteric and needs a special comment but let me say it goes along with the Egyptian magic knowledge of sacred geometry and vertical alignments.

For one thing, it relates not only to 2001: A Space Odyssey but also to its sequel '2010: The Year We Make Contact' (or 'Odyssey Two') in which Jupiter, with the help of the monolith, becomes a sun - called Lucifer. In fact this sun is a brown dwarf star.

Iapetus Stardeath Yin/Yang artificial Saturn’s moon, truncated icosahedron:

Considering the phrase "My God, it's full of stars" was not a part of the film 2001, but was a part of the novel, it’s interesting in the novel, the "star gate" monolith was found on the surface of Saturn's moon Japetus (or Iapetus), rather than floating in space near Jupiter. I wrote before “The third chapter, which concerns the mission to Jupiter. is a little more tricky. In order to understand the Kabbalic significance of this sequence it is important to understand, that in the original script, by Arthur C. Clarke and Kubrick, the space craft Discovery was heading towards the planet Saturn, and not Jupiter. As stated earlier, Kubrick was forced to switch to Jupiter because the rings of Saturn proved too difficult. The Special Effects department couldn't make them realistic enough. In the original script the planet was Saturn. This is very important because in the Kabbala, one can switch places between the Sun, or Tiperoth, and Saturn. In other words Saturn can be used as a symbolic representation of the Sun. Is it a coincidence that this third chapter, which was originally intended to be about a voyage to Saturn, is also about the third realm of the Kabbala - Tiperoth? When one considers this switch is allowed in the rules of the Kabbala this sequence comes to represent the third realm of the Tree of Life.”

As Bowman flies over the monolith, it suddenly changes from a towering slab to an infinite tunnel. As this happens, he utters the final phrase: "The thing's hollow! It goes on forever, and... oh My God, it's full of stars!" The phrase "My God, it's full of stars" was not a part of the film 2001, but was a part of the novel and the film 2010. In the novel, the "star gate" monolith was found on the surface of Saturn's moon Japetus (or Iapetus), rather than floating in space near Jupiter. As Bowman flies over the monolith, it suddenly changes from a towering slab to an infinite tunnel. As this happens, he utters the final phrase: "The thing's hollow! It goes on forever, and... oh My God, it's full of stars!"

And in REAL LIFE the Galileo probe was actually carrying 49 ¼ pounds plutonium, causing some buzz about a possible nuclear reaction turning Jupiter into the second sun of the solar system! Unlike nuclear fission bombs, the power of an H-bomb or thermonuclear weapon has no practical limit, -- it can be made as powerful as you want, by adding more deuterium/tritium to the second stage. What is interesting is this deuterium (D) heavy isotope of hydrogen on Jupiter. D has disappeared from the Sun as a result of nuclear reactions in the solar interior. Because no such reactions occur on Jupiter, the ratio of deuterium to hydrogen there should be identical to the ratio of those isotopes in the cloud of interstellar gas and dust that collapsed to form the solar system 4.6 billion years ago. Since deuterium was made primarily in the "big bang" that has been postulated to have begun the expansion of the universe, an accurate measurement of deuterium/hydrogen on Jupiter would allow the calibration of expansion models.

An engineer named Jacco van der Worp claimed that, plunging into Jupiter’s deep and increasingly dense atmosphere, the on-board Galileo electrical power supply – a set of 144 plutonium-238 fuel pellets, arrayed in two large canister devices called “RTGs” (Radioisotope Thermoelectric Generators – see image and schematic, below) – would ultimately “implode”; that the plutonium Galileo carried would ultimately collapse in upon itself under the enormous pressures of Jupiter’s overwhelming atmosphere—.So maybe there was a Hiroshima & Nagasaki Jovian holocaust after all, September (that month), 2003:

Larger than the earth Jovian polar dark spot:
This is a Satanic plan Arthur Clark knew because of a letter from someone who knew better – NASA’s Dr. Walter Jastrow- which leads to the novel 3001 Space Odyssey. Wanna briefly know about it and its relationship with Shoemaker-Levy comet and the assassination (?) of the one who discover the comet, Eugene Shoemaker? Be my guests:
inca=chinitial
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01/17/2010 08:34 AM
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Re: Proposal for why Masons and Cults use 3,6,9,11, and 10/13 and value the number 6 so much.
Nop! BABILU was a stargate indeed but NOT a spaceship a la Sitchin. The megaliths all over the world were built on electromagnetic "navels" of the world and in most cases blood (which is soul in Bible Hebrew terms) was poured on them. That to fill -literally- the planet with evil low frequencies. Mostly the holocaust of virgins because the lower the level when that circumstance and high level of fear. Even hallucinogenic stuff was used in some pyramids to enhance the level of terror. I do believe there's a coneXtion in that sense between spirits or energy with the demons trapped whether on earth in 3D or nearby outside the planet.
inca=chinitial
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01/17/2010 08:46 AM
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Re: Proposal for why Masons and Cults use 3,6,9,11, and 10/13 and value the number 6 so much.
ROME was Saturnia:
inca=chinitial
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01/17/2010 08:48 AM
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Re: Proposal for why Masons and Cults use 3,6,9,11, and 10/13 and value the number 6 so much.
I said also Chronus:
inca=chinitial
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01/17/2010 09:00 AM
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Re: Proposal for why Masons and Cults use 3,6,9,11, and 10/13 and value the number 6 so much.
Star of David = God of Remphan/Chiun (Amos 5:26, 27; Acts 7:37-43) meaning shrunken, lifeless and Moloch when Israel followed Egyptian cult 40 years in the wilderness. It is considered a star., 6 triangles the land of spirits, Amsu risen Horus. Rempha tha planet genius of Saturn.

SATUR in Chaldee : S =060 , T=400, U=006, R=200=666.
inca=chinitial
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01/17/2010 09:01 AM
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Re: Proposal for why Masons and Cults use 3,6,9,11, and 10/13 and value the number 6 so much.
Conection with SIRIUS?
inca=chinitial
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01/17/2010 09:14 AM
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Re: Proposal for why Masons and Cults use 3,6,9,11, and 10/13 and value the number 6 so much.
Even hallucinogenic stuff was used in some pyramids to enhance the level of terror. I do believe there's a coneXtion in that sense between spirits or energy with the demons trapped whether on earth in 3D or nearby outside the planet.
Quoting: inca=chinitial 865494

What I meant is hallucinogenic stuff was used on the people who were sacrified at the pyramids. This is specially true in Peru Moche land and in Mexican Tenochtitlan, Teotihuacan, etc.
Nyhee7 (OP)

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01/26/2010 07:00 PM
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