The Witch's Corner | |
Green Witch (OP) Pythonissam Vita User ID: 84249442 United States 03/24/2024 08:55 AM Report Abusive Post Report Copyright Violation | ... Quoting: Green Witch I met this native American fellow back years ago when I was in Arizona and he talked about how everything and everyone is connected by this living, conscious web of energy. He said literally everything is energy and from source. You, me, the trees, the rocks, the sky ect. Even non living things have a level of consciousness that we are unaware of. It's all part of the same thing. He likened it to a giant spider web. Yeah, as I was saying in previous post that has pages of discussion and years of pondering/experimenting embedded in one paragraph: many cultures have this description of webs, patterns, tapestries, threads, paths, song lines, ley lines, etc. It's good for a simpler way to visualize the interconnectedness. One can think of choices, events, or themselves as nodes within such a thing. The bigger the event the bigger the knot/crossroad/junction point, or the more influential the more power pulsing from the node. Or perhaps themselves as someone traversing the web, or even dancing on a spool ;P For some just one or some of this idea is sufficient to do what they do. In another place the term "lattice" is being used for a similar discussion. I've written in the past about this web and how it forms the basis for all magic and psi phenomenon which when you think about it is nothing more than the loa at work. Lattice is a good term to describe it. The field or web is interactive and multidimensional. And it can be consciously used for both positive and negative results. Every possible outcome is just another node on the web. Yep, massively over simplified but yeah that can work for the concept of interconnectedness. Here's a really quick insufficient diagram. The orange part is sort of the 'web' concept. With really obvious lines going to nodes, like a spiderweb. https://imgur.com/a/zh4AvzL The rest however is also occurring. That scene in The Matrix where Neo's vision all becomes streaming code is kinda like the oceanic like matrices, but again overly simplified for cinema as every atom is part of it and each potentially something else depending on the surroundings. Erm... imagine a giant ball pit... :D Fractals is how I've heard it described “Secure the shadow, ere the substance fades.” |
Green Witch (OP) Pythonissam Vita User ID: 84249442 United States 03/24/2024 08:55 AM Report Abusive Post Report Copyright Violation | |
Green Witch (OP) Pythonissam Vita User ID: 84249442 United States 03/24/2024 09:04 AM Report Abusive Post Report Copyright Violation | |
Tý_ Veneficus Vita User ID: 85661996 Australia 03/24/2024 09:06 AM Report Abusive Post Report Copyright Violation | ... Quoting: Tý_ Yeah, as I was saying in previous post that has pages of discussion and years of pondering/experimenting embedded in one paragraph: many cultures have this description of webs, patterns, tapestries, threads, paths, song lines, ley lines, etc. It's good for a simpler way to visualize the interconnectedness. One can think of choices, events, or themselves as nodes within such a thing. The bigger the event the bigger the knot/crossroad/junction point, or the more influential the more power pulsing from the node. Or perhaps themselves as someone traversing the web, or even dancing on a spool ;P For some just one or some of this idea is sufficient to do what they do. In another place the term "lattice" is being used for a similar discussion. I've written in the past about this web and how it forms the basis for all magic and psi phenomenon which when you think about it is nothing more than the loa at work. Lattice is a good term to describe it. The field or web is interactive and multidimensional. And it can be consciously used for both positive and negative results. Every possible outcome is just another node on the web. Yep, massively over simplified but yeah that can work for the concept of interconnectedness. Here's a really quick insufficient diagram. The orange part is sort of the 'web' concept. With really obvious lines going to nodes, like a spiderweb. https://imgur.com/a/zh4AvzL The rest however is also occurring. That scene in The Matrix where Neo's vision all becomes streaming code is kinda like the oceanic like matrices, but again overly simplified for cinema as every atom is part of it and each potentially something else depending on the surroundings. Erm... imagine a giant ball pit... :D Fractals is how I've heard it described Sometimes you make me want to press my forehead against solid objects. Coz reasons, probably. Elea tel'Taur GDMD |
Green Witch (OP) Pythonissam Vita User ID: 84249442 United States 03/24/2024 09:13 AM Report Abusive Post Report Copyright Violation | ... Quoting: Green Witch I've written in the past about this web and how it forms the basis for all magic and psi phenomenon which when you think about it is nothing more than the loa at work. Lattice is a good term to describe it. The field or web is interactive and multidimensional. And it can be consciously used for both positive and negative results. Every possible outcome is just another node on the web. Yep, massively over simplified but yeah that can work for the concept of interconnectedness. Here's a really quick insufficient diagram. The orange part is sort of the 'web' concept. With really obvious lines going to nodes, like a spiderweb. https://imgur.com/a/zh4AvzL The rest however is also occurring. That scene in The Matrix where Neo's vision all becomes streaming code is kinda like the oceanic like matrices, but again overly simplified for cinema as every atom is part of it and each potentially something else depending on the surroundings. Erm... imagine a giant ball pit... :D Fractals is how I've heard it described Sometimes you make me want to press my forehead against solid objects. *smile* https://imgur.com/a/db2MWbM “Secure the shadow, ere the substance fades.” |
Green Witch (OP) Pythonissam Vita User ID: 84249442 United States 03/24/2024 09:14 AM Report Abusive Post Report Copyright Violation | |
Green Witch (OP) Pythonissam Vita User ID: 84249442 United States 03/24/2024 09:24 AM Report Abusive Post Report Copyright Violation | |
Green Witch (OP) Pythonissam Vita User ID: 84249442 United States 03/24/2024 09:28 AM Report Abusive Post Report Copyright Violation | |
Tý_ Veneficus Vita User ID: 85661996 Australia 03/24/2024 09:35 AM Report Abusive Post Report Copyright Violation | ... Quoting: Tý_ Yep, massively over simplified but yeah that can work for the concept of interconnectedness. Here's a really quick insufficient diagram. The orange part is sort of the 'web' concept. With really obvious lines going to nodes, like a spiderweb. https://imgur.com/a/zh4AvzL The rest however is also occurring. That scene in The Matrix where Neo's vision all becomes streaming code is kinda like the oceanic like matrices, but again overly simplified for cinema as every atom is part of it and each potentially something else depending on the surroundings. Erm... imagine a giant ball pit... :D Fractals is how I've heard it described Sometimes you make me want to press my forehead against solid objects. *smile* lol *stare* Coz reasons, probably. Elea tel'Taur GDMD |
Green Witch (OP) Pythonissam Vita User ID: 84249442 United States 03/24/2024 09:39 AM Report Abusive Post Report Copyright Violation | |
Green Witch (OP) Pythonissam Vita User ID: 84249442 United States 03/24/2024 09:48 AM Report Abusive Post Report Copyright Violation | The Dagda The Dagda is one of the most prominent gods in Celtic mythology, often depicted as a powerful and benevolent figure associated with fertility, abundance, and the earth. He is a protector of the people and a skilled craftsman, known for his magical cauldron that never runs empty. Brigid Brigid is a goddess of fire, poetry, healing, and smithcraft. She is associated with fertility, creativity, and inspiration, and is often revered as a patroness of craftspeople and poets. Brigid is also honored as a goddess of healing and protection. Lugh Lugh is a god of skills, craftsmanship, and warriorship. He is a master of many arts and is associated with the sun, light, and the harvest. Lugh is celebrated for his talents and heroism, and he is often depicted as a skilled warrior and leader. Morrigan The Morrigan is a goddess of fate, war, and sovereignty, often associated with crows and battlefields. She is a complex and enigmatic figure, embodying both destruction and renewal. The Morrigan is a shapeshifter and a powerful deity of prophecy and magic. “Secure the shadow, ere the substance fades.” |
Green Witch (OP) Pythonissam Vita User ID: 84249442 United States 03/24/2024 09:51 AM Report Abusive Post Report Copyright Violation | The Celtic Gods and Goddesses part 2 Cernunnos Cernunnos is a god of the wild, nature, and fertility, often depicted with antlers and animals. He is a guardian of the forests and a symbol of the untamed wilderness. Cernunnos is associated with the cycles of life, death, and rebirth. Danu Danu is a mother goddess of the Tuatha Dé Danann, a mythical race of supernatural beings in Celtic mythology. She is associated with the land, rivers, and fertility, symbolizing the nurturing and creative power of the earth. Arawn Arawn is a god of the underworld and the Otherworld in Celtic mythology. He rules over the realm of the dead and is a guardian of the spirits of departed souls. Arawn is also associated with hunting, magic, and wisdom. “Secure the shadow, ere the substance fades.” |
Lago User ID: 86346347 United States 03/24/2024 11:56 AM Report Abusive Post Report Copyright Violation | ... Quoting: Lago I was suggesting that "the references to iron rods, crystalline consciousness, and the resonant sound of a bell could be interpreted as evoking a deeper, more mystical understanding of the universe"? I was hoping to open up the conversation and invite others to share their own interpretations and insights. After all, the exploration of complex and abstract ideas is often a collaborative process, and we can learn a lot from each other's perspectives? Tis. There's some more info on the concept that utilizes other metaphors and hard science to explain and create new metaphor for a universal consciousness that resembles how liquid crystalline (+phase?) structures work, in this very thread. Some of it even overlaps nicely with creation myth, such as being formed from clay (a liquid crystalline structure). https://imgur.com/a/fteZRqQ It's not a perfect explanation but covers a lot of theory of energetic interaction such as our energetic bodies/auras, including frequency of or alignment of 'molecules' in the greater mesh of LC. What page is that on? I have no idea but searching "liquid crystal consciousness" should theoretically get a hit lol. The idea of energetic bodies or auras aligning with the molecules of a larger liquid crystal structure is certainly an intriguing way of thinking about consciousness and energy. It suggests that our individual consciousnesses are not isolated entities, but rather part of a larger, interconnected system that operates according to principles of energy and frequency. Have you come across any other concepts or models that explore similar ideas about energy, consciousness, and interconnectedness? I'm about to go feast on sustenance as that's a requirement of me doing things and stuff, but before I do... I think there's a lot of systems that speak vaguely about the interconnectedness or have an explanation that is sufficient for them to proceed. I'm sort of at something like a liquid crystal many phase universal consciousness of frequencies vibrating and modulating it's own sound and light to form in to different structures resulting in a kind of 'holographic' fractal that is constantly expanding and rolling back in on itself, recursively building on itself according to a collective consensus of what is, fuelled by (near)infinite potential(ity) energy of the 'void', [as dark matter currently]. Realities as we know them are the actualization of that potentiality, through our individual and collective intent for that potential to 'be'. Ow my brain, hope that makes sense. I mean, part of what we discuss a scientist might point at and say "that's blah theory!", but I'm not so familiar with all the science to be the guy that does so. Now food. It's like we're all part of this cosmic symphony, with each of us playing our own unique instrument, and the resulting melody is the reality we experience. Maybe string theory fits in here somewhere. -vibrating strings - multiverses? -Brian Greene! [link to www.britannica.com (secure)] [link to www.britannica.com (secure)] Last Edited by Lago on 03/24/2024 03:48 PM Lago |
Lago User ID: 86346347 United States 03/24/2024 12:00 PM Report Abusive Post Report Copyright Violation | The Celtic Gods and Goddesses part 2 Quoting: Green Witch Cernunnos Cernunnos is a god of the wild, nature, and fertility, often depicted with antlers and animals. He is a guardian of the forests and a symbol of the untamed wilderness. Cernunnos is associated with the cycles of life, death, and rebirth. Danu Danu is a mother goddess of the Tuatha Dé Danann, a mythical race of supernatural beings in Celtic mythology. She is associated with the land, rivers, and fertility, symbolizing the nurturing and creative power of the earth. Arawn Arawn is a god of the underworld and the Otherworld in Celtic mythology. He rules over the realm of the dead and is a guardian of the spirits of departed souls. Arawn is also associated with hunting, magic, and wisdom. The Tuatha Dé Danann, the magical race of gods and goddesses in Celtic mythology. They arrived in Ireland on dark clouds from the north and possessed great magical powers. They were skilled in arts, craftsmanship, and warfare, and were associated with the sun, fertility, and the harvest. They were also connected with the Sidhe, the fairy people who lived in the otherworldly hills and mounds of Ireland. The book of Leinster (trying to find an English translation) [link to celt.ucc.ie (secure)] The Book of Leinster, also known as Lebor Laignech, is an important source of information on the Tuatha Dé Danann and their role in Irish mythology. It contains a number of texts that tell the stories of the Tuatha Dé Danann, including the Lebor nopeála Érenn, which recounts the mythological history of Ireland and the various groups that settled there. It also includes the tale of Cath Maige Tuired, which is the battle between the Tuatha Dé Danann and the Fomorians, a race of supernatural beings who were their rivals for control of Ireland. One story from The book of Leinster (I love this stuff! My great-grandfather on my mothers side was Gaelic, but I know nothing about him except that his surname was O'Mahony -O'Mahony is a Gaelic form of the name Ó Mathghamhna, meaning descendant of Mathghamhain.) "The loss of the crown of Loegaire Lurc from the Dindsenchas" [link to openlibrary.org (secure)] Last Edited by Lago on 03/24/2024 03:38 PM Lago |
Tý_ Veneficus Vita User ID: 85661996 Australia 03/24/2024 11:41 PM Report Abusive Post Report Copyright Violation | It's like we're all part of this cosmic symphony, with each of us playing our own unique instrument, and the resulting melody is the reality we experience. ... -Brian Greene! Quoting: Lago One way of describing things, yeah. Addresses the "rod" aspect, one's own instrument. It's rarely the loudest, or "lead guitar" that sets the pace though and anything that tries to force it's presence sounds out of time, or place. Last Edited by Tý_ on 03/24/2024 11:44 PM Coz reasons, probably. Elea tel'Taur GDMD |
Huginn User ID: 85192168 United States 03/24/2024 11:43 PM Report Abusive Post Report Copyright Violation | The Serpent and the Two Paths Quoting: Green Witch The Serpent and the Two Paths is a concept that symbolizes the dual nature of the universe and the choices faced in life. The serpent is a powerful symbol in many spiritual traditions, representing wisdom, transformation, and the cycles of life and death. In context, the two paths represent the choices we make in our journey through life. One path may lead towards growth, enlightenment, and alignment with our true purpose, while the other path may lead towards stagnation, ignorance, and distraction from our spiritual path. The serpent, with its ability to shed its skin and renew itself, often serves as a guide in navigating these paths. It encourages us to embrace change, to shed old beliefs and habits that no longer serve us, and to embrace transformation as a necessary part of our spiritual journey. Those who work with the symbolism of the serpent and the two paths in witchcraft often meditate on these themes to gain insight into the choices they face and to seek guidance on their spiritual path. By recognizing the dual nature of the universe and the choices available to us, we can align ourselves with the path that leads to growth, wisdom, and fulfillment. Ananke d00bious |
Huginn User ID: 85192168 United States 03/24/2024 11:49 PM Report Abusive Post Report Copyright Violation | The Celtic Gods and Goddesses part 1 Quoting: Green Witch The Dagda The Dagda is one of the most prominent gods in Celtic mythology, often depicted as a powerful and benevolent figure associated with fertility, abundance, and the earth. He is a protector of the people and a skilled craftsman, known for his magical cauldron that never runs empty. Brigid Brigid is a goddess of fire, poetry, healing, and smithcraft. She is associated with fertility, creativity, and inspiration, and is often revered as a patroness of craftspeople and poets. Brigid is also honored as a goddess of healing and protection. Lugh Lugh is a god of skills, craftsmanship, and warriorship. He is a master of many arts and is associated with the sun, light, and the harvest. Lugh is celebrated for his talents and heroism, and he is often depicted as a skilled warrior and leader. the Morrigan The Morrigan is a goddess of fate, war, and sovereignty, often associated with crows and battlefields. She is a complex and enigmatic figure, embodying both destruction and renewal. The Morrigan is a shapeshifter and a powerful deity of prophecy and magic. https://imgur.com/a/WrNo88p d00bious |
Tý_ Veneficus Vita User ID: 85661996 Australia 03/25/2024 12:19 AM Report Abusive Post Report Copyright Violation | The Celtic Gods and Goddesses part 1 Quoting: Green Witch The Dagda The Dagda is one of the most prominent gods in Celtic mythology, often depicted as a powerful and benevolent figure associated with fertility, abundance, and the earth. He is a protector of the people and a skilled craftsman, known for his magical cauldron that never runs empty. Brigid Brigid is a goddess of fire, poetry, healing, and smithcraft. She is associated with fertility, creativity, and inspiration, and is often revered as a patroness of craftspeople and poets. Brigid is also honored as a goddess of healing and protection. Lugh Lugh is a god of skills, craftsmanship, and warriorship. He is a master of many arts and is associated with the sun, light, and the harvest. Lugh is celebrated for his talents and heroism, and he is often depicted as a skilled warrior and leader. the Morrigan The Morrigan is a goddess of fate, war, and sovereignty, often associated with crows and battlefields. She is a complex and enigmatic figure, embodying both destruction and renewal. The Morrigan is a shapeshifter and a powerful deity of prophecy and magic. https://imgur.com/a/WrNo88p She's kind of like if parts of Freya and Odin merged with some Norn thrown in. Good aspect(s) :) Coz reasons, probably. Elea tel'Taur GDMD |
Tý_ Veneficus Vita User ID: 85661996 Australia 03/25/2024 01:13 AM Report Abusive Post Report Copyright Violation | Really interesting video for the topic therein on it's own, but I want to address a statement made by the author in the book. That is: that wax and liquid metals take the influence of the intelligences (of the planets) because they're supple like we are before we're born. He references that we are assigned an intelligence based upon birth etc. Astrological stuff, the important part here is where he's talking about the suppleness of our earliest stages of development and that due to this suppleness we are affected. This speaks directly to something I've touched on before with some people that can legitimize astrological workings, zodiac, etc, that thing is the idea of: micro gravities. The small differences in gravitational effects exerted on liquid (supple) bodies at different times of the day, month, year. If tidal forces at great scale are the result of lunar position, what of the micro, and smaller, scale? In our earliest stages of development in the womb as pathways are being formed in the brain, can they not be pushed and pulled in different ways by subtle differences in the collective gravitational forces in our solar system? Coz reasons, probably. Elea tel'Taur GDMD |
Tý_ Veneficus Vita User ID: 85661996 Australia 03/25/2024 01:22 AM Report Abusive Post Report Copyright Violation | Really interesting video for the topic therein on it's own, but I want to address a statement made by the author in the book. That is: that wax and liquid metals take the influence of the intelligences (of the planets) because they're supple like we are before we're born. He references that we are assigned an intelligence based upon birth etc. Astrological stuff, the important part here is where he's talking about the suppleness of our earliest stages of development and that due to this suppleness we are affected. This speaks directly to something I've touched on before with some people that can legitimize astrological workings, zodiac, etc, that thing is the idea of: micro gravities. The small differences in gravitational effects exerted on liquid (supple) bodies at different times of the day, month, year. If tidal forces at great scale are the result of lunar position, what of the micro, and smaller, scale? In our earliest stages of development in the womb as pathways are being formed in the brain, can they not be pushed and pulled in different ways by subtle differences in the collective gravitational forces in our solar system? This also suggests there would be tiny differences in how a liquid metal, or wax, would set/form it's matrix of molecules depending on those micro gravities and is a far more logical reason as to why remote and/or isolated areas are required for the work: less chance of undesirable forces affecting the thing in it's 'supple' state. Last Edited by Tý_ on 03/25/2024 05:45 AM Coz reasons, probably. Elea tel'Taur GDMD |
Lago User ID: 86346347 United States 03/25/2024 05:34 AM Report Abusive Post Report Copyright Violation | The Serpent and the Two Paths Quoting: Green Witch The Serpent and the Two Paths is a concept that symbolizes the dual nature of the universe and the choices faced in life. The serpent is a powerful symbol in many spiritual traditions, representing wisdom, transformation, and the cycles of life and death. In context, the two paths represent the choices we make in our journey through life. One path may lead towards growth, enlightenment, and alignment with our true purpose, while the other path may lead towards stagnation, ignorance, and distraction from our spiritual path. The serpent, with its ability to shed its skin and renew itself, often serves as a guide in navigating these paths. It encourages us to embrace change, to shed old beliefs and habits that no longer serve us, and to embrace transformation as a necessary part of our spiritual journey. Those who work with the symbolism of the serpent and the two paths in witchcraft often meditate on these themes to gain insight into the choices they face and to seek guidance on their spiritual path. By recognizing the dual nature of the universe and the choices available to us, we can align ourselves with the path that leads to growth, wisdom, and fulfillment. Ananke The Greek personification of necessity, compulsion, and fate. She was seen as a powerful force that controlled the lives of mortals and even the gods themselves. Lago |
Lago User ID: 86346347 United States 03/25/2024 05:37 AM Report Abusive Post Report Copyright Violation | It's like we're all part of this cosmic symphony, with each of us playing our own unique instrument, and the resulting melody is the reality we experience. ... -Brian Greene! Quoting: Lago One way of describing things, yeah. Addresses the "rod" aspect, one's own instrument. It's rarely the loudest, or "lead guitar" that sets the pace though and anything that tries to force it's presence sounds out of time, or place. You're right, it's not always the loudest or most assertive elements that are the most important. In fact, those who try to force their presence or assert their will too strongly often end up disrupting the natural flow and balance of things. Lago |
Lago User ID: 86346347 United States 03/25/2024 05:40 AM Report Abusive Post Report Copyright Violation | Really interesting video for the topic therein on it's own, but I want to address a statement made by the author in the book. That is: that wax and liquid metals take the influence of the intelligences (of the planets) because they're supple like we are before we're born. He references that we are assigned an intelligence based upon birth etc. Astrological stuff, the important part here is where he's talking about the suppleness of our earliest stages of development and that due to this suppleness we are affected. This speaks directly to something I've touched on before with some people that can legitimize astrological workings, zodiac, etc, that thing is the idea of: micro gravities. The small differences in gravitational effects exerted on liquid (supple) bodies at different times of the day, month, year. If tidal forces at great scale are the result of lunar position, what of the micro, and smaller, scale? In our earliest stages of development in the womb as pathways are being formed in the brain, can they not be pushed and pulled in different ways by subtle differences in the collective gravitational forces in our solar system? In the early stages of human development, the brain is incredibly malleable and susceptible to outside influences. It's not hard to imagine that subtle variations in gravitational and magnetic forces could potentially influence the way that neural pathways are formed and connections are made. It will be interesting to see the influence of today's G4 storm. Last Edited by Lago on 03/25/2024 05:46 AM Lago |
Lago User ID: 86346347 United States 03/25/2024 05:50 AM Report Abusive Post Report Copyright Violation | Really interesting video for the topic therein on it's own, but I want to address a statement made by the author in the book. That is: that wax and liquid metals take the influence of the intelligences (of the planets) because they're supple like we are before we're born. He references that we are assigned an intelligence based upon birth etc. Astrological stuff, the important part here is where he's talking about the suppleness of our earliest stages of development and that due to this suppleness we are affected. This speaks directly to something I've touched on before with some people that can legitimize astrological workings, zodiac, etc, that thing is the idea of: micro gravities. The small differences in gravitational effects exerted on liquid (supple) bodies at different times of the day, month, year. If tidal forces at great scale are the result of lunar position, what of the micro, and smaller, scale? In our earliest stages of development in the womb as pathways are being formed in the brain, can they not be pushed and pulled in different ways by subtle differences in the collective gravitational forces in our solar system? This also suggests there would be tiny differences in how a liquid metal, or wax, would set/form it's matrix of molecules depending on those micro gravities and is a far more logical reason as to why remote and/or isolated areas are required for the work: less chance of undesirable forces affecting the thing in it's 'supple' state. Many traditional crafts and practices, from metalworking to pottery, involve a deep understanding of the materials being worked with and the conditions under which they are most likely to succeed. Lago |
Tý_ Veneficus Vita User ID: 85661996 Australia 03/25/2024 06:08 AM Report Abusive Post Report Copyright Violation | Really interesting video for the topic therein on it's own, but I want to address a statement made by the author in the book. That is: that wax and liquid metals take the influence of the intelligences (of the planets) because they're supple like we are before we're born. He references that we are assigned an intelligence based upon birth etc. Astrological stuff, the important part here is where he's talking about the suppleness of our earliest stages of development and that due to this suppleness we are affected. This speaks directly to something I've touched on before with some people that can legitimize astrological workings, zodiac, etc, that thing is the idea of: micro gravities. The small differences in gravitational effects exerted on liquid (supple) bodies at different times of the day, month, year. If tidal forces at great scale are the result of lunar position, what of the micro, and smaller, scale? In our earliest stages of development in the womb as pathways are being formed in the brain, can they not be pushed and pulled in different ways by subtle differences in the collective gravitational forces in our solar system? This also suggests there would be tiny differences in how a liquid metal, or wax, would set/form it's matrix of molecules depending on those micro gravities and is a far more logical reason as to why remote and/or isolated areas are required for the work: less chance of undesirable forces affecting the thing in it's 'supple' state. Many traditional crafts and practices, from metalworking to pottery, involve a deep understanding of the materials being worked with and the conditions under which they are most likely to succeed. Yep. Though it's rare to see a blacksmith waiting until an astrological alignment to smelt and cast, or to do the work isolated in order to avoid or limit the energy fields of other people or things. It is so in the creation of seals of the intelligences and other traditionally occulted work however. Modern science does do this though, with clean rooms, vacuums and other such suitable environments, per operation. Last Edited by Tý_ on 03/25/2024 06:23 AM Coz reasons, probably. Elea tel'Taur GDMD |
Lago User ID: 86346347 United States 03/25/2024 06:30 AM Report Abusive Post Report Copyright Violation | Really interesting video for the topic therein on it's own, but I want to address a statement made by the author in the book. That is: that wax and liquid metals take the influence of the intelligences (of the planets) because they're supple like we are before we're born. He references that we are assigned an intelligence based upon birth etc. Astrological stuff, the important part here is where he's talking about the suppleness of our earliest stages of development and that due to this suppleness we are affected. This speaks directly to something I've touched on before with some people that can legitimize astrological workings, zodiac, etc, that thing is the idea of: micro gravities. The small differences in gravitational effects exerted on liquid (supple) bodies at different times of the day, month, year. If tidal forces at great scale are the result of lunar position, what of the micro, and smaller, scale? In our earliest stages of development in the womb as pathways are being formed in the brain, can they not be pushed and pulled in different ways by subtle differences in the collective gravitational forces in our solar system? This also suggests there would be tiny differences in how a liquid metal, or wax, would set/form it's matrix of molecules depending on those micro gravities and is a far more logical reason as to why remote and/or isolated areas are required for the work: less chance of undesirable forces affecting the thing in it's 'supple' state. Many traditional crafts and practices, from metalworking to pottery, involve a deep understanding of the materials being worked with and the conditions under which they are most likely to succeed. Yep. Though it's rare to see a blacksmith waiting until an astrological alignment to smelt and cast, or to do the work isolated in order to avoid or limit the energy fields of other people or things. It is so in the creation of seals of the intelligences and other traditionally occulted work however. Modern science does do this though, with clean rooms, vacuums and other such suitable environments, per operation. The creation of seals or sigils often involved intricate rituals and ceremonies designed to align the practitioner with the specific energies or intelligences they were seeking to invoke. These practices were often shrouded in secrecy and mystery, and required a deep understanding of both the symbolic language of the occult and the subtle forces at work in the universe. Lago |
Tý_ Veneficus Vita User ID: 85661996 Australia 03/25/2024 07:11 AM Report Abusive Post Report Copyright Violation | ... Quoting: Tý_ This also suggests there would be tiny differences in how a liquid metal, or wax, would set/form it's matrix of molecules depending on those micro gravities and is a far more logical reason as to why remote and/or isolated areas are required for the work: less chance of undesirable forces affecting the thing in it's 'supple' state. Many traditional crafts and practices, from metalworking to pottery, involve a deep understanding of the materials being worked with and the conditions under which they are most likely to succeed. Yep. Though it's rare to see a blacksmith waiting until an astrological alignment to smelt and cast, or to do the work isolated in order to avoid or limit the energy fields of other people or things. It is so in the creation of seals of the intelligences and other traditionally occulted work however. Modern science does do this though, with clean rooms, vacuums and other such suitable environments, per operation. The creation of seals or sigils often involved intricate rituals and ceremonies designed to align the practitioner with the specific energies or intelligences they were seeking to invoke. These practices were often shrouded in secrecy and mystery, and required a deep understanding of both the symbolic language of the occult and the subtle forces at work in the universe. Yes. Coz reasons, probably. Elea tel'Taur GDMD |
Green Witch (OP) Pythonissam Vita User ID: 84249442 United States 03/25/2024 07:40 AM Report Abusive Post Report Copyright Violation | Celtic gods and goddesses part 3. The lesser knowns. Aine Irish goddess of summer, wealth, and sovereignty. Nantosuelta Gaulish goddess of nature, fertility, and water. Sucellus Gaulish god of agriculture, forests, and abundance. Epona Gaulish goddess of horses, fertility, and abundance. Niamh Chinn Óir Irish goddess of beauty and sovereignty. Taranis Gaulish god of thunder and the sky. Belisama Gaulish goddess of rivers, fire, and crafts. “Secure the shadow, ere the substance fades.” |
Green Witch (OP) Pythonissam Vita User ID: 84249442 United States 03/25/2024 07:44 AM Report Abusive Post Report Copyright Violation | The Celtic Gods and Goddesses part 1 Quoting: Green Witch The Dagda The Dagda is one of the most prominent gods in Celtic mythology, often depicted as a powerful and benevolent figure associated with fertility, abundance, and the earth. He is a protector of the people and a skilled craftsman, known for his magical cauldron that never runs empty. Brigid Brigid is a goddess of fire, poetry, healing, and smithcraft. She is associated with fertility, creativity, and inspiration, and is often revered as a patroness of craftspeople and poets. Brigid is also honored as a goddess of healing and protection. Lugh Lugh is a god of skills, craftsmanship, and warriorship. He is a master of many arts and is associated with the sun, light, and the harvest. Lugh is celebrated for his talents and heroism, and he is often depicted as a skilled warrior and leader. the Morrigan The Morrigan is a goddess of fate, war, and sovereignty, often associated with crows and battlefields. She is a complex and enigmatic figure, embodying both destruction and renewal. The Morrigan is a shapeshifter and a powerful deity of prophecy and magic. https://imgur.com/a/WrNo88p She's a powerful one to call on... “Secure the shadow, ere the substance fades.” |
Tý_ Veneficus Vita User ID: 85661996 Australia 03/25/2024 11:04 AM Report Abusive Post Report Copyright Violation | The Celtic Gods and Goddesses part 1 Quoting: Green Witch The Dagda The Dagda is one of the most prominent gods in Celtic mythology, often depicted as a powerful and benevolent figure associated with fertility, abundance, and the earth. He is a protector of the people and a skilled craftsman, known for his magical cauldron that never runs empty. Brigid Brigid is a goddess of fire, poetry, healing, and smithcraft. She is associated with fertility, creativity, and inspiration, and is often revered as a patroness of craftspeople and poets. Brigid is also honored as a goddess of healing and protection. Lugh Lugh is a god of skills, craftsmanship, and warriorship. He is a master of many arts and is associated with the sun, light, and the harvest. Lugh is celebrated for his talents and heroism, and he is often depicted as a skilled warrior and leader. the Morrigan The Morrigan is a goddess of fate, war, and sovereignty, often associated with crows and battlefields. She is a complex and enigmatic figure, embodying both destruction and renewal. The Morrigan is a shapeshifter and a powerful deity of prophecy and magic. https://imgur.com/a/WrNo88p She's a powerful one to call on... I showed you the Morrigan statue/idol I picked up last year didn't I. Gave that to the sister for Christmas. Coz reasons, probably. Elea tel'Taur GDMD |