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Original Message
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Which Game Do You Play?
- Except from The Master Game: Beyond the Drug Experience, Robert S. De Ropp
Transcriber’s comment:
Consider the following additional references if looking for guidance to play “The Master Game” covered below:
1/ Alex Gray “Sacred Mirrors”. A reflection of the true self, physical to spiritual. [link to www.sacredmirrors.org]
2/ Dark Room Enlightenment. A recipe to enlightenment via the pituitary/pineal gland using diet & abstinence from light to stimulate the spirit molecule DMT. [link to www.universal-tao.com]
3/ Polarity Integration: The Universal Game: Balancing the dark and light chakras. [link to www.nibiruancouncil.com]
A Game Worth Playing
It has been stated by Thomas Szasz that what people really need and demand from life is not wealth, comfort or esteem but games worth playing. He who cannot find a game worth playing is apt to fall prey to accidie, defined by the Fathers of the Church as one of the Deadly Sins, but now regarded as a symptom of sickness. Accidie is a paralysis of the will, a failure of the appetite, a condition of generalized boredom, total disenchantment – “God, oh God, how weary, stale, flat and unprofitable seem to me all the uses of this world!” Such a state of mind, Szasz tells us, is a prelude to what is loosely called “mental illness,” which, though Szasz defines this illness as a myth, nevertheless fills half the beds in hospitals and makes multitudes of people a burden to themselves and to society.
Seek, above all, for a game worth playing. Such is the advice of the oracle to modern man. Having found the game, play it with intensity – play as if your life and sanity depended on it. (They do depend on it.) Follow the example of the French existentialists and flourish a banner bearing the words “engagement.” Though nothing means anything and all roads are marked “NO EXIT,” yet move as if your movements had some purpose. If life does not seem to offer a game worth playing, then invent one. For it must be clear, even to the most clouded intelligence, that any game is better than no game.
What sort of games does life offer? We can study Stephen Potter for tips on “gamesmanship.” We can (and should) read Eric Berne on Games People Play. If we have mathematical inclinations we can look into the work of John von Neumann or Norbet Weiner, who devoted some of their best thinking to the elaboration of a theory of games. From the Hindu scriptures we can learn of the cosmic game, the alternation of lila and nitya, the Dance of Shiva, in which primordial unity is transformed into multiplicity through the constant interplay of the three gunas. In the works of the mystic novelist, Hermann Hesse, we can read of the Magic Theater in which all life games are possible or of the game of games (Glassperlenspiel) in which all elements of human experience are brought together in a single synthesis.
What is a game? An interaction between people involving ulterior motives? Berne uses the word in the sense in Games People Play. But a game involves more than this. It is essentially a trial of strength or a trial of wits played within a matrix which is defined by rules. Rules are essential. If the rules are not observed, the game ceases to be a game at all. A meaningful game of chess would be impossible if one player insisted on treating all pawns as queens.
Life games reflect life aims. And the games men choose to play indicate not only their type, but also their level of inner development. Following Thomas Szasz (more or less) we can divide life games into object games and meta-games. Object games can be though of as games played for the attainment of material things, primarily money and the objects which money can buy. Meta-games are played for intangibles such as knowledge or the “salvation of the soul”. In out culture object games predominate. In earlier cultures meta-games predominated. To the players of meta-games, object games have always seemed shallow and futile, an attitude summarized in the Gospel saying: “What shall it profit a man if he gain the whole world and lose his own soul?” To the players of object games, meta-games seem fuzzy and ill-defined, involving nebulous concepts like beauty, truth or salvation. The whole human population on earth can be divided roughly into two groups, meta-game players and object-game players, the Prosperos and the Calibans. The two have never understood one another and it is safe to predict that they never will. They are, psychologically speaking, different species of man and their conflicts throughout the ages have added greatly to the sum of human misery.
All games are played according to rules. In man-made games such as poker the rules are imposed by the laws of probability (odds against a straight are 254 to 1, against a flush, 508 to 1) or they are dependent on special limitations (pawns and other pieces in chess each having its own move). In life games, rules are imposed by natural, economic or social conditions. The player must both remember the aim and know the rules. Apart from this, the quality of his game depends on his own innate characteristics.
Great chess masters are born, not made. Great football players are bound to have certain physical characteristics. The game a man can play is determined by his type (of which more later). He who tries to play a game for which his type does not fit him violates his own essence with consequences that are often disastrous.
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GAME AIM
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Master Game awakening
Religion Game salvation
Science Game knowledge
Art Game beauty
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Householder Game raise family
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No Game no aim
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Hog in Trough wealth
Cock on Dunghill fame
Moloch Game glory or victory
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Table 1: Summary of meta-games and object games
The Low Games
The main types of life games are shown in Table 1.
Hog in Trough is an object game pure and simple. The aim is to get one’s nose in the trough as deeply as possible, guzzle as much as possible, and elbow the other hogs aside as forcefully as possible. A strong Hog in Trough player has all the qualities with which communist propaganda endows the capitalist, insatiable greed, ruthlessness, cunning, selfishness. Pure Hog in Trough is not considered respectable in contemporary USA and is generally played today with a certain moderation that would have seemed sissy to the giants of the game who savagely exploited the resources of the continent a century or so ago. The rules of the game have become more complex and the game itself more subtle.
Cock on Dunghill is played for fame. It is designed primarily to inflate the false ego and keep it inflated. Players of Cock on Dunghill are hungry to be known and talked about. They want, in a word, to be celebrities, whether or not they have anything worth celebrating. The game is practically forced upon people in some professions (actors, politicians), who are compelled to maintain a “public image” which may have no relationship to the thing they really are. But the real player of Cock on Dunghill, whose happiness depends entirely on the frequency with which he (or she) sees his name in the papers, does not much care about public images. For him any publicity is better than no publicity. He would rather be well known as a scoundrel than not known at all.
The Moloch Game[/u[ is the deadliest of all games, played for “glory” or “victory,” by various grades of professional mankillers trained to regard such killing as credible provided those they kill favor a different religion or political system and can thus be collectively referred to as “the enemy”. Moloch Game is a purely human game. Other mammals, though fight with members of their own species, observe a certain decent moderation and rarely fight to the death. But the players of the Moloch Game have no moderation. Lured on by some glittering dream of glory or power, they kill with boundless enthusiasm, destroying whole cities, devastating entire countries. The game is played so passionately and with such abandon that nothing, neither pity, decency, sympathy or even common sense, is allowed to interfere with the destructive orgy. As the devotees of the god Moloch sacrificed their children to their idol, so the players of the Moloch Game sacrifice the lives of thousands of young males in the name of some glittering abstraction (formerly “glory”, now more generally “defence”) or a silly phrase couched in a dead language: “Dulce et decorum est pro patria mori.” But so great is the power wielded by the players of this game, exerted through various forms of coercion and blackmail, that the thousands of young men involved make little protest. They “go to their graves like beds,” not daring expose the emptiness of the glittering words on which the Moloch Game is based.
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