ACE BAKER,E FLAT MAJOR,MOZART'S DEATH=SATURN

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Ace baker makes a point of stating that music is in E flat major 5mins and 30 secs into video...Mozart was into the occult side of music and his symphonies were in e flat major...this chord is connected with saturn

The greater part of the medical records available to those investigating Mozart's death are in the form of testimonies originating from family members and friends who were not knowledgeable in the science of medicine, and who were only interviewed years after Mozart's demise. Garbled by faltering memory and dramatisation, these testimonies present conflicting pictures of Mozart's last days.

According to Sophie, Constanze's sister, the cold poultices that the physician Dr. Closset had placed upon Mozart's burning head had rendered Mozart unconscious right up until the moment of death, and Mozart's last movement was an attempt to express vocally the drum passages in the Requiem he was writing.

Constanze herself, however, maintained that just before death overcame him, Mozart had told her, 'I shall die... Ah, now I will leave you unprovided for,' and had subsequently vomited and died.

On the other hand, Mozart's friend Benedict Schack said that Mozart had asked for the score of the Requiem to be brought to his bed, and that he, Mozart and a few others had sung it up to the first bars of the Lacrimosa, whereupon Mozart burst into sudden tears - which would imply that Mozart had actually finished the Lacrimosa, which most sources maintain he never completed.

Mozart's son Karl, who was seven at the time of Mozart's death, recollected that 'a few days before he died, his whole body became so swollen that the patient was unable to make the smallest movement; moreover there was a stench which reflected an internal disintegration which, after death, increased to the extent that an autopsy was rendered impossible.'

It is not known just how much of these testimonies are uncorrupted, but at least all parties agreed on one thing: that Mozart had suffered severe swelling in his hands and feet that had progressed to his whole body and that he had been in pain and had been subsequently unable to move.

ROSSLYN CHAPEL...MAGIC FLUTE IN E FLAT MAJOR

Just as people have been puzzling for centuries over the symbolism of the various carvings in Rosslyn Chapel, they have been pondering the meaning of The Magic Flute since its premiere.

The threefold seal of the sun is the central image and three symbolism permeates both score and story. There are three ladies, three spirits, three opening chords and even three flats in the predominant key signature (E-flat major).

The opera has been read as a metaphor for the revolutionary European politics of the time and the overthrowing of the old world order, it has been seen as a private ritual made public for the Masonic Lodge of which both Mozart and his librettist Emanuel Schikaneder (also the original Papageno) were members.

For Furness the music itself is central to the interpretation of the opera. “The idea of magic items in German Romantic literature is that they can be used for good or ill depending on the intent of the possessor,” he explains. “In The Magic Flute these items are musical instruments which made me think that perhaps the main magic in the opera is the music itself, to be put to good or bad effect by the characters.”

He contrasts the musical world of the Queen of the Night with that of the leader of the Brotherhood Sarastro. “The Queen’s music is all superfluous, riding over the top of everything and she violates the words of her arias with all those high notes, Sarastro’s is usually supporting the musical texture. Ultimately I thought the difference between these characters was that the Queen of the Night uses her music for power and to gain control over people whereas Sarastro uses it to portray fundamental truths.”

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