Madonna's Super Bowl XLVI halftime show - FULL ANALYSIS

As we know, Madonna picked her name to represent the Queen of
Heaven. She is a student of Kaballah and therefore well learned in the Mysteries.

[link to en.wikipedia.org]

In Egypt she was known as Isis, in Babylon as Ishtar/Inanna/
Semiramis, and in Greco-Roman culture she was Diana.

In Egypt the Queen of Heaven was Isis. Of the entire Egyptian
pantheon, Isis was the only deity worshipped by everyone, and was
therefore the basis of religious unity.

The set opens with Madonna being towed on to the stage on a Pharoahic
throne pulled by a Roman Legion. She wore the horns of Baphomet on
her head. Now Isis wore a headdress shaped like a throne, but
Madonna appears with Baphomet on her head. Interesting.

She begins singing 'Vogue', a song intended to empower women. To
'strike a pose' is to assert power, symbolized by the phallic
reference at the end of the song. This was done in the original 80's
video where Madonna wore mens clothes and grabbed her crotch. But
the Super Bowl version had a servant place his arm in a phallic
gesture in front of her crotch. It looks Egyptian but conveys the
same message.

In Egypt, Isis guided Pharoah's arm.


In Babylon the Queen of Heaven was Ishtar, also known by the Sumerian
name Inanna, or by some sources Semiramis. She was the goddess of
love and war.

Madonna removes the headdress and goes the railing to begin singing
'Music'. The atmosphere is one of partying and pleasure. The
dynamic of a mosh pit is present, signifying the mingling of love and
war.

Rap duo LMFAO is featured at the end, representing the Beast.
Madonna, the Queen of Heaven, represents the Whore of Babylon, and
climbs upon and rides the Beast.



Persia is a little tricky. The dominant faith of the Medes and
Persians was Zoroastrianism. This was basically a reformed version
of the Hindu pantheon from which it was derived. Zoroaster was born
into the sixth of the Median tribes, known as the Magi. Much of what
we now know as the Mysteries was developed by the Magi, before this
knowledge was merged into the Greek Mysteries and took root in early
Islam, producing Al-Andalus around 1200 AD.

This philosophy of uniting Judaism, Chrisitainity and Islam into a
'kingdom of heaven' of universal peace served as the basis for the
second round of Crusades of which Frederick II was a participant.
When Saladin retook Jerusalem and Frederick died, the Crusades fell
apart and the wisdom of the Muslims began to degenerate. Al-Andalus
went back underground into the Mystery schools as the black plague
and the Mongols ravaged Europe. But this gets ahead of the narrative.

Shiva was the rough equivalent to the Queen of Heaven in Hinduism,
and was worshipped by the Medes before Zoroaster. But Zoroaster did
not believe in gods and godesses as they were known then. Every
divine presence was spiritual and was part of the six-part god Ahura
Mazda. One of the parts was Spenta Armaiti, the feminine spirit of
the earth.

So when Madonna begins singing her new single, 'Give Me All Your
Love', only women dressed in traditional Persian colors are present.
The song is about women picking up men for meaningless sex. This
also empowers women and exploits men in the same way that men picking
up chicks for meaningless sex empowers men and exploits women. So
there is a sense of retribution here.

In Zoroastrianism there is a feast day known as Spandarmazgan where
women, girls and the Earth are reverenced, and all the men and boys
have to obey the women for a day. Again we see the theme of gender
retribution.


Now the marching band strikes up, suggesting Greco-Roman culture.
Madonna begins singing 'Respect Yourself' which dovetails nicely with
the Greek philosophy of Reason. Now those who understand the
Hegelian dialectic know that Reason can be diabolically used to
destroy Faith, which is replaced by Self-Respect as the group
dialogues to consensus. Reason, in a groupthink context, can only
result in decisions determined beforehand by the facilitator, and
Reason is used to justify the 'rightness' of the decision which by
argument is made 'obvious' to all present.

Note the first line of this song (sung by the facilitator of course):

"Give me your heart
I'll make you love me
It's not that hard
If you just turn the key"

I rest my case.


Now things really heat up. Groupthink and dialoguing to consensus
now melts back into a religious context, as the black priestess
herself begins singing 'Like A Prayer'.

"Life is a Mystery
Everyone must stand alone
I hear you call my name (the Queen of Heaven)
And it feels like home"

The rest of the lyrics I won't quote, let's just say that the object
of the exercise is Orgasm.

And as she sings about, um, THAT, look at the graphics being
projected on the playing field. Various mystical all-seeing eye
symbols, depictions of spirits wafting in from the deep, and a
representation of the World, and the Lights therein, coming together
in harmony.

And then the antichrist figure, the Whore of Babylon herself, mounts
up to the High Place while the choir sings. She declares herself the
Queen of Heaven, and just like Inanna, descends into the underworld
to rescue Tammuz, the Abomination of Desolation.

To usher in World Peace.