Crop Circle today June 1 2008

From first glance, it appears that this enormous design, near the banks of Neolithic Hill Fort Barbury Castle shows echoes of the ratchet, which was one portion of the Barbury Castle Triangle/Tetrahedron of 1991. Its is still regarded as "the mother of all pictograms". The proportions within this 2008 event indicate a far more intricate ratchet than its 1991 predecessor.

Many years of research have been carried out on the 1991 event, and indeed the ratchet design demonstrates the number seven, as notes within the diatonic scale. The whole structure is also a collection of numeric, musical and geometrical harmonies.

Are we once again witnessing at this location, another formation from the Circle-makers indicating sound as a conveyed message which the ancients regarded as a prime creative force of the Universe

Euphorically leapt upon by the press at the time, the headline grabbing " Mother of all Pictograms", appeared at the foot of Barbury Castle, nr. Swindon in Wiltshire on the 17th June '91. Quite unlike anything that had appeared before it was arguably one of the most impressive pictograms ever seen. Superbly elegant in design, this three-dimensional tetrahedron couldn't help but stir up and stimulate alchemic, geometric and spiritual thought. Pictograms during the early '90's were appearing in an undreamed of form and this exquisite beauty had it all...circles, rings, arcs, triangles and yes, straight lines.

Viewed from the air researcher George Wingfield remarked that "...its sharp geometric outline was nothing short of perfection".** And yet it was later realised that one of the lines that made up the great equilateral triangle had a kink in it! Look to the left-hand side of the central triangle in the diagram...It looks like this line has got too close to one of the rings. Was the line deliberately bent as some sort of quick-fix attempt in order to accommodate the inner ring? I've always felt though that aside from transmission errors, "The Circlemakers" don't make mistakes unless they're deliberate mistakes. How could this be a mistake when this formation appeared to be so specific and precise in its symbolism?

There's also a theory that attempts to explain why every single error or deliberate mistake that "The Circlemakers" make is all A1 OK and quite acceptable...and that's the old Persian rug thing! For contained within their amazing intricate designs, the weavers would always deliberately ensure that a tiny element of their masterpiece was imperfect. This is meant to be seen as a spiritual admission of humility on behalf of the weavers, for here they're openly stating that they're not perfect because..."only God is perfect".

Season '91 was to be a notable year for line bending, but why should the Barbury Castle masterpiece with such mathematical and geometric elegance have blatantly incorporated one? Richard Hoagland*** and David Myers whilst researching into the allegedly strange features of the Cydonia monuments on Mars, discovered some remarkable geometric similarities between the Barbury glyph, the Stonehenge complex and the Martian structures. By straightening out the line so that it bisects the inner ring, you get a line of latitude of 49.6 degrees...which just so happens to be the specific and absolutely critical "Avenue angle" that leads out of Stonehenge! Essential elements of the "Cydonia Message" sat quietly within the Barbury glyph that implied quite importantly through this eloquent communication that there exists some kind of unified ancient cosmic culture.

Now where would we be without straight lines in crop circles? Often devoid of circular components, many of today's remarkable events have come to rely upon stars, triangles and squares etc. And with nothing really circular found in some circles, why should we still refer to them as being crop circles? Some of them don't even manifest in crops! But then again I can't really think of anything else to call them - can you?

[link to www.medwaycropcircle.co.uk]

9 steps

...Oops! ...maybe not! lol

Interesting though and yet another one near a Causewayed Enclosure.

Perhaps the most intriguing crop circle yet made was in England near Barbury Castle during 1991. The Barbury Castle crop circle also encoded Euclidean theorems discovered by Gerald Hawkins, author of Stonehenge Decoded. Mysteriously, the crop circle's design was a copy of a diagram from the 1687 text by a Benedictine Monk, Practica.

[link to www.timestar.org]

Nice! I got shivers, this one might be real I hope...

Peace

Changes in crystalline cell structure of vegetation in crop circles provided the first indisputable evidence of an extraordinary force at work. Unlike design symbols, cellular changes in vegetation cannot be hoaxed. Crop from seed in a crop circle at Kennewick, Washington grew heartier and faster than seed outside the formation. Although crops from the altered seed returned to expected growth patterns within a few generations, fast growth from the crop circle seed reflected a potentially beneficial change. Rather than two crops maturing in a year, for instance, three crops from altered seed could mature in the same period. Implicitly, cellular changes that identify authentic crop circles uniquely express the message of transformation in profound terms.

Posed between communication symbol and art form, crop circles are wholistic messages that embrace the dimensions of time-space as meaningful elements of context in formations. Interpreting crop circles within synchronous sets of events offers a wide lens for expanding perspective. One of the most beautiful and intriguing crop circles ever made, the Barbury Castle formation was a copy of a diagram from the 1687 text, PRACTICA, by a Benedictine monk.


Made in England when the most extensive UFO activity in history was starting near the home of Native America's oldest calendar in 1991, the diagram from PRACTICA conjugated the cycles of time. "The feud between the Mereopes and the [ancient Greek] Ionians will not cease until the golden tripod which [the god of fire] Vulcan cast into the sea be brought back into the house of the man who knows the things that are, that were, and that are to be."


Drawing from the early hours of human beginnings, the Barbury Castle crop circle would cast the future from shore to shore of America through its oldest pyramids. The prophecy would extract mysteries from the sea about the highest mountain peaks specified in five crop circles over seven years woven into a complete message with triangles and circles. Although hundreds of crop circles were made world-wide between 1991-97, I recognized five crop circles as matched messages about pyramids in Mexico memorializing time-space.

[link to www.eskimo.com]

any theories on this one? perhaps earthquake related?

Well, as you can see, the Barbury Castle Crop Circle of 1991 contains a RATCHET.

A ratchet is 'a device that allows linear or rotary motion in only one direction, while preventing motion in the opposite direction. Ratchets are used in many other mechanisms, including clocks...'

Todays crop circle, also in Barbury Castle (as the first one, 18 years ago)is a ratchet too. Mainly a ratchet and a complex one.

Today, also, Columbia Studios set for the film "Back to the Future" burned in LA, specifically the clock of the tower.

But this is just the tip of the iceberg for its full unveiling meaning. Nice inputs, op.

thank you..i find this one to be very intersting! with the straight lines and the RATCHET! also when i dig up the history of past glyph's in the area..an amazing story unfolds! still researching............

It looks like some kind of locking device !!
maybe a stargate locker to other dimensions??

part of something that looks like this maybe?

Crop Circles are like UFOs. If only one of them is real then guess what, we are not alone. The thousands of fakes, hoaxes and disinformation projects are irrelevant. It only takes one. Now wake up the people.

Not only was this soon-to-be-famous glyph to keep scholars busy for some time to come, it also attracted the interest of the now supposedly disinterested army who proceeded to block access to local roads, an act which blatantly overstepped their jurisdiction.

This pattern is one of the most important alchemical and Hermetic symbols. It is featured in Michespacher's 1654 book Cabala in Alchymia as the diagram describing the very process of Creation. The three balls are said to represent the three alchemical elements- salt, sulphur and mercury, in conjunction with the Godhead at the center which unites the three to create the Universe; in other words, the three elements are spun together and held in equilibrium until an energy from the Creator activates the process. This is the act of material manifestation. The diagram is also well known to Qabbalists and Rosicrucians whose roots can be traced back to the ancient Egyptian mystery schools. Their description tallies with Michespacher's, but because the source is older it is inevitably devoid of centuries of misinterpretation. The alchemical connotations which were fashionable in the Middle Ages are here replaced by water, fire and light respectively. These are contained by the triangle of complete equality (equilibrium), which in turn interacts with the three circles of the high throne- Father, Son and Spirit, the three sources of Light , also referred to as the Three In One. Generated by this diagram are the seven creative spirits; from this master plan evolves the true nature of the solar system.

The principle of Three in One is in itself a cosmic law. But as John Michell discovered, the whole structure is also a collection of numeric, musical and geometrical harmonies which founded the prevailing order in every old civilization: "It demonstrates the principle of Three in One by means of a central circle which exactly contains the combined areas of the three circles around it. Moreover, the sum of all the four circular areas in the diagram is 31680 square feet... In traditional cosmology, this was taken to be the measure around the sub-lunary world, and the early Christian scholars calculated the number 3168 as emblematic of Lord Jesus Christ. The same number was previously applied to the name of a leading principle in the pagan religion."

Michell further explores this number: 316.8 as the number of feet in the circumference of the lintel ring at Stonehenge and the perimeter square of St. Mary's Chapel in Glastonbury, which relates to the 31680 miles of the perimeter square around the Earth or the number of furlongs of its mean radius. Michell further wrote, "The number 3168 is superabundant, the Pythagorean term for a number which is exceeded by the sum of its factors. The sum of all the numbers which divide into 3168 is 6660, connecting the number of the Lord Jesus Christ with that of the Beast of Revelation." To Michell the Barbury Castle tetrahedron is nothing short of "a divine revelation."


[link to www.lovely.clara.net]

And what of Silbury Hill, that most magnificent of human endeavours, which remains as mysterious and sacred today as it has ever been in the past? Is it too reflected in the Martian landscape...? South of the Cydonia crater there is a large mound, approximately 1 mile in diameter and standing 500ft high. Close inspection shows what appears to be a path spiralling up the hill to the top, a feature familiar to anyone who has ascended Silbury Hill. What's more, a curious crop glyph which was 'activated' (to use David Percy's terminology) on July 17th 1991 at Barbury Castle, not a million miles from Avebury, also seemed to illustrate this spiral in one of its components, a ratchet. The design as a whole represents a three-dimensional tetrahedron and is 'a cipher of sacred geometry par excellence' to quote leading cereologist George Wingfield. This spiral is what mathematicians call an equiangular logorhythmic spiral, which basically means that it follows a prescribed pattern of curvature, and is therefore created by intelligent design not meteorological accident. As a curious addendum to all this, it is interesting to note that some time after David Percy published his epic work on this subject 'Two Thirds' in 1993, spiral crop glyphs following an equiangular logorhythmic pattern became more common, (as though the circle-makers were rewarding us for getting something right at last?!) I refer to the Stonehenge Julia and the Windmill Hill Triple Julia of 1996. However, the point has been made that Silbury is also part of the great Cydonia mystery.


Away to the west of Avebury lie many tumuli, and parallels can be drawn between some of these and the Martian artefacts known as the City and the D&M Pyramid (after its discoverers Vincent DiPietro and Gregory Molenaar). This is one area of the Avebury complex which I am not personally familiar with (yet!) so I cannot make too much comment on these areas of study, but the maps do seem to correlate here as well. Until I undertake my own ground survey of the sites mentioned (in Avebury that is, not Cydonia!) I will refrain from further comment. You might ask yourself though how a five-sided shape like the D&M Pyramid can be created or maintained naturally, since meteorological pressures on one side of the structure would inevitably affect the other sides in different ways – in short, it cannot be a natural formation. Details can be found in David Percy’s excellent 'Two Thirds' if you can cope with all the complex mathematics etc, which can be very daunting!!


The Face is of course the most famous and the most controversial of the Cydonia artefacts, although again its direct relation to the Avebury complex is at present a mystery to me (I hope to check this out with my own eyes very soon). Despite the recent photos, many people still feel there is a case to answer with reference to the Face. Top physiologist and Cydonia researcher Ananda Sirisena has stated publicly that even though the definition of the Face's features is gone in the recent images, the underlying structure of the site and relative proportions of points of its mass still indicate facial composition.


When all that researchers had to go on were the more obviously facial looking 1976 images, a study was commissioned into what or whose face it might represent, if indeed it were one. Since one half of the image was clearer than the other, mirror studies were undertaken to see what results could be achieved this way. In the following definitions left and right are relative to the Face's view out into space. Astonishingly when two right halves (the clearer side) were spliced together a human or simian (monkey-like) face resulted, whilst when two left sides (the shadowy part) were merged a leonine (lion-like) face appeared. Since the traditional Sphinx is a man's head on a lion's body, the Face seemed to be a representation of this, a new variation of the anthropomorphic original.


Fundamental philosophical points have been raised by this discovery: does the Face, staring out into space, just waiting to be discovered, tell us of Man's descent from animals – is it a tantalising clue from our own prehistory? Or does the significance of the human/simian face being on the right suggest that we should exercise our right brains more than most of us do. (The right hemisphere of the brain rules the left hand side of the body, spirituality and art, whilst the left brain deals with more mundane virtues, including our propensity for violence and destruction.) Is it a symbolic warning that unless we open up more spiritually to cosmic consciousness we will not survive as a species? Is this advice that we must carve out a peaceful future for ourselves if we don't want to obliterate all trace of our species from the planet's face? Is this what happened to the Cydonian civilisation? And what are we to make of the similarities between the Cydonia Face and that of the Sphinx in Egypt? For more on my views of the Sphinx see my article. Suffice it to say for now that the enigma of one is as deep and transcendental as that of the other – they are both mysteries worthy of further serious investigation.


This whole subject could and should really be discussed at greater length – the details I have been able to convey here have been but brief. However, the information is all readily available from Aulis Publishing or from Hoagland and Percy's websites
[link to www.angelfire.com]

this is a very interesting one.

It is the key to your existence. Keep turning until you open it, the game continues.

thebalance999

agree....its part of a puzzle

or maybe it is an unlocking device.

It is interesting! Are the "ratchets" part of some sort of timeline that locks things into place once we are past that point and there is no going back after that?

I am spiralling inward from the three circles to the one in the center.....just seems to make more sense that way. Because the ratchets speed up inward as well.

I just don't know where we are on this timeline yet.

Very cool though.

The ratchet, or Mercury spiral in the Barbury Castle formation may also indicate a cycle of time of six steps, followed by a seventh. The angle from the center of the triangle to the corner touching the ratchet was at 120 degrees, a tetrahedral point. From that point to the center of the ratchet, the angle was 108 degrees. 108 is a Gematrian number, and is associated with time cycles of 108 x 4 =432, or 1080 years. It is the number of names for the goddess in India. 108 x 120 = 12960, the number of years in half the precession of the equinoxes through the Zodiac signs. Divided by the six arcs, gives 2160, the length of one Age of the Zodiac. This may suggest the period of time between Leo through Pisces. The Sphinx may also indicate this by the head of a man and the body of a Lion. It was probably built in the Age of Leo, over 12,000 years ago, and it faces east, corresponding to the equinox points at that time. Directly behind, at 180 degrees, would be Aquarius.

[link to www.greatdreams.com]

Perhaps the three circles symbolize the space dimensions, and the inner circle the time. It might show a circular structure of the universe.

Furthermore the curious spiral could be a time scale.

---Brilliant - my gut tells me you are right, and it does make sense that it would be tightening as opposed to loosening up. It is like we are going through this sequence and what deviation there is is within the parameters of the ratchet's tightening effect. Thanks. I wonder where you are from - are you a limey? :)

Ugh, stick to math. I doubt if the visitors are interesting in all this gematriya and Jesus bull*hite. You guys ruin it for me when you go all religious - I truly doubt if religion has the tiniest bearing in the meaning.

I count 10 events until an alignment.

we don't have a clue really...

I don't know if you guys noticed..Compare the 1991 crop cirlce diagram with these 2 crop circles..if you can find the third circle (Lower left corner) perhaps the triangle they form points to something more important..i don't know i'm just speculating tho.


[link to www.cropcircleconnector.com]

[link to www.cropcircleconnector.com]

[link to www.timestar.org]


Cheers.

Agreed all the religious stuff (hindu, budhist, etc) was just part of the story as i kept researching...lets stick to math....and music?

the shape of a stargate opening june 8th also I found a bunch of stuff at spirittourchritual.com syzygy / orange alignment of the planets/ rabbit hole and something to do with getting rid of the patroit act amust!Black pope just elected for the jesuits... obama is the same for us ??? ALICE AS IN the looking glass alice stands for (a large ionic collider e -woops I forgot) Very wow!