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Vibes Like Aesir

 
Anonymous Coward
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Vibes Like Aesir



Isn't it weird how cool the imagination of these creative types are?

Outside of the circles of time, the visionaries and artists of our species have fantastic sensitivity - they come back from reverie with the collective motherlode of human symbols in tow (if they are especially good, that is).

Oh, sometimes you wonder, "how do people come up with this stuff"? Or DO people come up with stuff? The creative gift is actually the opposite when you see it strong enough to be called genius, it seems. A genius does not come up with a masterwork; a masterwork comes up with a genius.

Genius comes from genii after all; it's best to keep in mind that even if you were the lucky golden goose to rub the magic lamp, your three wishes are a jackpot with several strings attached. The genii of the genius emerges from the magic lamp within the seeker's soul, even the seeker who knows not he may have been salted and peppered with a certain sort of magic.

The genii comes out of the mouth and the heart and the crown above the eye, three wishes yes, but I'm afraid it does not go back in the bottle nor stay on a leash, it doesn't nibble kibble and won't respond to "heel".

Also, it may leave roses buried in your wishes hoping you will bask in their elegance, not realizing that human hands are wont to seize the treasure with both arms before appreciating the artistry of the treasure chest. Genius, unknowning of its own source, occassionally finds itself with bubbles of blood forming of pricked skin, having seen not the gift of flowers nor the warning of thorns.

The genii emerges from the artist, the mystic visionary and shaman, the LSD trips of Francis Crick as he allowed the double helix to pour squarely out of his forehead and swirl in synchrony like serpents. The genii emerges from beyond the circles of time, the genii remains untamed and it cannot be called loyal. The genii of genius is simply looking to meet its match, that is why it only emerges to deliver impossible wishes to those whom share the same wishes as it.

I digress.
A wish emerges from behind the portal of daath, but that doesn't mean it comes with a key to Isis' window curtain.

A wish emerges from the throat of some stars as they sing in harmonies that echo the sphere's faint pulsating gyrating dance in the heavens, but the wish does not drop The Lost Word on her tongue even as cerebrus is soothed in sound slumber and the crowd roars and clamours.

A wish emerges from jeanne d'ark even as she burns, because in her heart is a flame potent beyond kilojoules, and thus it shines so brightly she feels no burn, having been on fire in a far more significant way - for timespans that may range from years to weeks but may as well be eternal in mere moments.

some geniuses gleam brighter than history's eraser as it rubs and rubs and rubs away at the etched markings of both mountains and men. Perhaps the product of this unceasing effort is a smudged word, a name with bent letters and deeds that all recall, but no face to attach to that timeless capstone.

some geniuses are shorn from stone tablets before their names are ever known, the genii of their emerald spirit embedded in the ratios of every mitotic division.

some names for genius have long since sunk into the sea, their fragmented fossils glimmering with a gleam so unmistakably invaluable that the Little Mermaid Ariel received each and every one into her hidden grotto, and to this day her father Poseidon has never entered there.

there are genii that reside so deep in the recesses of space that even immortality would allow us enough time to travel there. but when those geniis wish to travel to us, living at the border patrol of our universe's terminal boundry presents no quandary of distance. the geniuses have no names and they are not capable of lightspeed travel, they have never known the concept of movement because they always arrive at the royal arch centuries before it was born in the dreamscape of its inevitable architect.


it is not so that some are duly chosen, it is not so that some are singled out for the honor of a bejeweled and thorny box, and it is not true that every wish carries with it a splinter that infects helping hands with the prophecy of a Midas touch. Aladdin didn't enter the lottery of the cosmos when he decided to search for the magic lamp, and he did not encounter the cave which housed that genii by a stroke of luck.

Like every replica of our cells houses the nucleus of its organism in the same helical strands, each shining eye at the edge of the galaxy awaits a human heart to swing open the double doors of fortune's palace. The geniuses who have broken into the palace of fate are few and have gone by a few phrases,
for example "The Thief in the Night", and "The Once and Future King", except this is not a prophecy reserved only for the singular Arthur Pendragon.

Fate's Palace, and the illustrious pen, are for anybody with the will to arrive, and said seekers would have to find the train which travels straight through the trunk of yggsdrasil and then off the tracks of the wheel of fortune itself. this is so tricky that the freemasons, rosicrucians, and templars all lost the word they needed use.

Miss Fortune as the watcher of the watcher of the watchers and the author of the authors, is thoroughly passive on her island of Aeons at the eye of the Ouroboros. If a Thief in the Night does find a way inside her palace, it is said she is generally already awaiting them with refreshments long before they have opened the door, because Miss Fortune does not get a lot of tresspassers and due to the nature of that timeless place she actually forfeits the memories of each Theif to whom she has bestowed a pen upon. However, that information is not lost. It is offered to the aeon....and the dragons that preside over the aeon. If a theif manages to meet Miss Fortune, the dragons change to reflect the existence of a new pendragon. How do they change? nobody knows exactly...because...


fortune herself lives in the chtonic underbelly of the akashic record, in the eye of the cycling storm of serpents that never consume one another but rise in mutual pursuit until they have risen too tall for light itself to chronicle their chase. at the eye of the ouroboros, only fortune knows the fates of those serpents which climb over the teeth of their brethren's circling circumference and are crowned as denizens "beyond time". only in fortune's island at the still midpoint of the ouroboros storm can the shadows of these ascended serpents be seen, no longer without limbs but with wings large and lustrous, with shadows that spell out scales so finely chiseled their colors can be seen before the darkening of the creature's phantom traces render all evidence invisible. These are the dragons, and they, like her, live outside of not only space and time, but outside the umbrage of yggdrasil itself. the dragons are above even the canopy where the aesir reside, while she is neither above the abyss nor below its gate, occupying a horizon even the Three Fates envy.

It is an estate for a watcher of watchers and an author who serves authorship to every bold genius that manages to trespass on her stormy island palace, untouched by the rain of looping serpents and the legacy of aeons they create and destroy when head meets tail. the gift of tresspassing on her here is a pen called Serendipity. The genii of the genius has inscribed its legend into myth and so the promise of the pen lives as a wandering Excalibur. What stone can fortune's stolen pen fail to reframe? The "Once" and "Future" king, of course, does not force the submission of the stone, but proclaims himself it's builder. Maybe the genii singled out Arthur, but who is to say when the fabled king met fortune, as their meeting was both long before the forging of Excalibur, but long after the legend of his death.

Miss Fortune has met the futures of endless kings and greeted their ghosts as old friends, a ritual so familiar that each encounter as it is singled out in eternity is offered to the dragons above the event horizon in hopes they may bring seasons of torrential inspiration into the Aeons of consciousness, like a hurricane, and give birth to new Future kings and swords with names that will author themselve.s

s. and each theif in the night is a mystery not even the author of authorship may disrupt. The Once King is nobody now, but the Future King is a series of genius shadows that stand shoulder to shoulder and extend into an eternity without end.



Miss Fortune does not actually move her wheel, but she does bear the burdan of watching it's orbiting art from Outside the Circles of time. Miss fortune consults her own anaolgue to our own starry sky, but hers is not made of gaseous giants and twinkling distant planets. the tapestry of fortune's celestial sky is an ever expanding mosiac of existence in the process of unfolding, and so when she looks up above the interlocking serpentine circumfrance of her sea, the vista continues to progress through endless variations of geometric subtlety - from the chaotic, the dissonant, to the symmetrically impeccable. from here, the wheel of the aeons endlessly weaves the story that once begun with the infinite source's fantastic explosion into endless fragmentations and extensions of divinity without end, and self defined, inspiring itself ever to new spiralling pinnacles of potentiality. the miracle of eternity, according to miss fortune, is cultivated by the collisions of divine sparks of endless variety. Love is the engine of transcendence, but hate gives the dragons the fire they need to forge the hero that will one day save Love from the Novocain of apathy.



the wheel which churns all of space and time in unceasing and perpetual motion. every sentience and all life past and present, every form of awareness, both the dimly lit dashes of hungry mosquitos and the blinding blanket of a supernova's flare, are themselves the mill of masterpiece, for they spill out from both above and below the confines of their respective dimensions to form an ever expanding fractal tie dye where it is said all dreams are destined to converge, rivers that channel to and from infinite configurations but each ultimately arriving at the same gate to heaven, a gate ever changing for the newly divine and immortal beings that are yet to sweep their brushes in the silver ink of serendipidty.



the heaven at the eye of the ain soph aur, the one at the center of the wheel which mills all dreamers whether they are ancient planets or the vagrant and homeless men of earth, tossing and turning at night from cardboard mattresses until in lucid sleep they arrive at the riverbank of the divine dreamer only to find a crystal ball whose secret center is only visible to those whose eyes house I's.

where is this part of the wheel? no it is not miss fortune's isle...
do you want to know? so do I....
it is not on yggdrasil, nor in agartha, nor upon the wheel of fortune, nor atop the canopy of the aesir, nor upon the demiurges throne, nor any node of the sephiroth, however, I have heard, if you look at "the places where all the things meet", you might actually figure out how to find it...
"
at the center of every intersection is a symmetry, at the intersection of every symmetry is a singularity. "

the very best I can do given that you have to conceptually and ideologically actually trace this construct and kinda solve et coaglua is just put this pic here, I would feel uncomfortable trying to preach about a place where even I have only periodic flashes of illumination about, but I have traced it and I think if you can do that it will make sense to you too....


[imgur] [link to imgur.com (secure)]
[imgur] [link to imgur.com (secure)]
Brit Perspective

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06/07/2021 03:59 AM
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Re: Vibes Like Aesir
27 inches

That's the height of your text wall

textwall
The chariots of God are tens of thousands, and thousands of thousands.
Anonymous Coward
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06/07/2021 04:30 AM
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Re: Vibes Like Aesir
[not] equidistant..

[link to www.youtube.com (secure)]
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Re: Vibes Like Aesir




Also, it may leave roses buried in your wishes hoping you will bask in their elegance, not realizing that human hands are wont to seize the treasure with both arms before appreciating the artistry of the treasure chest. Genius, unknowning of its own source, occassionally finds itself with bubbles of blood forming of pricked skin, having seen not the gift of flowers nor the warning of thorns.


 Quoting: The Green Lion Ate The Sun


very nice
Anonymous Coward
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Re: Vibes Like Aesir
the whole thing is amazing, I just thought that stood out for me.
Anonymous Coward (OP)
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06/07/2021 05:56 AM
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Re: Vibes Like Aesir
27 inches

That's the height of your text wall

:textwall:
 Quoting: Brit Perspective


I read really fast so sometimes I forget that the more psychologically sensitive approach would be to actually post my OP in smaller chunks over maybe 5 minute interval.

Actually, I know that came out as kind of brash, the reason I didn't do what I just mentioned was because I think people will read the whole thing if they care enough and if they don't it's okay it's not an emergency or anything.
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Re: Vibes Like Aesir
[not] equidistant..

[link to www.youtube.com (secure)]
 Quoting: Anonymous Coward 80372446


I was relatively obsessed with this song for a period of time, it was not too long ago, either. Video is good, as well.
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Re: Vibes Like Aesir
the whole thing is amazing, I just thought that stood out for me.
 Quoting: StonedImmaculate


Thank you ! I'm glad that it spoke to you on some levels.

peace
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06/07/2021 06:19 AM
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Re: Vibes Like Aesir
the whole thing is amazing, I just thought that stood out for me.
 Quoting: StonedImmaculate


Thank you ! I'm glad that it spoke to you on some levels.

peace
 Quoting: The Green Lion Ate The Sun


Of course, you are very insightful. and you write beautifully.

best of luck to you.
Anonymous Coward
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06/07/2021 06:32 AM
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Re: Vibes Like Aesir
Imagination and creativity come from our disconnection to God who has none since omnipotence imply it knows everything hence cant create anything new anymore... which leads to us and our freedom to think and imagine free from God constraint.

think clearly brainlito
IfYouInsist

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06/07/2021 06:35 AM
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Re: Vibes Like Aesir
[not] equidistant..

[link to www.youtube.com (secure)]
 Quoting: Anonymous Coward 80372446


I was relatively obsessed with this song for a period of time, it was not too long ago, either. Video is good, as well.
 Quoting: The Green Lion Ate The Sun


From my investigations into the subject, schizophrenia is pretty much the immune system attacking the brain. Think Lorenzo's Oil, except with the vestibular memory and sensory gating parts being singled out for special favor. Along with the shortened attention span comes something called saccades, which make walls of text especially hard to deal with, given that it's like the joke where the person translating a German speaker is made to wait interminably for the verb.

Couple refresh rate, fluorescent light, and tension, sinus, and migraine headaches, and you've got yourself a fledgling loss of interest. Combine it with the inability of schizophrenia's autistic factor to read non-verbals with the poverty of mechanisms by which internet text might transmit them to indicate sarcasm and the like, and confusion, frustration, and finally hostility and apathy are bound to occur. And this is only considering your post as an isolated phenomenon, free of the usual trials of existence and absolutely excluding malicious agents.

Last Edited by IfYouInsist on 06/07/2021 06:37 AM
Accidental Stoner
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06/07/2021 06:38 AM
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Re: Vibes Like Aesir
Yes.

These insights were base knowledge of my Asir/Aesir ancestors.

The truth of it still lives in Asir Root Language.

The spinning sun wheel (and subsequent ring of fire) upon the
Swavelsticka is the central symbol of the "Aryans", the people
who still remembered the
aari in Asir Root (= plough in Eng), aura in Van
and how to grow crops, after Allt-land-is (= All-land-ice, "Atlantis").

Aari-el = the life force of the plough
På-seidon = "on the side"; the sea, beside the land
Aari-häst = the beast that pulls the aari, the plough

etc etc etc

Truth about Hel and Oden's Land, Uudenmaa ("Uusimaa" in modern
NWO Finnish), and the brutal theft of Asir and Vaner ancient
history will out.

peace
Anonymous Coward (OP)
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Re: Vibes Like Aesir
Yes.

These insights were base knowledge of my Asir/Aesir ancestors.

The truth of it still lives in Asir Root Language.

The spinning sun wheel (and subsequent ring of fire) upon the
Swavelsticka is the central symbol of the "Aryans", the people
who still remembered the
aari in Asir Root (= plough in Eng), aura in Van
and how to grow crops, after Allt-land-is (= All-land-ice, "Atlantis").

Aari-el = the life force of the plough
På-seidon = "on the side"; the sea, beside the land
Aari-häst = the beast that pulls the aari, the plough

etc etc etc

Truth about Hel and Oden's Land, Uudenmaa ("Uusimaa" in modern
NWO Finnish), and the brutal theft of Asir and Vaner ancient
history will out.

peace
 Quoting: Accidental Stoner 80037081


Amazing !!
Very relevant connections, sync sure can sing when it is inclined.
Anonymous Coward (OP)
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Re: Vibes Like Aesir
[imgur] [link to imgur.com (secure)]

Anonymous Coward (OP)
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06/07/2021 07:51 AM
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Anonymous Coward (OP)
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I wasn't going to look, but...
hmm
not a bad pull...
[link to www.gematrix.org (secure)]
Four Minutes to Omegaa

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Isn't it weird how cool the imagination of these creative types are?

Outside of the circles of time, the visionaries and artists of our species have fantastic sensitivity - they come back from reverie with the collective motherlode of human symbols in tow (if they are especially good, that is).

Oh, sometimes you wonder, "how do people come up with this stuff"? Or DO people come up with stuff? The creative gift is actually the opposite when you see it strong enough to be called genius, it seems. A genius does not come up with a masterwork; a masterwork comes up with a genius.

Genius comes from genii after all; it's best to keep in mind that even if you were the lucky golden goose to rub the magic lamp, your three wishes are a jackpot with several strings attached. The genii of the genius emerges from the magic lamp within the seeker's soul, even the seeker who knows not he may have been salted and peppered with a certain sort of magic.

The genii comes out of the mouth and the heart and the crown above the eye, three wishes yes, but I'm afraid it does not go back in the bottle nor stay on a leash, it doesn't nibble kibble and won't respond to "heel".

Also, it may leave roses buried in your wishes hoping you will bask in their elegance, not realizing that human hands are wont to seize the treasure with both arms before appreciating the artistry of the treasure chest. Genius, unknowning of its own source, occassionally finds itself with bubbles of blood forming of pricked skin, having seen not the gift of flowers nor the warning of thorns.

The genii emerges from the artist, the mystic visionary and shaman, the LSD trips of Francis Crick as he allowed the double helix to pour squarely out of his forehead and swirl in synchrony like serpents. The genii emerges from beyond the circles of time, the genii remains untamed and it cannot be called loyal. The genii of genius is simply looking to meet its match, that is why it only emerges to deliver impossible wishes to those whom share the same wishes as it.

I digress.
A wish emerges from behind the portal of daath, but that doesn't mean it comes with a key to Isis' window curtain.

A wish emerges from the throat of some stars as they sing in harmonies that echo the sphere's faint pulsating gyrating dance in the heavens, but the wish does not drop The Lost Word on her tongue even as cerebrus is soothed in sound slumber and the crowd roars and clamours.

A wish emerges from jeanne d'ark even as she burns, because in her heart is a flame potent beyond kilojoules, and thus it shines so brightly she feels no burn, having been on fire in a far more significant way - for timespans that may range from years to weeks but may as well be eternal in mere moments.

some geniuses gleam brighter than history's eraser as it rubs and rubs and rubs away at the etched markings of both mountains and men. Perhaps the product of this unceasing effort is a smudged word, a name with bent letters and deeds that all recall, but no face to attach to that timeless capstone.

some geniuses are shorn from stone tablets before their names are ever known, the genii of their emerald spirit embedded in the ratios of every mitotic division.

some names for genius have long since sunk into the sea, their fragmented fossils glimmering with a gleam so unmistakably invaluable that the Little Mermaid Ariel received each and every one into her hidden grotto, and to this day her father Poseidon has never entered there.

there are genii that reside so deep in the recesses of space that even immortality would allow us enough time to travel there. but when those geniis wish to travel to us, living at the border patrol of our universe's terminal boundry presents no quandary of distance. the geniuses have no names and they are not capable of lightspeed travel, they have never known the concept of movement because they always arrive at the royal arch centuries before it was born in the dreamscape of its inevitable architect.


it is not so that some are duly chosen, it is not so that some are singled out for the honor of a bejeweled and thorny box, and it is not true that every wish carries with it a splinter that infects helping hands with the prophecy of a Midas touch. Aladdin didn't enter the lottery of the cosmos when he decided to search for the magic lamp, and he did not encounter the cave which housed that genii by a stroke of luck.

Like every replica of our cells houses the nucleus of its organism in the same helical strands, each shining eye at the edge of the galaxy awaits a human heart to swing open the double doors of fortune's palace. The geniuses who have broken into the palace of fate are few and have gone by a few phrases,
for example "The Thief in the Night", and "The Once and Future King", except this is not a prophecy reserved only for the singular Arthur Pendragon.

Fate's Palace, and the illustrious pen, are for anybody with the will to arrive, and said seekers would have to find the train which travels straight through the trunk of yggsdrasil and then off the tracks of the wheel of fortune itself. this is so tricky that the freemasons, rosicrucians, and templars all lost the word they needed use.

Miss Fortune as the watcher of the watcher of the watchers and the author of the authors, is thoroughly passive on her island of Aeons at the eye of the Ouroboros. If a Thief in the Night does find a way inside her palace, it is said she is generally already awaiting them with refreshments long before they have opened the door, because Miss Fortune does not get a lot of tresspassers and due to the nature of that timeless place she actually forfeits the memories of each Theif to whom she has bestowed a pen upon. However, that information is not lost. It is offered to the aeon....and the dragons that preside over the aeon. If a theif manages to meet Miss Fortune, the dragons change to reflect the existence of a new pendragon. How do they change? nobody knows exactly...because...


fortune herself lives in the chtonic underbelly of the akashic record, in the eye of the cycling storm of serpents that never consume one another but rise in mutual pursuit until they have risen too tall for light itself to chronicle their chase. at the eye of the ouroboros, only fortune knows the fates of those serpents which climb over the teeth of their brethren's circling circumference and are crowned as denizens "beyond time". only in fortune's island at the still midpoint of the ouroboros storm can the shadows of these ascended serpents be seen, no longer without limbs but with wings large and lustrous, with shadows that spell out scales so finely chiseled their colors can be seen before the darkening of the creature's phantom traces render all evidence invisible. These are the dragons, and they, like her, live outside of not only space and time, but outside the umbrage of yggdrasil itself. the dragons are above even the canopy where the aesir reside, while she is neither above the abyss nor below its gate, occupying a horizon even the Three Fates envy.

It is an estate for a watcher of watchers and an author who serves authorship to every bold genius that manages to trespass on her stormy island palace, untouched by the rain of looping serpents and the legacy of aeons they create and destroy when head meets tail. the gift of tresspassing on her here is a pen called Serendipity. The genii of the genius has inscribed its legend into myth and so the promise of the pen lives as a wandering Excalibur. What stone can fortune's stolen pen fail to reframe? The "Once" and "Future" king, of course, does not force the submission of the stone, but proclaims himself it's builder. Maybe the genii singled out Arthur, but who is to say when the fabled king met fortune, as their meeting was both long before the forging of Excalibur, but long after the legend of his death.

Miss Fortune has met the futures of endless kings and greeted their ghosts as old friends, a ritual so familiar that each encounter as it is singled out in eternity is offered to the dragons above the event horizon in hopes they may bring seasons of torrential inspiration into the Aeons of consciousness, like a hurricane, and give birth to new Future kings and swords with names that will author themselve.s

s. and each theif in the night is a mystery not even the author of authorship may disrupt. The Once King is nobody now, but the Future King is a series of genius shadows that stand shoulder to shoulder and extend into an eternity without end.



Miss Fortune does not actually move her wheel, but she does bear the burdan of watching it's orbiting art from Outside the Circles of time. Miss fortune consults her own anaolgue to our own starry sky, but hers is not made of gaseous giants and twinkling distant planets. the tapestry of fortune's celestial sky is an ever expanding mosiac of existence in the process of unfolding, and so when she looks up above the interlocking serpentine circumfrance of her sea, the vista continues to progress through endless variations of geometric subtlety - from the chaotic, the dissonant, to the symmetrically impeccable. from here, the wheel of the aeons endlessly weaves the story that once begun with the infinite source's fantastic explosion into endless fragmentations and extensions of divinity without end, and self defined, inspiring itself ever to new spiralling pinnacles of potentiality. the miracle of eternity, according to miss fortune, is cultivated by the collisions of divine sparks of endless variety. Love is the engine of transcendence, but hate gives the dragons the fire they need to forge the hero that will one day save Love from the Novocain of apathy.



the wheel which churns all of space and time in unceasing and perpetual motion. every sentience and all life past and present, every form of awareness, both the dimly lit dashes of hungry mosquitos and the blinding blanket of a supernova's flare, are themselves the mill of masterpiece, for they spill out from both above and below the confines of their respective dimensions to form an ever expanding fractal tie dye where it is said all dreams are destined to converge, rivers that channel to and from infinite configurations but each ultimately arriving at the same gate to heaven, a gate ever changing for the newly divine and immortal beings that are yet to sweep their brushes in the silver ink of serendipidty.



the heaven at the eye of the ain soph aur, the one at the center of the wheel which mills all dreamers whether they are ancient planets or the vagrant and homeless men of earth, tossing and turning at night from cardboard mattresses until in lucid sleep they arrive at the riverbank of the divine dreamer only to find a crystal ball whose secret center is only visible to those whose eyes house I's.

where is this part of the wheel? no it is not miss fortune's isle...
do you want to know? so do I....
it is not on yggdrasil, nor in agartha, nor upon the wheel of fortune, nor atop the canopy of the aesir, nor upon the demiurges throne, nor any node of the sephiroth, however, I have heard, if you look at "the places where all the things meet", you might actually figure out how to find it...
"
at the center of every intersection is a symmetry, at the intersection of every symmetry is a singularity. "

the very best I can do given that you have to conceptually and ideologically actually trace this construct and kinda solve et coaglua is just put this pic here, I would feel uncomfortable trying to preach about a place where even I have only periodic flashes of illumination about, but I have traced it and I think if you can do that it will make sense to you too....


https://imgur.com/v07Ukpp

https://imgur.com/hyHwZkm

 Quoting: The Green Lion Ate The Sun


This is Huge!
hello?
Anonymous Coward (OP)
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Re: Vibes Like Aesir
This is Huge!
 Quoting: Four Minutes to Omegaa


flowerkitty


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Jeez monoliths are smart when they leave a. Usefull idea behind ?
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Anonymous Coward
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06/07/2021 01:20 PM
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There is always a point of origin
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Re: Vibes Like Aesir
There is always a point of origin
 Quoting: Anonymous Coward 77221282


Yes, the point of origin is at the point of entry.
Anonymous Coward (OP)
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06/07/2021 02:53 PM
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Re: Vibes Like Aesir
the point of origin you mention, must accommodate variations to the structure. This I know is one of the places I always lose people, but the past and the future are actually a function of the present, rather than the present being a function of the past and future. what I mean is, the present can accommodate gradual or slight blurriness at the outer boundary of this rendering process. So just because we are incapable of moving through time and seeing the more robust properties of its hyperstructure, that doesn't mean that we aren't making impressions on that hyperstructure as a human collective for example. our point of origin has to accomadate a changing structure, and we are actually the lattice of a structural symmetry with bidirectional influence. Enough of a convergence in the network and the origin point is going to have to find a comfortable reconcilation.

Here, a thought experiment, maybe this will work better.
Say, you are actually only your consciousness, and you know that you are wearing a virtual reality headset, and that you can't take it off until the natural end of your life. So you know you are being rendered into a hardware structure that can facilitate your interaction with this collective virtual space. Lets just say thats reality, and that whenever you are loaded in, ie not asleep, you are considered by the hardware to be "rendered" in the holographic structure. But when you sleep, the virtual reality hardware is still remains "online". You, however, take your headset off, and take a break. When the headset is off, your conscious experience has a completely different relationship to both time and space, so when you have the headset on the dreams seem to be alien and hard to integrate, and when you take the headset off dream logic seems so natural you can't even program yourself to "realize your asleep" without a huge amount of effort.

We have alooking glass, but what about the point of origin?
The holographic virtual reality produces virtually no inconsistencies because it is in the constant perceived process of consolidating its boundaries according to the architecture of its constituents. Being self similar and consensus orientated, it is going to flatline for the most part to give us all a world we can mutually discuss without too much concern that our best friend is actually watching hats explode in the kitchen while we are talking about work. This world we share is organized by measurement, and that includes the animal world, although the animal world needs only a nested portion of the lattice the human network occupies, being as it is more structurally complex.

And that's the kicker - there is no stipulation that this world we occupy needs a universal origin point and a scalable period of time between its conception and ours. Actually, all it needs to do is remain self-consistent, and as long as that means the future and the past match the structure of collective organization, the truth is we are extremely unlikely to ever even notice changes to the past unless they are quite drastic. What were you doing 9 days ago at exactly 7:21 am, and what did you do for those next consequetive 9 minutes, frame by frame? Of course that information isn't there, the virtual reality headset is in charge of those particulars so that it can maintain a relatively consistent relationship with the holographic exterior. Your consciousness that comes with you to your dreams aren't the episodic events, which actually if you conduct an experiment by simply filming everything you do 24 hours a day for a month, the actual play by play is pretty bland. The part in your dreams is the subjective undefined and emotional component that has no local mechanism of storage in your headset, thus it cmes with you when you dream. In that sense, you are picking not the past, but you are picking the memory and story of the past, and reality does tend support us doing so.

Here is the thing about memories, memories are attached to identifying agents, but not to their consciousness source signal, so once we die and if we re render as a new agent in the virtual reality world, those memories are hosted on a cloud based global server memory, and it is not rendered in the active space of working thought unless it is called upon. So there are actually uncountable memories archived in that cloud that we will never have any occassion to trigger the recall of. It does, however, remain. If I consult my record of a full month of filming time pass, and I watch the video, I can retrieve those memories most of the time. Why is memory rendered in and not rendered out? Because it needs to be altered a lot to accommodate continuous re-origination of the universe in realtime. The thing is, there is nobody behind the scenes with the programming language, rather there is a dynamic language of frequency, form, energy, and our perceptual relationships to the objects of our mutual attention. Like a dipole, the nature of the lattice is designed to maintain a self-similar flexibility that can be parsed down to any unit of size but retain a copy of that same structure at a new scale. If one half of the human collective is severely traumatized by a catastrophe, too much of the shape becomes bent to not require reorganization and again, this is a process of resampling sensitive to our presence as nodes in a system of relationships.

So, when we look to understand the point of entry of lets say my life, it is when I render the present, and that origin point may maintain a rigid and plausible history I fully accept and relay to others, but my birth 28 years ago is actually not my origin point at all - in terms of the energetic ecosystem of our collective shared experience, my birth is "dead", its a "dead event", basically like flavor text in a video game. You know how you pull the profile up of your character and write it in so others can read it too? Well even lived experiences are only kept on hand when they are highly proximal, and their tensegrity is typically quite poor.

There are actually certain instances where the memories do not properly proceed through the natural decay and storage or pruning process, and that is when the user in a sense cannot render the experience that is being rendered by everyone else because they cannot concede to the event's existence consciously while maintaining their psychological functionality.

Of course I'm talking about PTSD, but most don't understand that a flashback is not a memory, it is a series of nervous system transductions that are actually the event itself being rendered in an effort for the collective structure to resolve the inconsistencies produced by our disorganized relationship to deep trauma or psychic suffering. Extreme trauma makes deep cuts that are their own, so to speak, "origin point". Let me explain it this way...the trauma that happened to me, say, caused a crack in the headset I use, and that means there are portions of my experience that aren't bounded in the same way as the people around me, probably. We could call that crack actually a point of entry, or the origin, of a new layer of experience. The traumatic event is not the origin, the crack is the origin. You see, realtime energetic ecosystems mean that the origin is always going to be in direct contact with the transduction sequence rendering it into active experience and dissiminating it into the whole of the structure.


To wrap it, the most effective way to describe a point of origin is its entry point, because that accurately preserves the reality that we actually, as a collective species, are updating our aggregated attitudes of the object in question as global sentiment demands. That means each time you engage in any action, you are the origin point of it and also the exit point of it, both at once, and for example, ascension as humanity has come to define ti doesn't involve any physical movement at all, the absence or presence of space or flight is just a way to frame the context of a shift

I was at a very different point of definition in the , hmm, well the aesir would be seen and categorized as the exotic plasma state of matter, meaning that while the human experience can enable measurement only within the bounds of its collective perceptual capabilities. Basically, the ability for enormous redefinitions in the structural tensegrity of the global experience, some degree of sensitization ought to probably occur for the change to take place. What we are capable of conceptualizing is only partly a product of the limitations of physical sensory structures. Many easily imagined realities, such as the interior of a jumbo jet, can be conceptualized by almost any member of the human race, whereas 600 years ago the same exact statement would be like asking galileo to speculate on the interior of a black hole.


The point of origin is not even singular, our point of ourigin is the relay signal that gives us the ability to maintain a self-contained energetic coherence - an individuated consciousness - one that with the right style of values and sentiments, and enough will, can undergo a state change and ascend. This is what the real philosopher's stone is, it's the properties that are reorganized when the consciousness reaches a configuration of resonance that is 'actuated' - a noble gas so to speak that has found the shape which most properly carries through the unique properties of its signal.

If, theoretically, this were to happen, it is not merely a spiritual metaphor. The structural properties of the consciousness wearing the headset are redefined, and so the quality of the sensory and conceptual information relayed to the collective are going to interact with the lattice in a very different way, now. At a certain point this becomes a rather tense standoff between old world and new world preferences, one which we must work out amongst our own values as both individuals and the wards of the holographic shared space of human kind.


[link to phys.org (secure)]
Anonymous Coward
User ID: 79707904
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06/07/2021 03:11 PM
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Re: Vibes Like Aesir
27 inches

That's the height of your text wall

:textwall:
 Quoting: Brit Perspective


I read really fast so sometimes I forget that the more psychologically sensitive approach would be to actually post my OP in smaller chunks over maybe 5 minute interval.

Actually, I know that came out as kind of brash, the reason I didn't do what I just mentioned was because I think people will read the whole thing if they care enough and if they don't it's okay it's not an emergency or anything.
 Quoting: The Green Lion Ate The Sun


It helps if one posts a short synopsis in front of that wall of text. Those individuals that are interested will read further. Many of us don't like to read two or three paragraphs of bullshit only to find out we're not interested in the actual subject matter that's often hidden in the wall of text.

Example 1:

This here bullshit is about this bullshit rights there.

[wall of text goes here]

:popcornitup:
Anonymous Coward (OP)
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06/07/2021 03:55 PM
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Re: Vibes Like Aesir
so, yeah, what is the source of synchronicity, this entry point conceptualization is useful because with it you can do a lot more than just passively watch as synchronicity comes and goes. The notion of synchronicity itself is even somewhat outdated, because actual meaningful coincidence is a network of hidden relationships that are actually fundamentally inextricable vectors bounding interior and exterior transversality.



to put it another way, a lot of people get confused with synchroncity because they don't necessarily realize the synchronicity itself is actually part of an ongoing conversation that we are individually a part of shaping. if you leave it alone, it will mostly react to incidental spikes in coherence values. but if it is frequently and consistently engaged, the interior and the exterior worlds have an entirely new symbolic manifold that can provide ongoing communication between psychic structures that typically are dampened or compartmentalized as they are widely rejected.

But this is a language you as an individual can learn to fluently use, actually it is the natural language of primordial forms because it requires no universal grammar or phonetic alphabet, and because the letters used to write the message are conductors of consciousness, not just thought...that is why they can sometimes actually "institute change in accordance with will"....provided that on the other end of the conversation, the environment finds your will attractive.
IfYouInsist

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06/07/2021 03:57 PM
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Re: Vibes Like Aesir
so, yeah, what is the source of synchronicity, this entry point conceptualization is useful because with it you can do a lot more than just passively watch as synchronicity comes and goes. The notion of synchronicity itself is even somewhat outdated, because actual meaningful coincidence is a network of hidden relationships that are actually fundamentally inextricable vectors bounding interior and exterior transversality.



to put it another way, a lot of people get confused with synchroncity because they don't necessarily realize the synchronicity itself is actually part of an ongoing conversation that we are individually a part of shaping. if you leave it alone, it will mostly react to incidental spikes in coherence values. but if it is frequently and consistently engaged, the interior and the exterior worlds have an entirely new symbolic manifold that can provide ongoing communication between psychic structures that typically are dampened or compartmentalized as they are widely rejected.

But this is a language you as an individual can learn to fluently use, actually it is the natural language of primordial forms because it requires no universal grammar or phonetic alphabet, and because the letters used to write the message are conductors of consciousness, not just thought...that is why they can sometimes actually "institute change in accordance with will"....provided that on the other end of the conversation, the environment finds your will attractive.
 Quoting: The Green Lion Ate The Sun


And that's the dealbreaker, isn't it?
Anonymous Coward (OP)
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06/07/2021 04:13 PM
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Re: Vibes Like Aesir
The Jester
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06/07/2021 04:45 PM
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Re: Vibes Like Aesir
In other words

"Thy will be done"

Done well I hope!
Anonymous Coward (OP)
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06/07/2021 05:12 PM
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Re: Vibes Like Aesir
Accidental Stoner
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06/07/2021 05:35 PM
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Re: Vibes Like Aesir
This is the first time I have encountered the word "Aesir" in
that meaning..? I confess my ignorance.

However:

Yeah...the flow of the world and the souls in it is a theme
in Asir (my preferred spelling, jives with Root Language as
spoken today, by its last tens of thousands of native speakers)
mythology.

Yggdrasil/Maailmanpuu is a reflection of it.

The Asir wise men and women understood the notion of now
not being time.
It is something else.
The world exists in the user interface.

Static info on static media is at best ideograms per se.
But best suited for prose, lists, keeping track. Even in
much, much later "Viking" times, this is why all the great rune
stones are of the "Torbjörn built a ship here", Kilroy-was-
here style; not about faith or deeper philosophy.


(One does well to remember, that Snorri Sturlasson already
was a Catholic...with 0 interest in the ancient truth of Hel.

BTW:

vik [Asir Root] = bay, place where sea makes V-shaped incursion into land.

ti fara viking [A.R.] = to go sailing from bay to bay along coast;
to hide ship in bay for potential ambush.
Has absolutely nada zip 0 to do with 5 kings :D )


Sann skrift [A.R.] = true script, became "sound
script" in the much younger Anglo tongues, "sanskrit" in India
was never meant for conveying spiritual knowledge in the here-
and-now, which only the directly spoken word can do.
Accidental Stoner
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06/07/2021 05:38 PM
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Re: Vibes Like Aesir
I meant 6 kings, dämmit chuckle





GLP