Can anyone help me decipher what this "sign" says? I found this "Tomb" in the cemetary... It may have an important message for me!

Pg 31

NOPE NOT.... Mark Darryl Schumann. It appears he is still alive. Lives in a condo in Wheaton

Who every started this thread... did not GIVE just basic information about it.

ALL grave sites have the FULL NAME... birth date and death date....

A lot goes on in the subconcious mind. If Ez' feels the need to do these overlays in order to arrive at a conclusion, what's the harm? They're bloody interesting in any regard.

The diaramic aspect of this tomb is genuine, even if only at a basic overlay level.

here you go...

:1of14:

:2of14:

:3of14:

:4of14js:

:5of14hhh:

:6of14hhh:

:7of14hhh:

:8of14hhh:

:90f14:

:90f14:

:10of14hhh:

:11of 14:

:12of14hhh:

:13of14:

:144of14:

i realize you're trying to help; which image has the Date?

To clarify, it is a tomb in waiting.

There is no casket inside it, which is why it only has a birth date. Usually, a tomb or headstone reads "here lays S.H. 1942 - 2016" or the like.

This tomb is waiting for an occumpant.

Unlike theorising about an Egyptian tomb, where the owner lived thousands of years back, this one is current, so needs to be treated a little more carefully.

The OP, NicoleMare has done a great job respecting the privacy of the owner, whilst passing on as much as she can.
Same goes for Ez' who has taken so many pics of it and the area, for our benefit.

I knew!!!

Probably this have nothing with the "real" family Schumman.

I guess if you ask to one employee in the cemetery they know something about, and if you realy are interested is just track the owner.

I would like to know more about...

Having a mausolium made prior to your death is quite common practice. So when you do go... you have a place to go to. They take time to make, and put in place.

Hi Ez' - the view we always have of the pyramid is a cut away, that shows all the vents, chambers etc.

Rotate the pyramid, and all you will see is a vertical aligment of chambers, passage ways and vents.

i.e. they all line up, upwards, from basement all the way to King's chamber. Only side on do we see the levels and steep slopes.

But regardless of rotated 90 degrees or just as is, I bet the chambers etc all line up to the features on the ship. Amazing that you caught the angle thing!

hi guys

okay; first, start with "flying saucer".

note the "staggered-contours" on the "underside":

:1of10e:


next; is the x-section of the Great Pyramid.

note the "step-wise contours" in the "base":

:2of10e:

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

next; i "flipped the pyramid" aligned it with the "under-side" of the "flying saucer":

:3of10e:
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

i place the "green, yellow, orange" "dotted-lines" to demonstate "proportionality" and "symmetry" for BOTH; this is NOT "co-incidence":

:4of10e:


now; i can show an "overlay" that i believe has RELEVANCE:

:5of10e:


:6of10e:

back in October; i had shown how Osiris's Right Eye aligned with the "Great Step":

:7of10e:


:8of10e:


:9of10e:


:10of10e:


:higgins1919:


:kingschamber:


did this "alignment-overlay" back in October


:pyrglassoverlay:


:hgmdgh:

so; is this just "co-incidence"?

why do i bother to do these "ir-relevant overlays"?

:blkjn:

maybe Arial721 can take a break from his labors to enlighten us; Ha!





~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

next; i will "dissect" this "overlay"

:elevenofeleven:

i call the below image "Tomb Solution"

hope you have a good monitor; it's my "masterpiece"


:tombsolution:


must look at all the details closely; it "works"

notice that the "air-shaft" directed at "Kachob" is "co-incident" with the small flying saucer [upper-right]

i succeeded with my goal... i know where we come from

notice "God looking directly "up" at the "Christian Cross-capstone/pyrimidium"

notice how the 2 lions look "back-and-down" at the "Fruit" either "arm-of-the-Christian-Cross"

notice how the "X-knot" of the "Laurel Wreath" is "co-incident" with the "slope" of the pyramid

notice how the "Holy Spirit" ascends through the opening in the laurel wreath

Nice

thanks friend

shalom

Has anyone looked into connections with the " Schumann Resonance" ??? Been reading this thread all day (off and on at work) and am very curious where it goes.. Im on page 33 when all the sudden, (SHUMANN RESONANCE) pops in my head.. Wondering if it applies here?>>

Regards anonymous mental midget

Finally stopped at page 40... Most interesting thread on GLP (and most respectful posters) Been a good read..
Did the OP ever meet/talk to Mr. Schumann?

Hello mental! - you fit in nicely, with that title. LOL.

Yes, we did discuss Mr Schumann, and the ramifications earlier on.

A neat little discovery was that within the word Schumann, you have SC human N. Ironically the SCN system of the human body is regulated by - the schumann resonance! It's what allows us to be sync'd to the planet.

Even if she did, probably best to keep it anon.

I know what the Schumann means. Just read the book of Leviticus!!!

Christ!!!

[link to www.godlikeproductions.com]

I am convinced that the formula is the key to deciphering this tomb puzzle.

I believe the formula is dealing with wave mechanics [link to www.hsc.edu.kw] , 3d spherical coordinates and line spectras of elemental atoms. [link to www.thespectroscopynet.eu] I also think Mark Darryl Schumann has a theory of his own just as Einstein, Bohn, Newton and others have proposed. He is copyrighting and filing a living patent by placing his formula on his tomb as to say "I discovered this behavior although it was never recognized in my lifetime". Most likely his theory is not being taken seriously by physics/mathematicians as I know formally trained types scoff at alternative hypotheses. They are quick to say what isn't right, can't be done, doesn't follow the rules when in fact no one knows how this universe works. In 2012, scholars claim there are laws but all of these are just hypotheses.

That being said, perhaps what we think is the solar system are truly electrons in orbit. The colors of the "planets" relate to the spectral colors hence the aqua, green and red coloring. [link to www.hsc.edu.kw] and [link to quantummechanics.ucsd.edu] His formula is an adaptation of Schrodinder's Equation [link to www.hsc.edu.kw]

What looks like a flying saucer...may actually be a symbolic code for this. [link to www.1stardrive.com] mixed with this [link to www.1stardrive.com] Check out this page [link to www.1stardrive.com]

So, this equation is his own solution and contribution to the scientific world. Waves of light, photons, electricity, energy, sound, color, frequencies, oscillations and whatnots are truly all the same in my book but I'm not a scientific so....

Classical physics had glitches and so quantum theories are the new thing. Anyone can come up with a theory to explain what we still don't know. So long as they can reproduce the experiment a billion times and the scientific scholars accept it. I think this dude thinks he has a breakthrough worthy of attention but he knows he won't be famous until he is dead.


Heck, scholars are still arguing over Pluto.

Heck maybe he discovered a new element..or found a new isotope or some discovery which will bring the entire science community to a halt. Again.

What if the pyramid overlay represents a prism [link to www.hsc.edu.kw]

hi welcome to the discussion.

i googled "Leviticus" together with "Schumann"; found "Viktor Schauberger".

"Viktor Schauberger was a visionary Austrian inventor, natural scientist and pioneering environmentalist, who made important discoveries in various fields of research including forestry, hydraulic agriculture and free energy. His institute, the Pythagorus-Kepler-School, in Lauffen, near Salzburg, is so named,
as the harmonic theories of Pythagorus and the work of astronomer Johannes Kepler were a source of great inspiration to him.

As a young man Schauberger worked as a forester in the Alps and his acute observations of his surroundings and our place within the eco-system were to influence his life’s work Schauberger believed that the vortex – visible all around us from whirlpools, spiral galaxies, and the double helix of a DNA strand – is the most efficient conduit for the transmission of energy."

an excerpt from Link:
[link to www.implementations.co.uk]


Walter [Viktor Schauberger's son] started the Pythagoras-Kepler School.

Walter felt that his life's work was to explain the principles behind Viktor's system.

Walter studied Kepler's ideas very intensively, and saw the correspondences with Viktor's intuitive knowings.

He looked for a mathematical explanation of Viktor's system.

Kepler's work with the movement of the planets was a good starting point.

And Pythagoras?


Pythagoras is almost too far back in the past, but what he learnt in Egypt also has resonances with Viktor's ideas.

Pythagoras was the grandfather, Kepler was the father and Viktor was the son. Each picked up the baton from his predecessor and passed it on. With each of them the expression is different, but the core principles are the same.

Pythagoras and Kepler were both heroes for my father, as they brought the idea of Harmonics into Physics and Astronomy.

They led my father to his Natural Tone Law - Natur-Ton-Gesetz

- with hyperbolic cones and the hyperbolic spiral as manifestation of harmonics in evolution.

That is why the Pythagoras-Kepler School symbol is a hyperbolic spiral.

another Link:
[link to www.oralchelation.net]

[link to www.simondavideden.com]

Maybe BHD can present and explain [HARMONICS theory/idea] systematically and in detail

thanks for your thoughts

hows about:
"The Cycloid-Space-Curve-Motion Cycle of Atomic Transitions - as discovered by the Austrian Physicist Viktor Schauberger" ??

Link:
[link to oriharu.net]

whats going on.... burying my [ezrin's] theory????

...Beta Ursae Minoris; aka Kochab


"Kochab and its neighbor Pherkad are both naked eye stars and are sometimes referred to as the "Guardians of the Pole". They served as twin pole stars, Earth's North pole stars, from 1500 BC until 500 AD."

Ursa Minor and Ursa Major were related by the Greeks to the myth of Callisto and Arcas. However, in a variant of the story, in which it is Boötes that represents Arcas, Ursa Minor was considered to represent a dog. This is the older tradition which sensibly explains both the length of the tail and the obsolete alternate name of Cynosura (the dog's tail) for Polaris, the North Star.

Previously, Ursa Minor was considered to be just seven close stars, mythologically regarded as sisters. In early Greek mythology, the seven stars of the Little Dipper were considered to be the Hesperides, daughters of Atlas. Together with the nearby constellations of Boötes, Ursa Major, and Draco, it may have formed the origin of the myth of the apples of the Hesperides, which forms part of the Labours of Hercules.

In earliest times, Ursa Minor was named the Dragon's wing, and was considered a part of Draco. The dragon's wing as an asterism is now long forgotten.

quote [NOT my Words]:

I think the last part is interesting because it co-incides with my own thoughts about the serpent of the Bible once being a dragon or at least a serpent with wings, because GOD tells the serpent he will slither on the ground for the rest of his days, which says to me the serpent before he tempted Eve actually had wings...if he was already a serpent or snake it would not make any sense...
So finding that Draco the serpent/snake was actually earlier considered to have wings, making it a dragon is relevant too...

Hi Guys

to make sense of my suggestion as to the importance of one or more constellations associated with the Great Pyramid; it will be necessary to re-post some images that were posted in August, 2012; but, had been removed inadvertantly.

so; to begin, it is necessary to shown the proximity of the "Schumann Tomb" to other significant landmarks.

the below image shows proximity to a St. Michael monument/grave site.

:7of14hhh:

now; some interesting images of the St. Michael monument:

is that "sound waves" coming out of the mouth of the dragon/devil?

:fsdfsbgf:

note the tail lifted up towards Heaven; also, can see "waves?" arising next to leg:

:two:

note the "4-ribbed wing + 3-connecting integuments = 7 total"; reminds me of a "rainbow" or "musical scale":

:three3333333:

now an aerial view shows coordinates:

:coordinatesddd:

the "Schumann Tomb" is almost exactly co-incident with the Latitude of the "Basilica of Saint Paul Outside the Walls":

[link to en.wikipedia.org]

:paulstomb:

hi guys

more "evidence" "God-on-flying-saucer-pointing-with-each-arm" theory:

:dec6 1of6:

:dec6 1.5of8:

:dec6 2of8:

:dec6 3of8:

:dec6 4of8:

:dec6 5of8:

:dec6 6of8:

:dec6 7of8:

[edit: oops; forgot this one]

:dec6 9of9:

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

can anyone tell me what the symbols [encircled in red];

that God is "pointing-towards",

means/signifys???

:dec6 8of8:

~~~~~~~~~~~~~~~~~~~~~~~~~~~~

much Love, Charity, Discernment, Wisdom

ezrin

hi guys

as a prelude to my continuing analyses of the "schumann Tomb"; i want to establish precedent for a "concept":

"Secret, hidden, ancient, forbidden KNOWLEDGE" is frequently "encoded" in a "masterpiece" of art [such as, i believe, the Schumann Tomb].

The following is from Tony Smith’s analyses of Albrecht Durer’s [1471-1528] masterpiece engravings on copper: "Melencolia" [1514]. ... "St. Jerome in his Study" [1514], ... and ... "The Knight" [1513]

:oct28 4of4:

read lots more at this Link:
[link to www.tony5m17h.net]

QUOTE:

"The rainbow, seen in the background, was the alchemist's favorite symbol for the colors that were held to appear, in a definite sequence culminating in red...

... alchemical apparatus of Durer's design included:
--> the crucible
--> the saw and plane and the hammer and nails

Sophic Sulfur, one of the two final ingredients of the Philosopher's Stone, and second ingredient, Sophic Mercury, was sometimes shown balancing in a pair of scales ...

The seven-runged ladder ofJacob is another alchemical symbolism, the rungs representing the associated heavenly bodies ...

The polyhedron lying beside the foot of the ladder may be an image of the Philosopher's Stone; the Stone of Saturn

One of the elements of Saturnine mysticism is measurement, typified by the compasses, balance, and hour-glass ...".

The number four is emphasized in the magic square shown so prominently in MELENCOLIA I.

This magic square shows the date of the engraving [1514] in the middle cells of the bottom row.

Similar magic squares of the orders three through nine were constructed by Durer's contemporary, Cornclius Agrippa, and assigned to Saturn, Jupiter, Mars, Sol, Venus, Mercury, and the Moon.".

According to a Magic Square web page:

"... Cornelius Agrippa (1486-1535) joined the seven known planets with these seven Magic Square:

Saturn ...[ 3x3 ]... Magic Square: the magic costant is 15 and the sum of all the numbers of the square is 45 ...

Jupiter ...[ 4x4 ]... Magic Square: the magic costant is 34 ... The sum of all the numbers of the square 136 ...

Mars ...[ 5x5 ]... Magic Square: the magic costant is 65 ... The sum of all the numbers of the square is 325 ...

Sun ...[ 6x6 ]... Magic Square: the magic costant is 111 ... The sum of all the numbers of the square is 666 ...

Venus ...[ 7x7 ]... Magic Square: the magic costant is 175 ... The sum of all the numbers of the square is 1225 ...

Mercury ...[ 8x8 ]... Magic Square: the magic costant is 260, the sum of all the numbers of the square is 2080 ...

Moon ...[ 9x9 ]... Magic Square: the magic costant is 369 ... The sum of all the numbers of the square is 3321 ...".

According to a Web Gallery of Art web page:

"... Durer's greatest achievement in printmaking were the three engravings of 1513-14, regarded as his masterpieces.

Melencolia I is by far the most complex of the three master engravings.

The winged genius, representing the figure of Melancholy, rests her head on her hand, in a reflective pose, and holds a compass.

Around her are geometric shapes, including a sphere and a giant polyhedron, along with scattered woodworking tools.

The tools are drawn from the field of measuring and building, in other words, architecture.

The rhomboid and sphere represent geometry, the science of measurement and numbers upon which all arts are based.

On the wall of the building hang a bell, an hourglass, scales and a magic square of 16 numerals (with each line adding up to 34).

A dog sleeps at Melancholy's feet and a cherub sits astride an upturned millstone.

A bat-like creature holds up the inscription ... Melencolia I ...".

David Finkelstein noticed the peculiar spelling of MELENCOLIA and realized that it could have been so spelled in order to make an anagram, such as:

MELENCOLIA I =
= LIMEN (Latin for threshhold, door, gate) + COALE (Latin for sustain or keep) + I =

= I the Gate Keeper

Such an anagram for MELENCOLIA I would mean that the final I is NOT the Roman Numeral I indicating the first of a possible series of engravings.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

so i woke up at 3:40 am and proceeded to create the next "series-of-overlays".

i find "co-incidences/synchronicitys'"...
when i employ "intuition"...
1st thing i awaken; so, i conclude the "sound-in-my-head"...
is allowing my "waking-conciousness"...
to "incrementally-awaken"...
to "knowledge"...
that will "illuminate"...
me

:dec8 1of9:

:dec9 2of9:

:dec9 3of9:

:dec9 4of9:

:dec8 5of9:

:dec8 6of9:

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
:dec8 7of9:

The “triple-overlay”;

---> flying saucer
---> Great Pyramid x-section
---> full-view stain glass

reveals interesting “synchronicitys” [labeled 1 through 9]

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
:dec8 8of9:

1] angle C 0 D of the 3-axes graph is co-incident with the “pitch/angle” of the “peak” of the “King’s Chamber”

2] stain glass framing is co-incident with the “2nd-cable" of the King’s Chamber

3] “God” , the “Sun”, and “The Great Step” are co-incident

[note: using different versions of God; Osiris, Bes, Pazuzu, Jesus Christ, also co-incident with "Great Step"; and, flipped horizontal and vertical images wherein “Sun” co-incident with “Great Step”

[note: aka “Leap-of-Faith”]

4] the “Grand Gallery” leads down from “God/Sun at Great Step” to “earth”

5] again; “stain-glass-framing” is exactly co-incident with passage-way leading to “Queen’s Chamber” [note: Mars is perfectly “bi-sected”]

6] the “staggered-base” perfectly aligns with the “mid-line” of the Flying-Saucer; and, ‘bi-sects” Jupiter


~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

:dec8 9of9:

7] again; “stain-glass-framing” “bi-sects" the “Flying-Saucer-Door” leading to Saturn

8] Great Pyramid “descending-passage” perfectly bi-sects Uranus, leading to Subterranean Chamber

[note: the “descending-passage” leads directly to the “apex-base-of-the-inverted-triangle”-start of Schrodinger equation, meaning the “equations” equate to the Ancient Egyptian concept: Re-incarnation ???

9] Subterranean Chamber “level-shaft” is exactly co-incident with the “feet-of-God-on –the-roof-of the-flying-saucer”

Interesting Concept! Nice Team Work too everyone! I wish I had more to contribute but I have sure learned ALOT! haha... Thanks espically to BHD and of course EZ!!!

Hello OP, nice to see you!

Ez' after some, digging, lol, I would strongly suggest NOT pinning anything special on the following items -

The door design (standard design, used a lot)
The wreath (standard design, used a lot)
The cherub (standard design, used a lot)
The drain holes at the back (standard design, used a lot)

The Griffin and the stained glass is a different kettle of fish however.

The physical dimensions and placement for caskets also important.

This from the actual builders of the thing.

hi Nicolemare; hi BadHairDay; Hi thread-followers; contributors

so; someone(s) actually has been in contact with the "Tomb Builders"...

thanks for the " ...heads up!.."

so; woke-up at exactly 3:33 am (have a SioScan Atomic Clock in Kitchen); knew exactly what to "find" next in the stain glass; pretty excited; waiting for "smilie(s) approval"

while waiting; wanted to discuss "Re-incranation"

---> this is for my "Finnish walking friend"

Paraphrasing and Quotes from Link:
[link to www.themystica.com]

The Egyptians believed in reincarnation or the transmigration of the soul.

The soul transmigrated from body to body along with ka (soul), an animating force that was believed to be counterpart of the body, which would accompany it in the next world or life.

The terms reincarnation and transformation of the soul, especially when applied to humans, are about synonymous.

However reincarnation is not accurately synonymous with either metamorphosis or resurrection.

Metamorphosis is roughly the changing of one life form into another life form.

Resurrection, in the Christian sense, means the rising again of the body after death.

About the first definition of soul transmigration came from Pythagoras, the Greek philosopher and mathematician, who taught that the soul was immortal and merely resides in the body; therefore, it survived bodily death.

His further teachings held the soul goes through a series of rebirths.

Between death and rebirth the soul rests and is purified in the Underworld.

After the soul has completed this series of rebirths it becomes so purified that it can leave the transmigration or reincarnation cycle.

Plato, another Greek philosopher, shared similar views as Pythagoras in that the soul of man was eternal, pre-existence, and wholly spiritual.

In Plato's view of the transmigration of the soul from body to body, however, there is a difference.

Plato claimed the soul tends to become impure during these bodily inhabitations although a minimal former life knowledge remains.

However, if through its transmigrations the soul continues doing good and eliminates the bodily impurities it will eventually return to its pre-existence state.

But, if the soul continually deteriorates through its bodily inhabitations it will end up in Tartarus, a place of eternal damnation.

This appears to be an origination of both the concept of karma and the Christian concept of hell.

It was around the first century AD that both the Greek and Roman writers were surprised by the fact that the Druids, a priestly caste of the Celts (see Druidism), believed in reincarnation.

The Greek writer Diordus Siculus (c. 60 BC - 30 AD) noted that the Druids believed "the souls of men are immortal, and that after a definite number of years they live a second life when the soul passes to another body."

The Greek philosopher Strabo (c. 63 BC - 21 AD) observed the Druids believed that "men's souls and the universe are indestructible, although at times fire and water may prevail."

Even Julius Caesar wrote of the Celts "They wish to inculcate this as one of their leading tenets, that souls do not become extinct, but pass after death from one body to another, and they think that men by this tenet are in a great degree stimulated to valor, the fear of death being disregarded."

Elsewhere Caesar complained the Druids were a troublesome people. They were difficult to destroy.

There is little evidence of reincarnation among the early Hebrew people but it later became a part of the Kabbalistic teaching.

The teaching occurred among the early Christians, especially the Gnostics, Manichaeans, and the Carthari, but was later repudiated by orthodox Christian theologians.

When asked by college students why Christianity does not teach reincarnation Patricia Crowther, a witch, answered,

"...The early Christians taught it (reincarnation), and this can be proved by the words of Saint Gregory, Bishop of Nyssa: 'It is absolutely necessary that the soul shall be healed and purified, and if it doesn't take place in one life on earth, it must be accomplished in future earthly lives.'"

Later, in AD 533, reincarnation was declared a heresy by the Council of Constantinople.

The reason reincarnation was repudiated was because of the eschatological teachings of death and judgment which were established as orthodox Christian doctrine.

In simplicity this doctrine states man has just one life in which to merit his eternal reward or damnation.

Such a doctrine also strengthened the Church.

However, many Christians still believe in reincarnation because they think it was taught by Christ.

In an interview the author Jess Stern asked a lady who had previously seen the late American mystic Edgar Cayce "Why do you now find it so important to believe in reincarnation -- wouldn't just being a good Christian, believing in the message of God through Christ be sufficient to get you into Heaven?"

She answered plainly, "Don't you know that Christianity embraced reincarnation for three hundred years, until the Roman influence expunged it after the Enmperor Constantine recognized the Church? What do you think the early Christians were thinking when they asked Christ whether he was Elijah, who had come before? They were think reincarnation, that's what."

She continued, "If you thought of reincarnation as rebirth, I think you could understand it better. Just as the earth has a constant rebirth, so does the spirit. Don't you remember Christ saying, 'Unless man is reborn, he cannot enter the Kingdom of Heaven?'"

Stern told her he thought the was a reference to baptism. She replied, "Christ was not interested in show, but substance, that was at the heart of everything he said or did."

Most occultists and witches would certainly agree with their Christian friend. Reincarnation is rebirth. Just as the earth is renewed so is the spirit or soul which knows no death. To many reincarnation is taught by nature herself. Some would say by the Mother Goddess. In the spring the trees give birth to new leaves, flowers bloom, new foliage springs up. In summer and fall the crops are harvested. In winter the earth rests, everything is dormant. This is the earth's life-cycle which many believe symbolizes the spirit's.

The Christian lady speaking with Stern referred to reincarnation as a learning experience. Each reincarnation not only purifies the soul more, but this purification comes through opportunities to learn more in life if the soul is willing. Here is a division of thought concerning reincarnation. Eastern religions such as Buddhism and Hinduism teach each reincarnation may be different, that is, man may return as a lower life form such as a plant, tree, or animal.

Certain sects of Gnosticism held this belief too. The rationale of such a belief is that the soul has to experience all aspects of life. Western thought of reincarnation is that man just reincarnates to higher spiritual levels of life, but never returns as a lower life form. In Western philosophy it is also held if man does not reach a higher spiritual level he must repeat the cycle until he does.

Most occultists and witches believe reincarnation is a cycle of birth, death, and rebirth. As to the exact cyclical process there are divergent views. Some hold a view similar to the Buddhists the individual personality disintegrates at death with its characteristics forming in a pool with other traits which come together in new reincarnations. Others believe reincarnations only occur within a tribe, race, or family. This is Odinism. Another view is that there is a resting period between reincarnations where the soul rests in a state of bliss in the astral plane called Summerland before it passes into the next reincarnation.

Many occultists have attempted to retrace their past lives or reincarnations by dream analysis, meditation, or occasionally hypnotic regression.

The witch Sybil Leek thought she had been Madame Helena P. Blavatsky, the co-founder of the Theosophical Society. Aleister Crowley believed he traced his reincarnations from Pope Alexander VI, renowned for his love of physical pleasures; to Edward Kelly, the assistant of the Elizabethan occultist and magician John Dee; to Cagliostro; to Eliphas Levi who died on the same day as Crowley was born. Continuing back further Crowley believed he had been Ankh-fn-Khonsu, an Egyptian priest of the XXVIth dynasty.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

so; since the start of my "Spiritual Awakening", i too, have come to believe in "reincarnation"

My participation in Nicolemare's thread [along with guidance by BadHairDay; and others] has contributed greatly to my "direct-spiritual-connection" to God