UPDATE Pg 15 Salvator Mundi DaVinci's "Lost Painting" may hold "smoking gun to Space-Events WARNING.. Vid

Introduction Continued (Post #2)

Let's look at the "LOST" video once again...as it
establishes a TIMELINE that is very important in what
"Salvator Mundi's" clue is attempting to share with his
"Solar Trinity!"

[link to youtu.be (secure)]

Fast-Forward to 3:10 minute mark in this video
from the TV Series 'LOST'...YOU SEE "TAWERET"
--Creation/Destruction Goddess dating back almost
12,000 years after the last great global disaster/flood.

Here is the same goddess Taweret with the head of a
hippo and the body of a man/woman:


Interesting reference to DNA from an ancient
glyphic from ancient Egypt and what appears to be
an arrow showing "trajectory" of some spaceweather
event the ancient Egyptians knew and feared.

From DaVinci's The Last Supper painting (below)..an OVERLAY
treatment showing how perfectly the Nile Delta of
Egypt fits over the "empty space" made famous in the
movie "The DaVinci Code"--but with a very different
and much more OMINOUS connection!

JUST IN FROM THE RESEARCH OF ROBERT SCHOCH--CLIP FROM
HIS VIDEO BELOW:


[link to youtu.be (secure)]

DaVinci may have KNOWN that the "key" to really
finding out about Earth's violent--but secret--history
was on the Giza Plateua in...EGYPT! Robert Schoch reports
in the video above that there is unmistaken evidence
that the Giza Plateau in Egypt received GREAT PLASMA
STRIKES at the time period where scientists now believe
there was both a galactic super wave and a Solar Micro
-nova. You just can't make this stuff up, guys!



(Original overlay treatment of Mirrored Map of Egypt
on center area of DaVinci's Last Supper by TheOracle'sCookie
in 2015 thread.)
We would eventually settle on the "Egypt-Connection" with
the DaVinci map pointed to the creation/destruction myth
of Goddess "Taweret" and the creation of the "first Zodiak"
(see pg. 17 in this thorough study of Egypt's Zodiak:
[link to sino-platonic.org]


This is a "mirror image" of the Nile Delta area of the Nile
River in Egypt that seems to fit-like-a-glove even along
the lines of the robes of characters at the center of the
painting. What is unique about THIS particular image is
that I used a free on-line overlay image marker that does
NOT alter the proportions of either picture--it came out
just as you see it above without any "tweeks" or changes.
Also, even more importantly, the MAP OF EGYPT keeps its
proportions as it lays over the center of the DaVinci
painting and yet it MATCHES perfectly without any changes.
This level of correlation to the "empty space" in the
painting is beyond "coincidence."

This "Map of Egypt" seemed like some kind of "crazy
-making" effort by DaVinci at the time--However, giving me
the inspiration that it was the TIP OF THE ICEBERG
for the DaVinci paintings. It was the beginning
of the "DaVinci RABBIT HOLE JOURNEY" I've been
traveling for the past 5 years. THIS WEEK I DISCOVERED
...an even more astonishing clue in another DaVinci
painting called "Salvatori Mundi" (or "Savior of the
World.") DaVinci may have had EGYPT in The Last Supper
...but he has BOTH Constantinople (of the 1500's) AND
The Milky Way ecliptic hidden in the "cape" that falls
over Salvator Mundi's LEFT SHOULDER! WOW!

:LeftShldrSalvato:
Looking at the "location" in Salvator Mundi of the
historic city of Constantinople (hidden in the cape
over his left shoulder) we can realize that something
DaVinci had in mind would LINK a location in the Middle
East...with some SPACE EVENT along the plain of the
Milky Way Ecliptic (those clues are inside the crystal
ball)--IS THIS A WARNING?



The hidden Map of Egypt in the Last Supper Painting
pushed me personally to study ancient Egypt history
and what else I might locate in the Last Supper Painting
that would tie-in with DaVinci's effort to bring forward
something significant to his viewers. In the 1500's
DaVinci would be unable to DIRECTLY reveal any discoveries or
even personal "theories" he might hold--except to place
them in "CODE FORM WITHIN THE PAINTING"--under penalty of
excommunication (banishment from the Church) or death.
But as we saw in the fictional presentation (was it?) by
Dan Brown in his film "The DaVinci Code" he risked ALL to
bring forward "unpopular" or suppressed information as viewed
by the Vatican. So, we are on the SAME PAGE that these
"codes" do, in fact, exist.

ONE OTHER GLP MEMBER FINDS SPACE-RELATED CLUES IN
THE DAVINCI CODE! (NO AUDIO)


[link to youtu.be (secure)]

"AngelWhite" was forced to remove the audio music
for his presentation due to copyright problems. You
can get a very CLEAR IDEA of what the correlation
between the Bank of American Mural symbolism and
DaVinci's The Last Supper image has in common.

Thread: Davinci's "Last Supper" Meets The Bank of America Mural with Easter "Signs in the Heavens Picture." Video
This was the August 27th 2016 thread I hosted for the
overlay image created in the video above by "AngelWhite."
You can see very clearly the "trajectory path" for SOME
SPACE-EVENT (significant to DaVinci) pops out from The
Last Supper painting when the Benjamin Long overlay is
applied to it. It really is quite startling!

:BOAtrajectory:

AngelWhite was able to "tease out" in his video that
there appears to be an actual "space-weather trajectory
path" that pops out using his overlay on DaVinci's The
Last Supper painting. This could very well correlate to
what appears to be a CONSTELLATION that sits directly
above the trajectory path of "Interstellar Winds" from
the center of the Milky Way.


Modified image from Wayne Hershel, we can see
that this famous author/researcher ALSO feels that
the "crystal ball" image is DaVinci's message about
"something important from space." (Please continue
reading Post #2)

We saw in one of our last threads hosted on the DaVinci
material that Ms. Sforza, a Vatican Researcher established
back in 2010 with her own research that there was in fact
"a code" concerning "the END OF THE WORLD" in The Last
Supper Painting. (I disagree with her findings for a date.)
Might this "lost painting" of Salvatori Mundi tell us
WHERE this event might actually source from? From space?

For an interesting idea of what just one "end times"
event might be please check out GLP's Bridge of Sighs
thread:
Thread: Thought I'd something more to say...

Continued on Post #3

Last Edited by TheOracle'sCookie on 02/15/2019 12:29 AM

Continued Post #3 from Introduction

LET'S LOOK AT THE "LOST ASTRONOMY LESSON" FROM
LEONARDO DAVINCI'S "SALVATOR MUNDI"--AND WHAT IT MAY
BE TRYING TO WARN US ABOUT:

Interesting COINCIDENCE--Choral Arrangement called
"Salvator Mundi" (by an early British composer living
during the timeline that DaVinci would have painted
his "Salator Mundi" painting) seems to be as inspiring
as the image. Would be interesting to know if DaVinci
had ever heard this beautiful music...or if the British
Composer had a chance to view DaVinci's painting.


[link to youtu.be (secure)]

"Salvator Mundi" the music (1500's.)



NOW COMES "SALVATORI MUNDI"--A $450.3 MILLION DOLLAR
AUCTION PRICE FOR A "LOST DAVINCI PAINTING" THIS WEEK!


Salvatori Mundi translates to "Savior of the World" but
is NOT directly named Jesus.


[link to youtu.be (secure)]

Best images found are in this video--great
close-ups

In this look at another DaVinci painting, it is easy
to see that there are "hidden" images about SPACE
which DaVinci had in mind by using a "trick of light"
in a crystal ball--something he would have had to do
to avoid the censorship of the Church in trying to impart
information about Earth's "hidden history" involving a
SPACE EVENT known to the Vatican during DaVinci's time.


Close-up of the crystal ball

THIS is ONE THEORY as to what the "3 dots" in the crystal
ball held by "Salvatori Mundi" may be attempting to show
us--something coming in humanity's future. (This is just
an opinion and is in now way meant to OFFEND anyone):


and

From "Bridge of Sighs" in this thread:
Thread: Thought I'd something more to say...

And a composite picture from the genius of
Wayne Hershel (author of "The Hidden Records")
showing his own "take" on the message of
Salvatori Mundi's STAR MAP! [NOTE: Hershel believes
in this image from "The Hidden Records" that the ORB
ties-in with the star location for E.T.s called "The Engineers"--an interesting idea that was lifted for
the movie "Prometheus" by Ridly Scott in 2012. I
personally think that is ONE theory worth considering,
however, I am more inclined to believe since the Map of
Egypt was part of the "Rabbit Hole" from 2012, that it
is more a WARNING than a statement about E.T.s. But it
could be BOTH.)



We can see how the "fold of the robe" magnified in
the crystal ball matches beautifully some of the
recent pictures from SpaceWeather.com on our night
sky:

:MilkyRobeJesus:

So...looking at this most recent discovery in the DaVinci
artwork, we can make the obvious statement that it WAS
DaVinci's intention to put images about SPACE and
constellations in his artwork. But is it even BIGGER
than "look at this thing in space the Vatican doesn't
want us to see...?" IS IT IN FACT A PREDICTIVE IMAGE?

We'll look at that next!

I believe this gives even MORE credibility to my own
theory that there were AT LEAST 4 CONSTELLATIONS hidden
in the Last Supper Painting that I presented for GLP
in 2015 with this image:


3 of the Constellations are Sagittarius, Scorpius
and Opheuchus which lie along the center of the
Milky Way ecliptic--and very well may be the "3 orbs"
in the Salatori Mundi crystal ball. UDECIDE.

SO...WHY WOULD DAVINCI BE CONCERNED ABOUT THOSE 3 CONSTELLATIONS?
If you have been following any of my previous "science"
threads where I go into the theory of the "Galactic
Super Wave Cycle" by Dr. Paul LaViolette, you will know
that THOSE 3 LOCATIONS point to a place in the Milky
Way Galaxy where great "core explosions" have originated
in space events in Earth's past. This is much too
involved to explain here, but if you wish to look into
the LaViolette Theory and the Vela SuperNova, please
check this thread:
Thread: Thought I'd something more to say...

DOES THIS CARRY THROUGH TO THE "LOST DAVINCI PAINTING"
AS WELL?

Yes. Myself and several other GLP members believe it is
PART OF THE THEME of the "hidden history of the Earth"
DaVinci would have been privy to knowing as a Vatican insider even back in the 1500's.

Archeological finds had been archived and hidden from
the general public even during the life of DaVinci--with
the Vatican interest in Egyptian artifacts at an all time
high during DaVinci's timeline with the Vatican setting
up the very first science of "Egyptology" with genius
researcher Kurcher. This was also the timeline when Spain
would have sent Columbus to the New World to retrieve gold and artifacts as well from the Maya in Mexico (and those kept secret as well.)

The history of the "Vela Supernova" of 9,500 b.c. and
a global cataclysm of unimaginable violence was most
probably included in those artifacts, with DaVinci wishing
the information to be shared with the common man. Given
that he KNEW that the cataclysms are "cyclical" and not
just random hits of comets and meteors, he would have wished
humanity to join in peace and cooperation to find a way
to survive the next one on a better footing than what was
recorded in ancient Egyptian and ancient Myan histories.
THAT history basically tells us modern technology and
advanced civilizations are plowed back into the STONE AGE
after a major Galactic Super Wave event.

HOW WE KNOW THE "ORB" HELD BY SALVATORI MUNDI IS NOT
A CRYSTAL BALL...BUT A POSSIBLE "MESSAGE" FROM DAVINCI:

[link to www.theguardian.com (secure)]

Quote:

But in a forthcoming study, Leonardo da Vinci: the Biography, Walter Isaacson
questions why an artistic genius, scientist, inventor, and engineer showed an
“unusual lapse or unwillingness” to link art and science in depicting the orb.

He writes: “In one respect, it is rendered with beautiful scientific precision
But Leonardo failed to paint the distortion that would occur when looking through
a solid clear orb at objects that are not touching the orb.

“Solid glass or crystal, whether shaped like an orb or a lens, produces magnified,
inverted, and reversed images. Instead, Leonardo painted the orb as if it were a
hollow glass bubble that does not refract or distort the light passing through it.”

He argues that if Leonardo had accurately depicted the distortions, the palm touching
the orb would have remained the way he painted it, but hovering inside the orb would
be a reduced and inverted mirror image of Christ’s robes and arm. Below is an image of what he believes the DaVinci
painting "should have shown" with the reverse-optics.

It is all the more puzzling, he notes, as Leonardo was at that time “deep into his
optics studies, and how light reflects and refracts was an obsession”.
END QUOTE


So we can see, that DaVinci deliberately painted his
crystal ball without the benefit of known optics to show
us that THIS IS NOT JUST A CRYSTAL BALL...IT IS A MESSAGE.

With the 3 Triptych Constellations coming up as "points-
of-light against the Milky Way Ecliptic" (as we can see them
in the close-ups of the painting above)...we can logic out
that DaVinci MAY BE warning about future catastrophic events
coming from that area of space. IT MAY BE A WARNING.


O'sCookie

Last Edited by TheOracle'sCookie on 02/14/2019 11:31 PM

the timing of this painting is significant

those are the ships that will be all over the skies
working for the antichrist

maybe they will paint the Big Ceiling. with blue beams.

leonardo would've loved such a gig.

Interesting theory!

how is that your theory? theres been hollywood movies about that.

Yes...Hollywood movies (such as "The DaVinci Code" with
Tom Hanks) have given millions insight into Leonardo DaVinci's art
--both fact and fiction--however, the discovery of an
overlay I made in 2015 called "The Flower of Life/Tree
of Life" brought forward CODE LOCATIONS in the artwork
that to my knowledge have never been seen before. (The
red dots seen in the image below I created with the
overlay show locations with specific lines connected
to places where Roman Numerals holding dates can be found.)

I began my research on The Last Supper painting in 2015
with the first proof that DaVinci used the overlay of
the "Tree of Life/Flower of Life" as the design-behind-the
-design for the mural. The CONNECTING LINES of that overlay
were where I found the connecting-dots for constellations
AND OTHER PREDICTIONS I believe DaVinci intended for future
generations to find.


Overlay of "The Tree of Life" which shows the
points of intersection where "codes" DaVinci hid
for constellations can be found. (First illustrated
2015) This was my own discovery, and I think it has
turned out to be accurate for finding star-codes.


Location for constellations Sagittarius, Scorpius
and Opheuchus--the 3 constellations "dots" in the
crystal ball shown in DaVinci's "Salvatori Mundi."

This LARGER IMAGE shows that the main communion scene
is connected to OTHER clues to be found in the Lunnettes
at the top of the mural--intersecting points are where
the "easter eggs" can be found:



So...No...there aren't any Hollywood movies about constellations
or "space related messages" as codes in DaVinci paintings
(at least that I am aware of...please list the movie titles
if you know of any I don't!)...or any other references to
DaVinci passing along "end of days" codes.

You are probably thinking of the link to Dan Brown's "The
DaVinci Code" to Jesus having been a man and married to
ary Magdalaine. That has nothing at all to do with space or constellations! lol!


O'sCookie

Last Edited by TheOracle'sCookie on 08/07/2018 11:42 AM

I always look up at those 3 stars only stars I watch and they move to other parts of the nite sky.

Bridge of Sighs..... Destruction of the Pisonic race in the Judgmental era is upon us OP. That veil is lifted for us to peak at the future. Mankind was predestined and called according to the plan. I am the webmaster and the source of the greatest light in this dark world. Hence the unfoldment of telegraphic, telephonic, telepathic, and kindred marvels, is not due simply to the efforts of the self-interested man, but they are the timely developments, through man, of a plan laid down in the beginning of the Creation. Mosaically, transgression very shortly will come to full, when a great change may be looked for in the general status of the world with its hosts of good and evil.

"18/30" is a clue

The Mosaic System of Chronology calls for thirty-three epochs in the grand lapse from the beginning of the creation to the end of time. It will be observed that twenty epochs constitute the greatest number in any one chronological ray of the Grand Epoch from the beginning of the creation to the end of time. This ray, therefore, may be used as a general scale in its relation to the history of the world; but the divisions of the Grand Epoch as otherwise apportioned must also be duly considered in connection with such history, more especially where mission and purpose are brought forward for investigation, comparison, and identification.

Space 18. — To the Judgmental Era. (<<== We are here.)
The Ghost of Sorrow is here. it is time to look up, as the lost painting of the Second Person of the Holy Trinity is re-revealed to the World. YOU know where in space to look.

T. The Second and Third Persons of the Trinity, now that the whole four races of men have failed in their respective missions as subjugators, evidently must carry out the plans of the Most High for the subjugation of Evil, and for the redemption of the creature that is under bondage to Satan, and, also, to establish God's great Purpose by Election; hence no new creature for the establishment of righteousness through free agency, or righteousness by works under the Law, may be still further extended; the indication being clear that, while the creature is on trial, the Second and Third Persons of the Trinity will not, or do not, take up the subjugatory labors; and that they will not now, or do not, take them up until after the complete failure of the creature world shall have been fully demonstrated, whether such creature pertain to the heaven or to the earth.

In the plans of the Most High man (see Ex. xix. 3-6) is pointed to as a possible kingdom of priests and a holy nation, which indication is confirmed by the choosing of the tribe Levi in the stead of the first-born, that are males, among all the tribes of Israel. As a priesthood and a holy nation man becomes a peculiar people unto the Lord, and a choice instrumentality in the wonders pertaining to the regeneration of the creature.

it's not a DaVinci.

It will come out in a few years that it's a fake.

Interesting point, A.C.!

I think that it is VERY interesting how the sale of
this "lost painting"--and it's incredible message about
some significant event coming from SPACE is NOT an
accident.

From what I have read so far, this painting is like only
2 or 3 DaVinci paintings held "privately" (not in museums)
in the world. If I were to guess, whomever it is that
has held this painting has decided (for whatever their
reasons...maybe they are PX'ers?) the public NEEDS TO
VIEW THIS PAINTING.

What better chance for it to be examined carefully--some
seeing it for the first time --than to have it at auction,
bringing in $450.3 million. People will be curious to see
a DaVinci painting bringing in THAT kind of bid.


O'sCookie

You are very wise. The 3 constellations of Sagittarius,
Scorpius and Opheuchus form a SACRED TRIANGLE that was
originally part of a global religion as seen in the
architecture of ancient temples. There was a reason for
this, of course, as it is the SOURCE for Earth's creation
and destruction myths. Immanuel Velikovsky and others tried
to alert the world to this in the 1950's only to be "shut
down" by the maintream scientists of his time. His daughter
wrote a book about his trials called: "ABBA: The Agony
of Immanuel Velikovsky."

More info here:
Thread: Was it Carl Jung's Dying Wish to Support "Rogue Doom Scientist " Velikovsky with Secret Book? Big Up-date Pg.5! Videos

Edited 2-14-2019--NEW THREAD WITH MORE "SOFT DISCLOSURE"

Thread: Dr. Carl Jung's "Catastrophe-Art" Meets Velikovski, Vogt, Davidson and the Solar Micro-Nova--Did Jung KNOW?


O'sCookie

Last Edited by TheOracle'sCookie on 02/14/2019 11:53 PM

Good to see you, bridge!

Thread: Thought I'd something more to say...

Your thread here is doing very well with over 70,000 views.
People really want to know about this stuff. We ALL FEEL
that "there is a storm coming!" DaVinci certainly knew
it and tried to encode the info in some of his art.


O'sCookie

Last Edited by TheOracle'sCookie on 11/19/2017 05:55 PM

The biggest argument that I've read about, Hankie, and
I realize that not everyone believes DaVinci painted that
image...is that DaVinci KNEW about "optics" and was
actually obsessed with them. This point is the main reason
why some object to its being an original by his hand.

DaVinci does NOT use the correct optics in the
crystal ball (some of the items should be reversed):



This is a discussion on another thread I had with WinterStone
about its being DELIBERATELY painted without the correct
optics, so that people would understand that he was giving
us a 'MESSAGE' in the crystal ball, and NOT an actual
visual (which should have been upside down if it were an
actual crystal ball.)

:UpsideOptics:
Even in the early 1500's Leonardo DaVinci had
discovered that there is a reverse-effect when
looking through a lense, as we can see in the
pic above.

However, $450.3 million for a FAKE would be pretty
messed up!

CUT AND PASTE ON THE "OPTICS" PROBLEM:






NOW...That is intereting, WinterStone! I was thinking it
too when I first saw the image, as well! I mean, really
...would the "Jesus" we know about in the Bible be someone
who might hold a CRYSTAL BALL? I'm NOT saying that I don't
think DaVinci painted the image...I believe it is authentic
to his style. However...we may be missing a HUGELY important
point about DaVinci's choice of subject matter as it is
being interpretted in the media right now (that it is an
image of Jesus Christ holding a CRYSTAL BALL.) The Old
Testament is clearly against anything even remotely connected
to "The Occult"--and especially things like "Fortune Telling!" You have a REALLY IMPORTANT POINT. Wow!

:SavioroftheWorld:

I am thinking that this may NOT ACTUALLY BE THE "JESUS" that the mainstream
news reports right now about this painting are claiming it
to be
...
but rather DaVinci's attempt to anthropomorphize an "IDEA."
That is...to take an IDEA and have a human image be the
SYMBOL for that idea. Let me explain where I'm coming from....

Let's back up just a little and imagine the "mind of genius
Leonardo DaVinci" back in the early 1500's when he would have
painted this image. Remember, he is living during a time in
history when tards are being expelled as "demons" from Spain
...Columbus is commissioned to travel to the New World, etc.

As you know, (if you read the post at the top of the page)
I've researched the DaVinci material for over 5 years...and
I think I can speak to his frame of mind at that time given
the "mood" of the common people toward the Vatican.

Along with such great names as Michelangelo, DaVinci and
other Vatican artists were kept under a "tight lid" as to
what they could and COULD NOT paint in their artwork. The
idea of "science" at time was OUTLAWED by the Church who
was the FIRST AND LAST WORD for the common people as to
what to believe about everything from religion to the myths
of the creation of the world.

Michelangelo was so infuriated by the actions of the popes
during his timeline that he painted truly anarchist-like
ideas into the Cistine Chapel...he was NOT a "happy-camper"
with regards to the policies of the Vatican, especially
their SUPPRESSION OF SCIENCE AND ASTRONOMY. Check out this
article..."hidden codes done by Michelangelo in the
Cistine Chapel:"
[link to www.telegraph.co.uk]

Is is possible that the name of the painted "Savatori Mundi"
does NOT speak to the person we are seeing in the image...
but rather DaVinci's belief that it would be SCIENCE
AND ASTRONOMY who would be the "Savior's of the World"
(which is what Savatori Mundi translates to in English.)
This could be why DaVinci chooses to place an IMAGE OF
CONSTELLATIONS and the ecliptic of the Milky Way disguised
as "incorrect light optics" to send the message--that
it wouldn't be "religion" that would ultimately save the
planet, but the ADVANCES IN SCIENCE/ASTRONOMY that would
give mankind their best chance to long-term survival by
space travel in our future.

:TrptyphDaVinci:

THAT WOULD BE A BIG DEAL if it could be proven for his
actual mindset...and make this painting TRULY PROFOUND
beyond what some believe are its religious implications.
...And just "DON'T GET THE MESSAGE FROM DAVINCI!"

Just one more note:
Given that THIS interpretation (that the image is an
anthropomorphic embodiment of the Quest for TRUTH IN
SCIENCE AND ASTRONOMY) by the sitting Popes during the
life of Leonardo DaVinci, I am frankly very surprised that
the painting would have even survived Vatican scrutiny.
This idea could have caused his X-communication from the
Church and possibly even his EXECUTION AS A HERITIC. This
painting must have been HIDDEN in the private collection
of some great benefactor--most likely the Duke of Sforza
who was his main benefactor for "The Last Supper Mural"
late 1490's in Milan, Italy.

Thank you for bringing up this spin-off idea! I hadn't
stopped to think about it until you posted your comment.


O'sCookie

Last Edited by TheOracle'sCookie on 11/19/2017 06:06 PM

Religious law is some crap popes came up with to confuse the masses.
Gods a simpleton and davinci was too.
I agree with the theory to look at davincis studies at the time of his paintings.
I did something similar with teslas patents.by having a good knowledge of physics and electricity.i kinda started with his first patents and read them first to last.youcan easily see his train of thought.his personal discoveries and it led me to where it waz easy to see where he ended up.
Odds are you are right though and its cyclic.
If you take everything in this world from a point of caduceus and magnetohydrodynamics.odds are everything you seek will come forth.as everything in our reality is based on this formula,from the universe down to the atom.
Maybe man is doomed due to somebody teasing it out.but i always hold out hope.we are an ingenius race when religion and corporatism doesnt dumb us down.
If you taught chimps to make gunpowder and what to use it for.they would be doomed.
Same goes now.we humans are too smart for our own good again.
So do we learn to adjust to a new science or kill ourselves out?
Roll dem bones baby!
Super wave cometh?
Well ,fix it or punch the ticket!

it's a DaVinci.

It will come out in a few years that it is indeed the real deal and holds all the keys to time/space.

yah, i can create bullshit too.

the world is fubar

Adam was once both man and woman at the same time.

Angels are also genderless.

Jesus is presented here as a hermaphrodite.

Coincidence?

Really good summary. Thanks for that....and yeah...
I think "the Galactic Super Wave" is on its way and
is probably why there are so many strange things in
the skies right now. Dr. LaViolette is in his "safe
place" in the mountains of Greece...He knows all about
this! lol!

All you need to know:


[link to youtu.be (secure)]



O'sCookie

Bulgaria 06/29/2013 04:48 AM
for context..
For context....
Thread: Salvator Mundi. Leonardo's lost Painting?
Bulgaria 06/29/2013 04:48 AM

Um...no...not so much.

The restoration.

So very briefly.. what's the discovery again?

I'll check out your link...

But do you really believe that someone who would pay
$450.3 million for this DaVinci painting wouldn't have
it EXAMINED down to the atomic level of pixels to PROVE
it to be an actual DaVinci?

Just sayin...


O'sCookie

We are trying to figure that out, A.C. Want to
take a guess? Just look at the painting--especially
the "crystal ball" in the hand of "Salvatori Mundi"
(Savior of the World) and give us your input!


O'sCookie

The first thought that came to my mind when i saw this for the first time in this thread is. Wait, is that..Mona Lisa?? I dunno why, but to me it looks like the body of Mona Lisa with the head of Jesus. That constellation is very, very, very interesting. I don't think i've seen any renaissance painting that depict the stars (closely).

To me it looked like a woman's body also.

It's been a hectic week and when this news broke about this painting, I could only skim it and thought to myself, 'hmmm, is this a money laundering op buy possibly?' Then when I first saw the paint itself, but not in great detail, I thought the crystal ball was very odd.

Plus, the timing of it's appearance, authentication and sale was odd also.

And that Christie's video was excellent! I get the impression DaVinci was not portraying Jesus.

Unfortunately, only a handful of folks today growing up would take the scholarly route as you, O's C. Kids growing up do not any appreciation whatsoever for the Masters of old who took such time consuming, laborious efforts to leak out esoteric knowledge.

Thx for this great thread and it certainly does confirm my gut feeling that there's more to this than meets the eye. Guess it'll take opening up the 3rd eye to figure it all out. :-)

Thanks god im not the only one that thinks this way.

As with all of Leonardo's painting. Nothing is as it seems. There may be hundreds of layers of information that is right before our eyes. But only a handful can find it. Interesting nevertheless.

Am not qualified to judge a painting, but it doesn't feel like a DaVinci painting.